music

Comparing four Beethoven recordings

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I’ve never been very good at noticing differences in performances of classical pieces and picking a favorite. Occasionally one really jumps out, like the Zurich Tonhalle’s recording of Beethoven’s Pastoral Symphony, but usually the differences are subtle. It takes careful listening even to notice that there are differences. As an exercise, I picked out four recordings of a piece I know well and listened to them repeatedly to compare them. There really are differences.

The piece I picked was Beethoven’s Leonore Overture No. 3. The recordings were:
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Douglas Fairbanks in Robin Hood

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That’s the exact title of the 1922 movie — Douglas Fairbanks in Robin Hood — that I’ll be accompanying at the Plaistow (NH) Library on January 13. They called it that because anyone could make a movie called “Robin Hood” to draw off confused moviegoers, but no one else could legally claim superstar Fairbanks was in it.

Many movies have been made about Robin Hood, and there’s no canonical story. Some emphasize his “stealing from the rich and giving to the poor.” Others show him as a partisan of King Richard, fighting against the encroachments of Richard’s brother John. This movie is in the latter category. Robin Hood is the Earl of Huntingdon, fighting the tyranny John exercises while Richard is away for a Crusade. The first part of the movie shows John plotting for power and achieving it, and Huntingdon becomes Robin Hood only after reluctantly deserting his king. His chief enemies are Prince John and Guy of Gisbourne. The Sheriff of Nottingham is basically a walk-on part.
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New on YouTube: A Christmas Carol (1910) 2

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It’s that time of year, so I went looking for Christmas-themed silent movies. Dickens’ A Christmas Carol was adapted multiple times. The earliest known version was directed by Walter R. Booth and released in 1901. It survives only in a five-minute fragment. A 1908 treatment is considered lost. That leaves Edison’s 1910 film as the earliest treatment that survives in a reasonably complete form. Marc McDermott is an enjoyable Scrooge, and Charles Ogle, better known as the first actor to portray Frankenstein’s monster on the screen, is Bob Cratchit. This is the film I’ve combined with my accompaniment on YouTube.
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In memoriam: Leslie Fish 4

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Leslie Fish, one of the best-known members of the filk music community, has died. She was talented, opinionated, outgoing, and just weird (in the best sense of the word). I didn’t know her well, but I’d seen, heard, and talked with her on many occasions. Other people who knew her better will write about her, but I should give my perspective here.

She appeared on the fannish scene around 1975. With a group called the DeHorn Crew, she produced a vinyl LP called Folk Songs for Folk Who Ain’t Even Been Yet. Another, Solar Sailors, came out the next year. The songs focused on Star Trek and space travel. In addition to being a fan, she was an anarcho-syndicalist, associated with the Industrial Workers of the World (IWW), aka the “Wobblies.” She was no fan of central economic planning, and her politics often ran in a libertarian direction.
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Hunchback of Notre Dame and the power of pianissimo

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The showing on October 28 where I accompanied the 1923 Hunchback of Notre Dame drew the biggest crowd I’ve had yet for a silent film, and I got lots of compliments afterward. With every movie, I try to improve my technique. The innovations for this show worked, as far as the audience and I were concerned.

There are many approaches to accompanying a movie. Some accompanists try to capture the sheer excitement, fear, and passion in each scene. My style is more introspective. I try to underscore what the characters are thinking and feeling. I go for excitement where it’s called for. In this movie, the siege of the cathedral, with Quasimodo conducting a one-man defense against a vast mob, called for thrilling music. But there are many scenes about what Quasimodo, Esmeralda, Phoebus, and other characters are experiencing. They call for more subtle music: contemplative passages, dynamic contrasts, and sudden accents and dissonances.
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