Monthly Archives: October 2025


Hunchback of Notre Dame and the power of pianissimo

The showing on October 28 where I accompanied the 1923 Hunchback of Notre Dame drew the biggest crowd I’ve had yet for a silent film, and I got lots of compliments afterward. With every movie, I try to improve my technique. The innovations for this show worked, as far as the audience and I were concerned.

There are many approaches to accompanying a movie. Some accompanists try to capture the sheer excitement, fear, and passion in each scene. My style is more introspective. I try to underscore what the characters are thinking and feeling. I go for excitement where it’s called for. In this movie, the siege of the cathedral, with Quasimodo conducting a one-man defense against a vast mob, called for thrilling music. But there are many scenes about what Quasimodo, Esmeralda, Phoebus, and other characters are experiencing. They call for more subtle music: contemplative passages, dynamic contrasts, and sudden accents and dissonances.
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The cowardice of Portsmouth’s Music Hall

Last weekend I attended a concert by the Portsmouth Symphony Orchestra in the Music Hall, Portsmouth, New Hampshire. The audience seemed smaller than usual. There could be several reasons, but one possible explanation is a recent act of cowardice by the Music Hall’s management.

Update, November 6, 2025: The Music Hall’s board has removed president Tina Sawtelle in an effort to repair the damage. This is very encouraging.

Earlier in October, the Music Hall unilaterally cancelled a scheduled event by the Lovering Center of Greenland, NH. The stated reason was security concerns. What terrified Music Hall president Tina Sawtelle was news that a peaceful protest was planned outside the venue. There was no suggestion that violence or disruptive activity would happen, but the Music Hall management thought that a simple protest placed the theater in too much danger. I wonder if they barricaded their doors and windows during the October 18 “No Kings” protest in Portsmouth, which was vastly bigger. The description of the planned Music Hall protest said it was “to hold signs, pray, fill the sidewalks with chalk messages of hope and truth, and enjoy each other’s fellowship.” You don’t have to agree with their cause to recognize that it’s legitimate activity under the First Amendment.
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Bothsidesism now

In a world dominated by political tribalism, you’re expected to condemn things the other group does while excusing your group for doing the same thing. If you apply the same standards to both, you’re mocked for “bothsidesism.” Hypocrisy is an obligation.

Many of the things which Trump has done have precedents in previous administrations; he’s just carried them to their outer limits. Democratic and Republican presidents alike have conducted wars not declared by Congress. After a mysterious meeting in the Biden White House, Amazon put some books on the “Do Not Promote” list. The ACLU actively supported Biden’s attempt to write off student loans, which would have been a federal expenditure by executive decree.
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“Fascism” as a coded term

In my early college years, I was basically conservative in my political views. As a result, I got called a “fascist” or “fascist pig” on a lot of occasions. In one memorable moment, people who were blocking the entrance to MIT yelled “Fascist!” at me as I tried to get past them.

The term is still used as a general-purpose smear, with little regard for the actual meaning of Fascism. The history of this practice goes back a long way and has its roots in Marxism, especially the Soviet variety. Stalin said in 1924: “Fascism is the bourgeoisie’s fighting organisation that relies on the active support of Social-Democracy. Social-Democracy is objectively the moderate wing of fascism.” During World War II, the USSR often characterized its fight as one against “fascism,” even though its battles were with Germany’s Nazi government and not Italy’s Fascist government. ……
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The Hunchback of Notre Dame, Plaistow, October 28

It’s time for another classic silent movie! On Tuesday, October 28, at 6 PM, I’ll accompany the 1923 film The Hunchback of Notre Dame at the Plaistow, NH Library. Nearly half the available spaces have already been reserved, so be sure to sign up in advance. The film, based on Victor Hugo’s novel Notre-Dame de Paris, highlights Lon Chaney’s makeup skills and his ability to win empathy for a deformed-looking character.

Hugo’s novel has been adapted many times for film. There were at least four before the Lon Chaney film. Charles Laughton, Anthony Quinn, and Anthony Hopkins are among the actors who have played Quasimodo. Disney turned it into a cartoon and compounded the blasphemy with a sequel where Quasimodo and Esmeralda are still alive. The 1923 version is widely considered one of the best adaptations.

Just by the way, I’ve noticed that the emailed version of these posts delivers the text only to the “More” marker and gives no clue that it’s incomplete. From now on, I’ll add an indicator that there’s more to the post, like this:

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