Writing as business


“Writer Beware” blog

This is still, at least officially, a blog by a writer for writers. This week I came across a blog that will interest anyone who writes for money: Writer Beware. It presents worthwhile information on scams that writers may encounter, as well as advice on dealing with publishers, agents, and so on.

I encourage people to use RSS feeds rather than social media sites when possible to follow blogs and news sites, so here’s the RSS link, which should work with any RSS reader (I’ve subscribed to it with Leaf).


Migrating from Smashwords to Draft2Digital

A few days ago I got an email from Smashwords saying I’m now eligible to migrate my self-publishing account to Draft2Digital. “Uncomplicated” accounts were eligible to migrate in February. Mine must be “complicated,” which surprises me. Maybe it’s because the two Thomas Lorenz novels constitute a series. In any case, if you’re a Smashwords author and think you may have missed the notification, check out the Migration FAQ.

The good news is that Smashwords says your existing links will continue to work. It would have been very annoying if they didn’t. However, it isn’t clear what the benefits are. The FAQ says, “After you update your manuscript through the Draft2Digital interface, only the ePub format will be available to readers.” That sounds like a downgrade. There’s nothing about whether migration will eventually be mandatory. If you have books published on Smashwords, read the information and use your judgment. This article on selfpublishing.com provides information which could help, though it’s a couple of years old. I’m content to drag my feet.


Time to flee Glassdoor

Glassdoor is a site which lets employees and ex-employees report anonymously on what it’s like to work at companies. It used to place a high value on user privacy, since people reporting bad stuff about their employers can get them into trouble. Recently, though, it’s not only reversed itself but, in a single bound, become one of the worst websites for privacy.

I’m unusually close to Report Zero on this matter, and I think the person making this report would rather not be too widely identified, so I’ll link only to secondary sources here, such as this Ars Technica article, checking them against the original reports for accuracy.
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What can you do with Steamboat Willie?

What can you do with Steamboat Willie, early in the next year?

I won’t try to write a filk about it just now; answering the question is complicated enough in prose. You may have heard that “Mickey Mouse is going into the public domain,” but that’s true only in a limited sense. The first two released Mickey Mouse cartoons, Steamboat Willie and Plane Crazy, will enter the public domain on January 1, 2024, after 95 years. If you’re thinking of creating your own cartoons, drawings, fan fiction, or professional fiction based on them, you can do that legally, but you need to be careful. Mickey Mouse changed significantly over the years, and later versions of him, along with the vast majority of his cartoons, are still under copyright protection. In addition, Mickey Mouseā„¢ remains a Disney trademark. If your work steps over certain bounds, you could hear from Disney’s lawyers.

Duke University’s website has a detailed article on what you can and can’t do. It’s not a substitute for a lawyer’s advice, but it’s a good place to start, and it could be enough if you aren’t creating stuff for profit.
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The craft of children’s books

I just learned that my friend Debbie Ohi, a writer and illustrator of children’s books, has a Substack. Even though I never plan to write a children’s book, I was fascinated by her article on understanding picture book format and construction. I’d never realized there were such strict page requirements. If you’re thinking of getting into this field or know someone who is, you should find her articles very interesting.