Germany


A week in Germany   Recently updated !

On Wednesday I returned from an eight-day trip to Germany, one day longer than planned. I was nervous about leaving and re-entering the US, and if I’d known when I made my reservations how fast things would get worse, I might have changed my mind. The US border has long been a Fourth Amendment-free zone, but now it’s First Amendment-free as well. Fortunately, I seem too obscure to bother with.

Delayed flights have become common. The closest airport to my destination was Hannover, which is relatively small, so I had to change flights both ways within Germany. In retrospect, I should have found a direct flight to a major city and taken the train the rest of the way. Trains are also horrible for delays, but there’s almost always a next one the same day if you miss a connection. If there’s an ICE train (Inter-City Express, no relation to the US gang) to your destination, it will get you there quickly without airport annoyances. Fortunately, there were no problems with changing planes in Munich.
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Coming silent film: The Golem

In July, I’ll accompany the 1920 German silent film The Golem twice. On Tuesday, July 16, I’ll livestream it with keyboard accompaniment on YouTube at 8 PM Eastern Time. On Friday, July 26, I’ll accompany it live at the Plaistow Public Library at 1 PM. Watch both if you like; you’ll hear it accompanied two different ways. Please “like” the YouTube item if you’re inclined to give it a boost; that will make it more discoverable.

This is the third Golem movie that Paul Wegener made and the only one that survives. Its full title is Der Golem: Wie er in die Welt kam (The Golem: How he came into the world). Unlike the others, it deals directly with the legend of Rabbi Löw’s creation of a golem to protect the Jewish people.
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Elbphilharmonie concert, May 5, 2024

Another “off-topic” post, this one about a wonderful concert I attended while I was in Germany. It was at the Elbphilharmonie in Hamburg on May 5. That’s a significant date, just two days short of the 200th anniversary of the first performance of Beethoven’s Ninth Symphony.

The two pieces were Schoenberg’s A Survivor from Warsaw and the Ninth. Alan Gilbert conducted the NDR Elbphilharmonie Orchestra and the Runfunkchor Berlin. Soloists were Susanna Phillips (soprano), Gerhild Romberger (alto), Maximilian Schmitt (tenor), and Michael Nagy (baritone).
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New on Liberty Fund: The Peasants’ War and Martin Luther

My latest article for Liberty Fund’s Online Library of Liberty, “The Peasants’ War and Martin Luther,” is now online. Marxist claims have largely dominated historical discussions of the Peasants’ War, but it was a revolt in defense of property rights, not against them. Its Twelve Articles contain ideas that appeared in the United States’ Declaration of Independence.