Two articles which I wrote for Liberty Fund are up in their Banned Books Week series, which runs all through October. My articles are on Caron de Beaumarchais’s two well-known “Figaro” plays, both of which got him in trouble with the censors.
Take a look at the rest of the articles if you have time; there’s a lot of interesting material.
Liberty Fund is running a month-long series of articles in honor of Banned Books Week. One of my contributions is now online, on “Beaumarchais and The Barber of Seville.”
My article on The Marriage of Figaro should show up later this month.
The second edition of Tomorrow’s Songs Today, my history of filk music, is now available as a free download. A new chapter covers events since 2015, and the appendices have been updated to list conventions and awards up to the present. The existing chapters have been lightly revised. Many links that broke over the past eight years are fixed.
In my Liberty Fund article on Mozart’s The Marriage of Figaro, I made an error. Relying on what others wrote, I said:
When he [Beaumarchais] wrote The Marriage of Figaro, Louis XVI banned it for three years. The King supposedly said, “For this play not to be a danger, the Bastille would have to be torn down first.” Eight years later, it was, and the French aristocracy came crashing down with it.
It’s a good thing I used the word “supposedly.” I suspected a problem today when I got Lever’s biography of Beaumarchais and found a different version of the remark: “This is detestable and will never be performed; the Bastille would have to be destroyed for the performance of this play not to be of dangerous inconsequence.” “Dangerous inconsequence” is a weird phrase, so I looked up the original French and found it on Wikipedia: “La représentation ne pourrait qu’être une inconséquence fâcheuse, sauf si la Bastille était détruite.”
(more…)
My latest history article for Liberty Fund is Beethoven and Napoleon: Clash of the Titans. I hope you enjoy it.