Hunchback of Notre Dame and the power of pianissimo Recently updated !
The showing on October 28 where I accompanied the 1923 Hunchback of Notre Dame drew the biggest crowd I’ve had yet for a silent film, and I got lots of compliments afterward. With every movie, I try to improve my technique. The innovations for this show worked, as far as the audience and I were concerned.
There are many approaches to accompanying a movie. Some accompanists try to capture the sheer excitement, fear, and passion in each scene. My style is more introspective. I try to underscore what the characters are thinking and feeling. I go for excitement where it’s called for. In this movie, the siege of the cathedral, with Quasimodo conducting a one-man defense against a vast mob, called for thrilling music. But there are many scenes about what Quasimodo, Esmeralda, Phoebus, and other characters are experiencing. They call for more subtle music: contemplative passages, dynamic contrasts, and sudden accents and dissonances.
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