science fiction

Another story of the Chengdu Worldcon 2

This entry was posted in News and tagged China fandom science fiction on by

This weekend, I heard a remarkable account from a science fiction writer who wanted to go to the Chengdu Worldcon. He was talking to a small group of people including me, but I don’t know if he wants it publicized, so I’ll omit his name.

To go to China you need a visa, which requires going through a Chinese embassy. He made his application and, as requested, listed his professional affiliations. One of them, not surprisingly, was SFWA. He was asked what the abbreviation stood for and explained it’s “Science Fiction and Fantasy Writers Association.” (The name has changed once or twice while keeping the abbreviation.) This got some alarmed responses, and he was told they’d have to get back to him. The process dragged on without a decision. Finally, a few weeks before the con, he withdrew his application so he wouldn’t have a denied visa request on is record.
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The Tianwen project

This entry was posted in Commentary News and tagged censorship China science fiction on by

File 770 has a fascinating article, “Decoding the Tianwen Project”, about the Chinese government’s aims to achieve a dominant position in the science fiction world. The piece is “posted anonymously to protect the author’s identity, as the author is part of the Chinese diaspora who occasionally travels to China.”

China has already engaged in censorship outside its borders through its print shops. It pressured Disney into killing nearly all the distribution of Kundun, which presents the Dalai Lama favorably and Mao unfavorably. A CNN article says China has “the world’s largest known online disinformation operation.”
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Frankenstein (1910) with fresh accompaniment

This entry was posted in Movies Personal and tagged music science fiction silent movies on by

This week I added an ART USBMIX mixer to the audio gear I use to accompany silent movies on Twitch. The 1910 Frankenstein from Edison Studios was one of the movies I showed in January; I redid it with the mixer, hoping to improve the sound quality by eliminating the microphone and the keyboard and room noise along with it. I’m happy with the result and plan to use this setup in my February 14 movie. The proof of concept is now up on YouTube.
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Human rights issues with a Kampala Worldcon

This entry was posted in Commentary and tagged conventions fandom liberty science fiction Uganda on by

As fans energetically discuss the aftermath of the Chengdu Worldcon, some are thinking about the risks of future Worldcons in countries with a bad record on free speech and human rights. There are some issues with the UK, which is hosting this year’s convention, but it’s too late to change it. Let’s look ahead to the bid for Kampala in 2028.

There’s never been a Worldcon in Africa, and that helps to make the idea attractive. The bid website talks about Uganda’s literary history:
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Hugo nominees mysteriously declared ineligible

This entry was posted in Censorship Commentary News and tagged censorship China conventions fandom science fiction on by

The detailed statistics for the 2023 Hugo Awards voting are finally out, and they’ve triggered a controversy. A number of nominees were declared ineligible without explanation.

Kevin Standlee, who has played important roles in running many fan conventions, noted:

An overwhelming majority of the members of WSFS who voted on the site of the 2023 Worldcon (at the 2021 Worldcon in DC) selected Chengdu, China as the host of the 2023 Worldcon. That meant that the members of WSFS who expressed an opinion accepted that the convention would be held under Chinese legal conditions. Furthermore, those people (including me) who suggested that there might be election irregularities were overridden, shouted down, fired from their convention positions, and told that they were evil and probably racist for even suggesting such a thing.

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