Freedom of speech has a cultural dimension as well as a legal one. Legally, it means that the government must not punish people for their expression, except when it violates the rights of others (e.g., clear threats). Cultural respect for free speech is also important. Where it exists, people have room to express their opinions, even when most people disapprove of them. If it goes away, legal protections for free speech are likely to follow.
Cultural freedom of speech doesn’t mean an obligation to grant a platform or to refrain from criticism. The best way to describe it is going after ideas rather than people when possible. Saying that an idea is horrible is one thing. Saying that the person who said it horrible is a stronger charge and can do more damage. This doesn’t mean we should never condemn people for what they say, but it should be reserved for the most serious cases.
(more…)
As fans energetically discuss the aftermath of the Chengdu Worldcon, some are thinking about the risks of future Worldcons in countries with a bad record on free speech and human rights. There are some issues with the UK, which is hosting this year’s convention, but it’s too late to change it. Let’s look ahead to the bid for Kampala in 2028.
There’s never been a Worldcon in Africa, and that helps to make the idea attractive. The bid website talks about Uganda’s literary history:
(more…)
My latest article for Liberty Fund’s Online Library of Liberty, “The Peasants’ War and Martin Luther,” is now online. Marxist claims have largely dominated historical discussions of the Peasants’ War, but it was a revolt in defense of property rights, not against them. Its Twelve Articles contain ideas that appeared in the United States’ Declaration of Independence.
“One down. Two to go. This forced resignation of the president of @Penn is the bare minimum of what is required.”
That’s the kind of language you might expect from the Minister of Truth in a socialist dictatorship. It’s from Elise Stefanik, a Congresswoman from New York. The offense for which Stefanik and many others are seeking to remove three university presidents is the failure to regard advocacy of genocide unconditionally as harassment.
(more…)
I’m the kind of person who always needs to have a project or two going. Things have been slow in that department lately, and FAWM is still about six weeks away. The two novels I wrote were enjoyable to do, but fiction isn’t my strongest point. The research I did for them has proven fruitful, though. I thought about writing a book on the Protestant Reformation and its effect on the emergence of personal freedom. I can’t claim to be a professional historian, though, and the readership would undoubtedly be small.
But I can write songs. The idea I’ve developed is a song cycle which combines music and history while connecting to my novels. Hans Lorenz is Thomas and Frieda’s son in The Magic Battery and Spells of War. He’s a small child and isn’t developed much as a character, but he has strong musical abilities. In this cycle, the adult Hans is the singer of songs which could get him into bad trouble for the ideas they expressed; but doing that runs in his family. (His father was on trial for his life, his mother’s book was burned, and his grandmother was killed in prison, accused of witchcraft.)
The first song, which I’ve put up on SoundCloud, is “Deva Prison.” It presents history which most listeners won’t know, so it’s followed by a short talk by “Hans” to his audience about the facts behind the song. This is a pattern which I plan to follow in other songs in the cycle.
A fact that might get a few people more interested: Dávid Ferenc, the subject of the song, was the founder of Unitarianism.
If I achieve my goal, this cycle will present some important history which isn’t familiar to most modern audiences in an entertaining way. Let me know what you think.
According to a Des Moines Register article, fourteen state attorneys general have accused the New York Times, the Associated Press, CNN, and Reuters of serious crimes. The accusations appear highly dubious. The claim is that these news organizations have paid freelance reporters who have ties to Hamas and have thereby committed the crime of “material support for terrorism.”
A Fox News article corroborates the main points and adds some details. I don’t consider Fox News a very reliable source, but when a news outlet makes the people it generally supports look bad, it’s more credible, and the Fox News article has a bit more nuance than the Register article.
(more…)
This post is a signal boost for Ada Palmer’s very interesting John Nuveen Lecture on censorship at the University of Chicago Divinity School. A lot of you reading this blog may know her better from her songs and the group Sassafrass, but she’s amazingly knowledgeable about a lot of things.
(more…)
Cancel culture is a prominent, ugly feature of public discourse today, yet many claim it doesn’t exist. They say there are only “consequences,” which amounts to saying that if you’re subjected to abuse because you said something controversial, what else did you expect?
Gangs of goons shout speakers down and claim that doing so is part of the right of “free speech.” By their logic, DDoS attacks on websites and jamming of radio communications are free speech. They shout “Shame! Shame!” as if anyone besides themselves were acting shamefully. They have only one standard: their authority to command others and demand silence from anyone who doesn’t think as they do.
It wasn’t always this way. Threats and demands for punishment of heretics have always been around, and some periods in American history have been full of open violence against opposing views, but the present levels of hostility are the worst in decades. In The Cnceling of the American Mind, Greg Lukanioff and Rikki Schlott document how frequently people on both the right and the left have come to regard anyone who disagrees as an inherently evil person, an enemy to be brought down.
(more…)
Two articles which I wrote for Liberty Fund are up in their Banned Books Week series, which runs all through October. My articles are on Caron de Beaumarchais’s two well-known “Figaro” plays, both of which got him in trouble with the censors.
Take a look at the rest of the articles if you have time; there’s a lot of interesting material.