I’ve never been very good at noticing differences in performances of classical pieces and picking a favorite. Occasionally one really jumps out, like the Zurich Tonhalle’s recording of Beethoven’s Pastoral Symphony, but usually the differences are subtle. It takes careful listening even to notice that there are differences. As an exercise, I picked out four recordings of a piece I know well and listened to them repeatedly to compare them. There really are differences.

The piece I picked was Beethoven’s Leonore Overture No. 3. The recordings were:
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A couple of days ago I was saddened but not surprised to learn that Tom Lehrer had died. He was 97 years old, after all. He remarked many years ago that “It is sobering to consider that when Mozart was my age he had already been dead for a year,” but he went on to surpass the lifespans of nearly every well-known writer of music. Irving Berlin and Elliott Carter broke the century mark, but that’s about it. His songwriting career was only a short interlude in a long academic career, but his fans know nearly all of his thirty or so songs.

The lyrics of those songs are widely quoted and discussed, but not as much is said about his music. He set his satirical lyrics to tunes that are inventive, catchy, and full of solid musicianship. I’d like to say a few things about that music, to restore a bit of balance.
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