On April 11, I accompanied the 1924 Peter Pan at the Plaistow, NH Library. There’s a moment in the movie which calls for audience participation, and it got it.
The movie is now up on YouTube with the music that I played at the library.
On April 11, I accompanied the 1924 Peter Pan at the Plaistow, NH Library. There’s a moment in the movie which calls for audience participation, and it got it.
The movie is now up on YouTube with the music that I played at the library.
“Geheime Staatspolizei” means “secret state police,” usually shortened to “Gestapo.” It was the Nazis’ enforcement bureau, the ones who snatched people without charges and sent them away to prisons or execution. In the United States, it’s shortened to “ICE.” Its masked thugs have snatched people off the street, not presenting any criminal charges, and shipped them to offshore hellholes. So far I haven’t heard of its intentionally killing anyone, though people have died in its custody.
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It’s time for another silent film with my live accompaniment at the Plaistow, NH library! This time it’s the 1924 Peter Pan, with Betty Bronson in the title role and Ernest Torrence as Captain Hook. Anna May Wong, one of my favorite silent actresses, has a small part as Princess Tiger Lily. The show is on Friday, April 11, at 1 PM. Admission and popcorn are free.
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Here are some pictures from the April 5 rally on Boston Common against Trump’s power grab.
Yes, I went. Will it make any difference? Probably not. Trump isn’t going to stop his quest for tyrannical power just because a lot of people object, nor will Homan stop inflicting Hell on Boston with his Gestapo-like abductions. But it’s nice to see that people do object, and some of them even have the right reasons.
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Spohr’s late symphonies, the Seventh through the Ninth (or the Tenth, counting the one which he withdrew but didn’t destroy), don’t have the appeal to me of the earlier ones. Still, a complete understanding of his music needs to include these symphonies, and they have some interesting features.
The Seventh, written in 1841, follows an unusual plan. The title is “Irdisches und Göttliches im Menschenleben: Doppel-Symphonie für zwei Orchester” (earthly and godly in human life: double symphony for two orchestras). It’s a kind of concerto grosso, with a small orchestra and a full orchestra. There are three movements, each with its own title.
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