Yearly Archives: 2025


Commentary on Aaron Ross Powell’s essay

The essay “Surround Yourself With Those Who Are Admirable, and Distance Yourself From Those Who Aren’t,” by Aaron Ross Powell, has me feeling ambivalent. Each time he links to it on Bluesky (and he’s linked to it a lot), I want to say something, but I couldn’t put my concern in a few words. It isn’t obviously wrong, but its focus could encourage readers to cut themselves off from all who disagree with them. In general, I should add, his newsletter is definitely worth reading, and even this piece helped me to clarify my thinking.
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Evaluating Charles Chaplin

Charles Chaplin was a complicated person, formerly accused for being a Communist. (I use “Charles” rather than “Charlie” because this article focuses on the man rather than his movie persona.) These accusations had no merit, but the Wikipedia article on Chaplin echoes some of the charges against him. It claims that “he feared that capitalism and machinery in the workplace would increase unemployment levels” and that this view influenced his film Modern Times. It asserts that his late film Monsieur Verdoux presented views “criticising capitalism and arguing that the world encourages mass killing through wars and weapons of mass destruction.” (Wikipedia articles regularly change, so you might see something different at a future date.)
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Coming to Plaistow July 22: The General

It’s just two weeks till my next live silent movie show at the Plaistow Library: The General, made by and starring Buster Keaton. I know most of you aren’t local, but if you can spread the word among silent movie fans, it will help. This is the first time I’ll be presenting an evening show, and getting eight sign-ups so early is encouraging.
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Yearning to Breathe Free

In my latest YouTube video, Yearning to Breathe Free, I try something new. Rather than accompanying an existing silent film, I’ve created a ten-minute history of immigration to the US in still images and added my improvised accompaniment. It’s been a learning experience in a lot of ways. First was the selection of images to combine into a coherent story. It consists of several sequences, each covering a different historical period from 1607 to the present. The first version didn’t make the structure nearly clear enough. Thanks to Virginia Taylor for catching this problem. I thought about inserting a summary before each segment and adding captions and ended up doing both. Then there was the timing. Before adding the music, the pacing felt slow, yet some images hold a lot of text, and test viewers didn’t always spot the important parts in time. I lengthened the time for some images and drew visual attention to the important text in one image.
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