writing


Coping with Chinese disinformation 1

When researching and writing material about China, you have to be aware of the Chinese government’s disinformation efforts. People who speak out against it are apt to be the targets of systematic insults and character assassination. If you’re operating on a small level, you probably won’t be bothered. Even though my articles on boycotting the Chengdu Worldcon did well in the search engines, I’ve received only one clear threat with a Chinese connection.

CNN has reported on “the world’s largest known online disinformation operation”:

The Chinese government has built up the world’s largest known online disinformation operation and is using it to harass US residents, politicians, and businesses—at times threatening its targets with violence. …

The onslaught of attacks – often of a vile and deeply personal nature – is part of a well-organized, increasingly brazen Chinese government intimidation campaign targeting people in the United States, documents show.

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The craft of children’s books

I just learned that my friend Debbie Ohi, a writer and illustrator of children’s books, has a Substack. Even though I never plan to write a children’s book, I was fascinated by her article on understanding picture book format and construction. I’d never realized there were such strict page requirements. If you’re thinking of getting into this field or know someone who is, you should find her articles very interesting.


What is a “conspiracy theory”?

A conspiracy theory, according to Merriam-Webster, is “a theory that explains an event or set of circumstances as the result of a secret plot by usually powerful conspirators.” Alternatively, it’s “a theory asserting that a secret of great importance is being kept from the public”; the idea presumably is that insiders have conspired to keep the truth hidden.

Dictionary.com takes a similar approach: “a theory that rejects the standard explanation for an event and instead credits a covert group or organization with carrying out a secret plot” or “a belief that a particular unexplained event was caused by such a covert group.” In all these cases, a conspiracy theory requires a conspiracy to make something happen or to keep something hidden. The cabal has to be hidden and the conspirators powerful; an accusation that some people got together to plan a crime doesn’t count as a conspiracy theory unless the perpetrators are extremely rich or powerful.
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A correction on “The Marriage of Figaro”

In my Liberty Fund article on Mozart’s The Marriage of Figaro, I made an error. Relying on what others wrote, I said:

When he [Beaumarchais] wrote The Marriage of Figaro, Louis XVI banned it for three years. The King supposedly said, “For this play not to be a danger, the Bastille would have to be torn down first.” Eight years later, it was, and the French aristocracy came crashing down with it.

It’s a good thing I used the word “supposedly.” I suspected a problem today when I got Lever’s biography of Beaumarchais and found a different version of the remark: “This is detestable and will never be performed; the Bastille would have to be destroyed for the performance of this play not to be of dangerous inconsequence.” “Dangerous inconsequence” is a weird phrase, so I looked up the original French and found it on Wikipedia: “La représentation ne pourrait qu’être une inconséquence fâcheuse, sauf si la Bastille était détruite.”
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Racially discriminatory typography

A disturbing number of major websites have adopted a double standard in typography. Skin-color terms are capitalized or not, based on what color is in question. I’ve seen sentences where the typographical standard is changed in mid-sentence, even in mid-phrase, capitalizing “Black” and putting “white” in lower case. I haven’t seen a consistent pattern in other color terms, such as “brown” (or is it “Brown”?).

Authors aren’t to blame for this, except when they’re running their own websites. The site sets the typographic standard (or lack of one), and the authors have to live with it or find other outlets.
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