music


The Hunchback of Notre Dame, Plaistow, October 28

It’s time for another classic silent movie! On Tuesday, October 28, at 6 PM, I’ll accompany the 1923 film The Hunchback of Notre Dame at the Plaistow, NH Library. Nearly half the available spaces have already been reserved, so be sure to sign up in advance. The film, based on Victor Hugo’s novel Notre-Dame de Paris, highlights Lon Chaney’s makeup skills and his ability to win empathy for a deformed-looking character.

Hugo’s novel has been adapted many times for film. There were at least four before the Lon Chaney film. Charles Laughton, Anthony Quinn, and Anthony Hopkins are among the actors who have played Quasimodo. Disney turned it into a cartoon and compounded the blasphemy with a sequel where Quasimodo and Esmeralda are still alive. The 1923 version is widely considered one of the best adaptations.

Just by the way, I’ve noticed that the emailed version of these posts delivers the text only to the “More” marker and gives no clue that it’s incomplete. From now on, I’ll add an indicator that there’s more to the post, like this:

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A week in Germany   Recently updated !

On Wednesday I returned from an eight-day trip to Germany, one day longer than planned. I was nervous about leaving and re-entering the US, and if I’d known when I made my reservations how fast things would get worse, I might have changed my mind. The US border has long been a Fourth Amendment-free zone, but now it’s First Amendment-free as well. Fortunately, I seem too obscure to bother with.

Delayed flights have become common. The closest airport to my destination was Hannover, which is relatively small, so I had to change flights both ways within Germany. In retrospect, I should have found a direct flight to a major city and taken the train the rest of the way. Trains are also horrible for delays, but there’s almost always a next one the same day if you miss a connection. If there’s an ICE train (Inter-City Express, no relation to the US gang) to your destination, it will get you there quickly without airport annoyances. Fortunately, there were no problems with changing planes in Munich.
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Tom Lehrer and Georg Kreisler

Tom Lehrer’s satirical songs are familiar to many of you, I’m sure. Not many of you will have heard of another satirical songwriter, Georg Kreisler, if only because he wrote in German. If you’re American and have heard of him, it’s probably because of the striking similarities between two of his songs and two of Lehrer’s. Let’s take a look at them.
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“A Trip to the Moon” is now available on YouTube

This morning I saw that my video of Georges Méliès’ Le Voyage dans la Lune (A Trip to the Moon) is no longer blocked on YouTube. Its status now says “Visibility restrictions are lifted until the dispute is resolved.” That means it could disappear again.

Again, the is the complete version, with a celebration at the end, and the accompaniment is my original, improvised music. I did a better job this time than in my earlier public performances.
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Tom Lehrer as composer 3

A couple of days ago I was saddened but not surprised to learn that Tom Lehrer had died. He was 97 years old, after all. He remarked many years ago that “It is sobering to consider that when Mozart was my age he had already been dead for a year,” but he went on to surpass the lifespans of nearly every well-known writer of music. Irving Berlin and Elliott Carter broke the century mark, but that’s about it. His songwriting career was only a short interlude in a long academic career, but his fans know nearly all of his thirty or so songs.

The lyrics of those songs are widely quoted and discussed, but not as much is said about his music. He set his satirical lyrics to tunes that are inventive, catchy, and full of solid musicianship. I’d like to say a few things about that music, to restore a bit of balance.
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The General on YouTube

After figuring out (I hope) what was wrong with the music I provided for Buster Keaton’s 1926 film The General at the Plaistow Library, I did the music over and recorded a new version for YouTube. That means there are no audience sounds, but in this case that’s an advantage. Besides, the music was recorded directly to a computer, so it has better sound quality than the recording I made at the library.

I’ve already discussed the movie here and my approach to accompanying it here, so I’ll just say that I hope you enjoy it.
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A silent movie failure

I failed terribly last night when showing The General. I don’t know what I did wrong.

As I’ve said before and told the audience before the showing, The General is a complex movie. It’s a comedy, but it’s also a war movie. A train collapses into a gorge. Soldiers die on screen. I expect people to laugh at the funny parts. I don’t expect them to laugh at the deaths. I tried to underscore the mood of each scene, as I always do. It didn’t work.
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Coming to Plaistow July 22: The General

It’s just two weeks till my next live silent movie show at the Plaistow Library: The General, made by and starring Buster Keaton. I know most of you aren’t local, but if you can spread the word among silent movie fans, it will help. This is the first time I’ll be presenting an evening show, and getting eight sign-ups so early is encouraging.
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Yearning to Breathe Free

In my latest YouTube video, Yearning to Breathe Free, I try something new. Rather than accompanying an existing silent film, I’ve created a ten-minute history of immigration to the US in still images and added my improvised accompaniment. It’s been a learning experience in a lot of ways. First was the selection of images to combine into a coherent story. It consists of several sequences, each covering a different historical period from 1607 to the present. The first version didn’t make the structure nearly clear enough. Thanks to Virginia Taylor for catching this problem. I thought about inserting a summary before each segment and adding captions and ended up doing both. Then there was the timing. Before adding the music, the pacing felt slow, yet some images hold a lot of text, and test viewers didn’t always spot the important parts in time. I lengthened the time for some images and drew visual attention to the important text in one image.
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Fritz Lang’s Woman in the Moon

The 1929 film, Frau im Mond or Woman in the Moon, was the first feature film to present space travel realistically. I’m amazed at how much it got right, considering Fritz Lang released it 40 years before the first human stepped on the Moon. Of course, it has some errors that are obvious today, but a lot of modern space movies don’t do as well.

The best part is the trip to the Moon, which occupies about 40 minutes of a film which is 2 3/4 hours long. Once the hatch opens and the travelers step out onto the Moon, the science goes bonkers. So I’ve created a video with my accompaniment of that sequence. It starts with the call to stations 50 minutes before launch and ends when the hatch is opened on the lunar surface. The video contains German intertitles with English translations below them.
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