Sometimes I overdo things. When I visited Boston on Wednesday for the next part of my abolitionism tour, I walked to exhaustion and had to skip one destination. It was worth the effort anyway. Here’s the start of a Flickr album for the tour, which is incomplete as I’m writing this.
My abolitionism tour is off to a fast start. On Friday I went to Newburyport to see some places related to William Lloyd Garrison. On Saturday I visited the Amesbury home, grave, and birthplace of John Greenleaf Whittier.
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After my enjoyable tour of the libraries of Rockingham county, I started thinking about doing something similar to follow it. My first thought was sites relating to American independence; there are plenty of them in my area. Then an idea that’s more off the beaten track came to me: a tour of abolitionist sites. William Lloyd Garrison was born in Newburyport and conducted much of his activity in Boston. John Greenleaf Whittier was from Haverhill, just across the border from me. Frederick Douglass moved to New Bedford after escaping slavery, and today I’ve learned how much other anti-slavery activity was based in New Bedford. (Sign up with Captain Ahab, and you’ll be out of the slave-catchers’ reach!) Also today (that is, Sept. 11, when I’m writing this), I found out the MBTA has renamed a ferry after Frederick Douglass. It isn’t obvious how to tell where the boat will be at any time, but it’s at least worth knowing.
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The new ICE confinement facility in Florida, semi-officially called “Alligator Alcatraz,” is by all accounts brutal, unsanitary, and degrading. It’s a showpiece of the Trump administration, whose followers admire it for its sheer viciousness. Some people, including plenty on Bluesky, have taken to calling it “Alligator Auschwitz.” The term trivializes the Nazi extermination camp. Bad as the Florida facility is, it isn’t designed to kill people systematically. Equating the two implies that Jews in the Nazi camps merely had a very rough time of it.
Alligator Alcatraz is a concentration camp, a place where many civilians are involuntarily moved to and confined in without charges or due process. The Japanese-American internment camps of World War II were concentration camps in the same sense, and I’ve used the term repeatedly for them. But it isn’t a death camp. Trump is evil, but he hasn’t reached that level of evil yet.
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Charles Chaplin was a complicated person, formerly accused for being a Communist. (I use “Charles” rather than “Charlie” because this article focuses on the man rather than his movie persona.) These accusations had no merit, but the Wikipedia article on Chaplin echoes some of the charges against him. It claims that “he feared that capitalism and machinery in the workplace would increase unemployment levels” and that this view influenced his film Modern Times. It asserts that his late film Monsieur Verdoux presented views “criticising capitalism and arguing that the world encourages mass killing through wars and weapons of mass destruction.” (Wikipedia articles regularly change, so you might see something different at a future date.)
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It’s just two weeks till my next live silent movie show at the Plaistow Library: The General, made by and starring Buster Keaton. I know most of you aren’t local, but if you can spread the word among silent movie fans, it will help. This is the first time I’ll be presenting an evening show, and getting eight sign-ups so early is encouraging.
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In my latest YouTube video, Yearning to Breathe Free, I try something new. Rather than accompanying an existing silent film, I’ve created a ten-minute history of immigration to the US in still images and added my improvised accompaniment. It’s been a learning experience in a lot of ways. First was the selection of images to combine into a coherent story. It consists of several sequences, each covering a different historical period from 1607 to the present. The first version didn’t make the structure nearly clear enough. Thanks to Virginia Taylor for catching this problem. I thought about inserting a summary before each segment and adding captions and ended up doing both. Then there was the timing. Before adding the music, the pacing felt slow, yet some images hold a lot of text, and test viewers didn’t always spot the important parts in time. I lengthened the time for some images and drew visual attention to the important text in one image.
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Every year, advocates of an all-powerful federal government claim that June 21 is New Hampshire’s “birthday” because it ratified the Constitution on that day in 1788. Representative Chris Pappas made that absurd claim on Bluesky:
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Classical music lovers know that in the late eighteenth and early nineteenth centuries, composers shifted from seeking patrons to support them to becoming freelance composers and performers of their own work. This was partially because of cultural changes, but I learned recently that legal factors also played a role. A key decision in British law was Bach v Longman, where judge Lord Mansfield ruled in 1777 that printed music was protected by copyright.
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Narratives are a powerful thing in shaping a culture or a political movement. Narratives are patterns of explanation that turn a series of events into a story. They ascribe a consistent purpose to actions and show one event leading to another. Sometimes narratives stray from the facts, but they don’t have to. What makes a narrative is an underlying direction and a causal chain.
They’re often more powerful than facts for influencing people. Convince people of a narrative’s validity, and they’ll ignore or reject what doesn’t fit it. They’ll accept even implausible conclusions that fit with it. They’ll admire people who promote it and dislike ones who contradict it. To persuade large numbers of people, it isn’t enough to muster facts; it’s necessary to assemble them into a story.
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