The Sanity Project

An update on the Glasgow Worldcon code of conduct 2

This entry was posted in Commentary and tagged convention conventions fandom science fiction on by

In an earlier post, I discussed the Code of Conduct of the Glasgow Worldcon. There have evidently been some changes since I wrote the article, perhaps in response to criticisms. My post quoted and criticized the following statement in the code: “In particular, exhibitors should not openly display sexualized images, activities, or other material, although this content may be kept out of sight and offered based on a customer’s inquiry, in keeping with the Indecent Display (Controls) Act 1981. Booth staff (including volunteers) should not use sexualized clothing/uniforms/costumes, or otherwise create a sexualized environment.”

That text isn’t currently present. Instead, there is this:
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Buffalo NASFiC code of conduct 1

This entry was posted in Commentary and tagged conventions science fiction on by

Continuing my irregular series on convention Codes of Conduct, here’s one on the North American Science Fiction Convention, coming up this month in Buffalo. Compared to some others, the problems of the NASFiC code of conduct are minor. There’s nothing like “Don’t say anything negative about anybody” or “Don’t offend anybody.”

BUFFALO in all caps means the convention, not the city.
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Coming silent film: The Golem

This entry was posted in Movies and tagged Germany history silent movies on by

In July, I’ll accompany the 1920 German silent film The Golem twice. On Tuesday, July 16, I’ll livestream it with keyboard accompaniment on YouTube at 8 PM Eastern Time. On Friday, July 26, I’ll accompany it live at the Plaistow Public Library at 1 PM. Watch both if you like; you’ll hear it accompanied two different ways. Please “like” the YouTube item if you’re inclined to give it a boost; that will make it more discoverable.

This is the third Golem movie that Paul Wegener made and the only one that survives. Its full title is Der Golem: Wie er in die Welt kam (The Golem: How he came into the world). Unlike the others, it deals directly with the legend of Rabbi Löw’s creation of a golem to protect the Jewish people.
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Spohr’s first clarinet concerto

This entry was posted in Writing and tagged music spohr on by

Louis Spohr wrote four clarinet concertos as a result of his professional acquaintance with clarinetist Johann Simon Hermstedt. The first shows that Spohr’s often conservative approach to composition didn’t keep him from writing a concerto with some serious surprises. It’s a difficult work, especially for the clarinet of his time, which had fewer keys than the modern instrument.

The difficulty is partly due to Spohr’s unfamiliarity with what is easy and what is harder on a clarinet. His preface to the printed music reveals that this concerto led directly to improvements in the instrument’s design:
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Bigots set rules for CRIT awards

This entry was posted in Commentary and tagged conventions gaming on by

Not being an active gamer, I hadn’t heard about the CRIT awards before today and don’t know if they’re of any importance or just a fringe group of nuts. But they’re in the periphery of SF fandom, and I’ve made a specialty of analyzing Codes of Conduct. CRIT has the worst one I’ve seen yet.

They’re described as “an awards group dedicated to recognizing talented creators in the Tabletop Gaming space.” They were going to have an award ceremony at GenCon, a major gaming convention. They have pulled out as a result of widespread outrage at their code of conduct.
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