Monthly Archives: January 2024

A disturbing cease & desist order in New Hampshire

This entry was posted in Commentary and tagged censorship New Hampshire politics on by

A few weeks ago, the New Hampshire Attorney General issued a cease and desist order to the National Democratic Committee, claiming that it had made “false, deceptive, and misleading” statements in violation of New Hampshire law. The statements in question noted that any delegates chosen in the New Hampshire Democratic presidential primary won’t be accepted at the party’s national convention, and therefore the primary is “meaningless.” Violation of the cited law is a felony.

This is disturbing in at least two ways. First, the Democratic National Committee isn’t a New Hampshire organization. It isn’t subject to New Hampshire law. The AG’s office seems to be saying it can enforce its law anywhere in the country, maybe anywhere in the world.
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Hugo nominees mysteriously declared ineligible

This entry was posted in Censorship Commentary News and tagged censorship China conventions fandom science fiction on by

The detailed statistics for the 2023 Hugo Awards voting are finally out, and they’ve triggered a controversy. A number of nominees were declared ineligible without explanation.

Kevin Standlee, who has played important roles in running many fan conventions, noted:

An overwhelming majority of the members of WSFS who voted on the site of the 2023 Worldcon (at the 2021 Worldcon in DC) selected Chengdu, China as the host of the 2023 Worldcon. That meant that the members of WSFS who expressed an opinion accepted that the convention would be held under Chinese legal conditions. Furthermore, those people (including me) who suggested that there might be election irregularities were overridden, shouted down, fired from their convention positions, and told that they were evil and probably racist for even suggesting such a thing.

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Accompanying Phantom of the Opera

This entry was posted in Personal and tagged music silent movies on by

Today I accompanied the 1925 Phantom of the Opera at the Plaistow Public Library. It got a good audience for a small-town library, and I got a lot of compliments. I really want to write down some of the musical tricks I used to improvise the music. It may lose everyone reading this; if you’re confused, just skip it and go on to the next post. I’m going to dive into technical musical language, because it’s the only way to explain some of the points.

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