history


Coming to Plaistow July 22: The General

It’s just two weeks till my next live silent movie show at the Plaistow Library: The General, made by and starring Buster Keaton. I know most of you aren’t local, but if you can spread the word among silent movie fans, it will help. This is the first time I’ll be presenting an evening show, and getting eight sign-ups so early is encouraging.
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Yearning to Breathe Free

In my latest YouTube video, Yearning to Breathe Free, I try something new. Rather than accompanying an existing silent film, I’ve created a ten-minute history of immigration to the US in still images and added my improvised accompaniment. It’s been a learning experience in a lot of ways. First was the selection of images to combine into a coherent story. It consists of several sequences, each covering a different historical period from 1607 to the present. The first version didn’t make the structure nearly clear enough. Thanks to Virginia Taylor for catching this problem. I thought about inserting a summary before each segment and adding captions and ended up doing both. Then there was the timing. Before adding the music, the pacing felt slow, yet some images hold a lot of text, and test viewers didn’t always spot the important parts in time. I lengthened the time for some images and drew visual attention to the important text in one image.
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When music became copyrightable 1

Classical music lovers know that in the late eighteenth and early nineteenth centuries, composers shifted from seeking patrons to support them to becoming freelance composers and performers of their own work. This was partially because of cultural changes, but I learned recently that legal factors also played a role. A key decision in British law was Bach v Longman, where judge Lord Mansfield ruled in 1777 that printed music was protected by copyright.
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Reclaiming the American narrative

Narratives are a powerful thing in shaping a culture or a political movement. Narratives are patterns of explanation that turn a series of events into a story. They ascribe a consistent purpose to actions and show one event leading to another. Sometimes narratives stray from the facts, but they don’t have to. What makes a narrative is an underlying direction and a causal chain.

They’re often more powerful than facts for influencing people. Convince people of a narrative’s validity, and they’ll ignore or reject what doesn’t fit it. They’ll accept even implausible conclusions that fit with it. They’ll admire people who promote it and dislike ones who contradict it. To persuade large numbers of people, it isn’t enough to muster facts; it’s necessary to assemble them into a story.
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