The Sanity Project


Note on mcgath.com

Update: mcgath.com is now hosted by Dreamhost and is working.

I just learned that the SSL certificate on my companion website, mcgath.com, is broken. The problem is with HostGator, which messed it up just a few months ago and then allegedly fixed it. It’s time for me to migrate to a competent hosting company. Unfortunately, due to other stuff I’m dealing with, this will take a couple of weeks.

It should be reasonably safe to click through any warnings, since the site serves only static content and it’s unlikely to be worth anyone’s while to set up a man-in-the-middle attack. Use common sense if you see anything suspicious, naturally.


Villains

Villains make stories exciting. They add an element of danger, giving the hero an adversary to overcome and the reader someone to hate. But who exactly counts as a villain? Is it any character who does bad things? This question came up in my mind when discussing the question of whether the opera Carmen has a villain. Is it Don Jose? He murders the protagonist. Is it Carmen? She leaves a trail of ruin, but that’s not her intention. Here I’ll put a few thoughts together.

First try: A proper villain does bad things with bad intentions. But do the intentions have to be bad? The classic example of the righteous villain is Javert in Les Miserables. Throughout the novel, he pursues Jean Valjean in the belief that he’s hunting down a dangerous criminal. He can’t grasp that Valjean has greatly changed, and when the truth hits him … well, that’s a spoiler. Is he a villain? Gottesmann in my The Magic Battery is similar, and I had Javert in mind when I created him. He thinks that letting just anybody use magic is too dangerous to allow, and he won’t allow the conviction of an innocent person, but his campaign kills a lot of people.
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Migrating from Smashwords to Draft2Digital

A few days ago I got an email from Smashwords saying I’m now eligible to migrate my self-publishing account to Draft2Digital. “Uncomplicated” accounts were eligible to migrate in February. Mine must be “complicated,” which surprises me. Maybe it’s because the two Thomas Lorenz novels constitute a series. In any case, if you’re a Smashwords author and think you may have missed the notification, check out the Migration FAQ.

The good news is that Smashwords says your existing links will continue to work. It would have been very annoying if they didn’t. However, it isn’t clear what the benefits are. The FAQ says, “After you update your manuscript through the Draft2Digital interface, only the ePub format will be available to readers.” That sounds like a downgrade. There’s nothing about whether migration will eventually be mandatory. If you have books published on Smashwords, read the information and use your judgment. This article on selfpublishing.com provides information which could help, though it’s a couple of years old. I’m content to drag my feet.


Recollections of Ergo

Ergo: The Campus Voice of Reason. That was the name of our paper. Like all college students, we were more confident we were right than we should have been, but we stood apart from the crowd. As an organization, we were never “liberal” or “conservative” in the popular sense of the words. Our position was libertarian, strongly influenced by Ayn Rand’s philosophy of Objectivism. Ergo challenged university administrators, the campus left, politicians, and academics. My association with Ergo helped me to develop a framework of thought that I still go by. My views on what is important and how to achieve it have changed, and so have some of my conclusions, but my basic principles have changed very little.

Ergo came into being during a time called the “sixties,” which lasted from about 1965 to 1975. The founder was J. R. M. Seitz, who allegedly acquired all the parts necessary to build an Atlas missile (except the nuclear warhead) on the open market. It was the time of the Vietnam War and urban riots. It was a time of protests and violence. People marched and occupied buildings. Some thought that totalitarian Communist states were a great idea. Others just wanted the government to stop drafting people and sending them into an undeclared war on the other side of the globe. Once I was punched in the nose, and another time the sweater I was wearing was set on fire. I can’t count the number of times I was called a fascist. Interesting times.
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Analyzing the 2024 Worldcon code of conduct 4

A lot of science fiction conventions have codes of conduct that put severe restrictions on speech. They aren’t always enforced, and never fully and consistently, but they can be an excuse to embarrass or eject someone a concom member doesn’t like. For instance, Balticon pulled a program participant out of a panel and subjected her to humiliating treatment for vaguely defined violations of its speech code. The con apologized but dumped all the blame on one volunteer.

Conventions need to say what behavior is acceptable and unacceptable, but we have to look closely at each one’s rules to see how much it values open discussion. So let’s get a look at the Glasgow Worldcon’s rules.
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