writing

The state of business licensing for writers

This entry was posted in Writing Writing as business and tagged business law writing on by

Most writers are freelancers. In many places in the United States, you need the government’s permission, in the form of a business license, to be a freelance writer. Convincing the government to let you earn money writing generally requires paying money. This is a direct violation of the First Amendment’s guarantee of freedom of the press. You aren’t free if you need to pay for permission to earn a living. Don’t count on the courts to agree with you, though.

If you choose to incorporate, that’s a separate issue; this article applies only to sole proprietorships. By definition, incorporation involves registration with a government office.

Zoning can be another concern. In some places, people aren’t allowed to operate a business from their home, even if it has no impact on anything beyond its walls. You can try to stay under the radar, but a neighbor could snitch on you. I don’t cover zoning issues here.

Some states require a license to operate any kind of business, but freelance writing may or may not be considered a “business” for that purpose. To a large extent, governments realize it would be bad publicity to ban people from writing or fine them for lack of permission, but it can happen. I’ve seen people say on freelancer boards that their state required them to get a license.

Corrections and additional information in the comments are welcome.
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Writing German words in English text

This entry was posted in Techniques Writing and tagged German language technology writing on by

English-language articles sometimes need to use foreign words. Most languages require more characters than the 26 letters of the English-language alphabet that ASCII supports. This shouldn’t be hard, since Unicode provides characters for almost every important language in the world. When you sit down to enter foreign words at your computer, though, you run into issues.

I’ll talk here about German text, since it’s the language I know best next to English.
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What about sensitivity readers? 2

This entry was posted in Commentary Writing Writing as business and tagged sensitivity writing on by

I’ve never had occasion to deal with a sensitivity reader. As I worked on The Magic Battery, I asked for input from Jewish friends on my treatment of Jewish characters, but my concern was whether I’d gotten it right, not whether I was being “sensitive.” They were helpful, but I couldn’t find a single person who lived in the 16th century to give a Reformation period perspective.

A recent Reason article, “Sensitivity Readers Are the New Gatekeepers” (or “Rise of the Sensitivity Reader”) takes a very skeptical view of sensitivity readers. I don’t know if things in the publishing industry are actually as bad as the article represents, but the concept sounds dubious to me. I don’t write to be “sensitive.” I write to address “What if” questions, to tell a good story, and to give the reader something to think about. That sometimes means hurting people’s feelings. If you want something completely safe and bland, read Winnie the Pooh. (Provided you aren’t acrophobic or melissophobic.)
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