Writing


The “I’m Begging You” Bluesky scam

Now and then someone on Bluesky with a username containing “I’m begging you” tries to contact me. Sometimes it’s a new follower, sometimes a “like” on my post. They’re obvious attempts to con people into giving them money. Recently I looked a little closer and saw how persistent this scammer is. I think it’s all coming from one person or organization.

Scammer screenshot on Bluesky
The posts I’ve checked all contain the same text except for the user ID:

I’M BEGGING YOU — MY CHILD CAN’T WAIT… 💔🙏
@[account].bsky.social
· 6h
HOW CAN I KEEP MY FAMILY SAFE WHEN I CAN’T KEEP US ALIVE?

I’m a Father in Gaza. How do I tell my family not to be afraid when there is nowhere safe to go? 😭

How long can we survive this alone? 💔
How much longer can I watch them suffer?

PLEASE DONATE NOW 🙏

A link to a GoFundMe campaign follows.

Update Oct. 30, 2026: Most of these accounts are now gone, though I’m still seeing two. Bluesky must have caught up last night, but they keep coming.

One account making this kind of plea might be legitimate, though you should be cautious about any request for money from a stranger. A mass-production operation with so many accounts is a clear sign of fakery. Another red flag is that they follow many accounts but have few followers.

I block and report these accounts when they contact me. I’m surprised Bluesky hasn’t set up an automated process to kill these accounts as they appear. They’re so cookie-cutter similar, it should be easy.

Wanting to help people hurt by wars is a good thing, but don’t be a sucker. The best way is to donate to a reputable charity.


German and gender 2

I know enough German to participate in a conversation and read a book or a news article. Like any language, it has odd features. Its pronunciation is more regular than English, though it’s not as consistent as, say, Italian. A feature which catches everyone’s attention is the gender system. I’d like to discuss it a bit, because its oddness helps to make it clear what gender is and isn’t, and because it creates distinctive problems for the language.

The word “gender” is related to “genre.” Originally it meant simply a kind of word, one that has distinctive grammatical features. It’s common for languages to have male and female genders, with or without a neuter gender, but some have genders that have nothing to do with sex. For instance, some languages have animate and inanimate genders. Languages in the Bantu family tend to have a lot of genders. At some point, people started using “gender” as a euphemism for “sex,” engendering confusion. Today we have the weird situation where some people think they can make themselves male, female, or even plural by declaring what pronouns apply to them.

But that’s English, and I was going to discuss German. I haven’t heard of anyone doing that in German. If nothing else, it would run into the problem that both “she” and “they” translate as “sie.” German has a different gender problem.

The German language has masculine, feminine, and neuter genders. Masculine and feminine as grammatical terms correspond roughly with male and female, but there are many exceptions. The same person can be “der Mensch” (masculine), “die Person” (feminine), and “das Kind” (neuter). If you heard all three of those words, you wouldn’t know whether the person in question was a boy or a girl. In strict grammar, you’re supposed to use pronouns that agree with the noun you just used, which means that a man can be “she” or a woman “he.” Things can be masculine, feminine, or neuter, and you have to memorize each word’s gender without expecting consistency.

But the biggest problem is more than a grammatical curiosity. Words for professions, nationalities, and so on have male and female forms. The female one adds the suffix “-in,” which works like the English “-ess.” So you have “der Professor” and “die Professorin,” “der Amerikaner” and “die Amerikanerin,” etc. Adding to the confusion, the “-in” suffix can have other meanings. Richard Strauss’s opera Der Rosenkavalier has a character called “die Feldmarschallin.” When I first encountered the opera, I thought she was a female field marshal, which would be unusual even today. It turned out to mean the field marshal’s wife.

The distinction needlessly splits categories in two and makes it hard to talk about all their members. The traditional practice is to revert to the male form when referring to a group as a whole or a mixed subset. Understandably, some people don’t like that. A fix which has become common is to combine the two forms into one word. (German is good at combining words.) For example, professors in general are called “Professor*innen.” The asterisk sometimes becomes a glottal stop, but the usage I’ve heard isn’t consistent.

This doesn’t feel like a long-term fix. It’s easy to hear “Professor*innen” as “Professorinnen,” and then it sounds like only female professors. If I had a vote, I’d get rid of the female forms and have the base form apply to everyone in the group. Germans are already used to genders that don’t match biology. English has been going in this direction for the few nouns that have different gender forms. The word “actress” still exists, but women who act are often called actors. “Seamstress” has become “sewer,” though not everyone thinks that’s an improvement.

The lesson is that grammar often doesn’t make sense, and we have to live with it.


Another call for violence in New Hampshire

New Hampshire is supposed to be a friendly state. The LPNH didn’t do much to uphold the image when it called for murdering Democratic office holders. Now we have a legislator challenging an opposing political leader to a street fight.

Ned Raynolds, a Democratic state legislator from Portsmouth, challenged Jason Osborne, the Republican majority leader in the state’s House of Representatives, to an unarmed duel in downtown Portsmouth. He wrote, “No weapons, no posse — just you & me. We’ll stop traffic, and I’ll put you on the ground and rub gravel in your face.” That’s literally the language of a schoolyard bully. There seems to have been worse, but the Globe didn’t dare publish it, instead referring obliquely to “crude and misogynistic language” and “a vulgar phrase.” Strange, since Osborne is a man.

Democratic leader Alexis Simpson has responded, “I said it when extremists called for the assassination of Democrats last week, and I say it to members of my own caucus who propose fistfights. Violent rhetoric has no place in our politics.”

Raynolds isn’t running for reelection but has refused calls to resign.


The Museum of Printing

In Haverhill, Massachusetts, less than five miles from my house, you can find the Museum of Printing. It’s crammed with typesetters, typewriters, computers, printing presses, and lots of other things. It’s open on Saturdays.
Museum of Printing

Recently I started as a volunteer. I’ve found a niche in the library, which has about 6,000 books on all aspects of printing. Its cataloguing system is a spreadsheet; eventually we may improve on it. The library doesn’t circulate, so it isn’t urgent.

When I say “library” I’m talking about the Frank Romano Library. The museum has five libraries, and so far I’ve gotten a good look at only two of them. The other three are font libraries, so they aren’t the kind where you’d sit down and enjoy a nice read.

There’s a “hologram” of Benjamin Franklin; I don’t know how long it’s going to be there. I put the word in quotes because it isn’t actually a 3-D image. It consists of images projected onto three whirling fans that aren’t coplanar. The fans are nearly invisible when running, and the resulting image looks somewhat three-dimensional when viewed from the front. Even if it isn’t a hologram, it’s unusual and eye-catching.

A personal favorite of mine is the Quadritek 1200, a phototypesetting console from the 1980s that used cassettes for data storage. I worked for Itek and wrote software for it, including parts of the data communication module.

If you’d like to see more, here’s my Flickr album from the museum.


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Thoughts on blogging 3

It’s a full week since my last post. I’ve been busy, adding volunteer work with the Museum of Printing to my schedule and getting back to regular singing with the Exeter UU choir after a summer break. During that time, I’ve been thinking about what blogging (especially this blog) accomplishes and how I might reach more people.

Blogs were once a bigger part of the Internet. It’s easy to set one up, and as long as you don’t do things that will upset the hosting provider, you can say what you want. People can follow it in a variety of ways, and they don’t need to hope the software will declare it worth seeing. That’s not what people want now. They want to have everything in one place, they subscribe to much more than they can read, and they trust the website to decide which items they’ll see. Then they’ll gripe about The Algorithm, but these sites are just giving them what they want. They don’t want the responsibility of being active readers, but they don’t want a big corporation’s software making their decisions for them. What do they want?

A lot of them don’t want in-depth reading. They want a flow of input which they’ll passively absorb. People are reading less long-form material than they used to. Even a 1000-word blog post is too much for many. Still, the written word is vitally important. That’s the best place to record facts and explore ideas. Building and keeping an audience is hard, and sometimes it’s frustrating to see which posts work and which don’t. For a while, my most popular post was a piece of fluff on why the New York Times excluded some words from Wordle and not others. I eventually deleted the content.

I keep a blogroll in the sidebar to link to blogs readers might find interesting, especially if they’re by people I know. That used to be an important way to find blogs, as well as building the search rank for ones a lot of people liked. Google tweaked its search algorithm to give little weight to blogrolls, so many people gave up, but they still help people to find material they’ll like.

RSS feeds are a good way to track blogs, especially ones with irregular schedules, and many blogs have one by default, but not as many publicize their feeds. Maybe I’m just an old Neandertal longing for the old, decentralized Internet, but it had something which the big social media sites don’t have as much of: control over what you read.

I’ll keep writing and obsessing over my readership statistics. Some people will keep reading, and hopefully they’ll find something of value.


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