Tomorrow as I post this (April 10, 2024) at 8 PM Eastern Time I’ll accompany Fritz Lang’s 1927 silent film, Metropolis, on Twitch. It’s one of my favorites, with a futuristic city, an evil robot, and probably the first full-blown mad scientist’s lab in a movie. Twitch left my last two shows up for on-demand playing for about a week, and I assume they’ll do the same with this one, so you can catch it even if the show time is inconvenient. This is the restored 2 ½ hour version, and there will be a 10-minute intermission to give my arms a rest.
If you’re near Plaistow, NH, you can catch me accompanying it in person at the Plaistow Library at 1 PM on Friday, April 12.
A preview scene with my accompaniment is up on YouTube.
The Keaton movie I know best is Steamboat Bill, Jr., having accompanied it at the Plaistow, NH library on July 28, 2023. The previous silent I’d accompanied there was Chaplin’s City Lights, and the differences between Chaplin’s and Keaton’s approaches stood out. City Lights tells a story, but it feels like a series of skits put together to comprise a story. The club scene, the robbery scene, and the boxing scene almost stand on their own. Chaplin’s Tramp is pretty much the same from beginning to end. Steamboat Bill, Jr. is more of a continuous story, and Keaton’s character grows a lot during its course. At first he feels out of place, having come from a Boston-area college to a run-down steamboat in the South. By the end, he’s become highly competent and saves four lives. The gags are as important as in a Chaplin film, but they’re more integrated into the plot.