Movies


Hunchback of Notre Dame and the power of pianissimo

The showing on October 28 where I accompanied the 1923 Hunchback of Notre Dame drew the biggest crowd I’ve had yet for a silent film, and I got lots of compliments afterward. With every movie, I try to improve my technique. The innovations for this show worked, as far as the audience and I were concerned.

There are many approaches to accompanying a movie. Some accompanists try to capture the sheer excitement, fear, and passion in each scene. My style is more introspective. I try to underscore what the characters are thinking and feeling. I go for excitement where it’s called for. In this movie, the siege of the cathedral, with Quasimodo conducting a one-man defense against a vast mob, called for thrilling music. But there are many scenes about what Quasimodo, Esmeralda, Phoebus, and other characters are experiencing. They call for more subtle music: contemplative passages, dynamic contrasts, and sudden accents and dissonances.
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The Hunchback of Notre Dame, Plaistow, October 28

It’s time for another classic silent movie! On Tuesday, October 28, at 6 PM, I’ll accompany the 1923 film The Hunchback of Notre Dame at the Plaistow, NH Library. Nearly half the available spaces have already been reserved, so be sure to sign up in advance. The film, based on Victor Hugo’s novel Notre-Dame de Paris, highlights Lon Chaney’s makeup skills and his ability to win empathy for a deformed-looking character.

Hugo’s novel has been adapted many times for film. There were at least four before the Lon Chaney film. Charles Laughton, Anthony Quinn, and Anthony Hopkins are among the actors who have played Quasimodo. Disney turned it into a cartoon and compounded the blasphemy with a sequel where Quasimodo and Esmeralda are still alive. The 1923 version is widely considered one of the best adaptations.

Just by the way, I’ve noticed that the emailed version of these posts delivers the text only to the “More” marker and gives no clue that it’s incomplete. From now on, I’ll add an indicator that there’s more to the post, like this:

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Another silent film, another copyright troll

My latest silent film video on YouTube is Georges Méliès’ Jeanne d’Arc (Joan of Arc), with my original accompaniment. This is quite a nice film for 1900. Ten minutes long, it incorporates a lot of scene changes and makes heavy use of tinting. The quality of the movie as I got it from the Internet Archive isn’t bad for such an early film.
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“A Trip to the Moon” is now available on YouTube

This morning I saw that my video of Georges Méliès’ Le Voyage dans la Lune (A Trip to the Moon) is no longer blocked on YouTube. Its status now says “Visibility restrictions are lifted until the dispute is resolved.” That means it could disappear again.

Again, the is the complete version, with a celebration at the end, and the accompaniment is my original, improvised music. I did a better job this time than in my earlier public performances.
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A silent film copyright troll strikes 4

Yesterday I uploaded a video of the famous 1902 silent film, A Trip to the Moon or La Voyage dans la Lune by Georges Méliès, with my original accompaniment, to YouTube. Today I got a notice that it’s blocked because somebody called “CPR Agency for MK2” claims to own the movie. This is obvious nonsense. I’ve disputed the claim and hope the video will be available before long.
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