My latest silent film video on YouTube is Georges Méliès’ Jeanne d’Arc (Joan of Arc), with my original accompaniment. This is quite a nice film for 1900. Ten minutes long, it incorporates a lot of scene changes and makes heavy use of tinting. The quality of the movie as I got it from the Internet Archive isn’t bad for such an early film.
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Yesterday I uploaded a video of the famous 1902 silent film, A Trip to the Moon or La Voyage dans la Lune by Georges Méliès, with my original accompaniment, to YouTube. Today I got a notice that it’s blocked because somebody called “CPR Agency for MK2” claims to own the movie. This is obvious nonsense. I’ve disputed the claim and hope the video will be available before long.
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Classical music lovers know that in the late eighteenth and early nineteenth centuries, composers shifted from seeking patrons to support them to becoming freelance composers and performers of their own work. This was partially because of cultural changes, but I learned recently that legal factors also played a role. A key decision in British law was Bach v Longman, where judge Lord Mansfield ruled in 1777 that printed music was protected by copyright.
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My counterclaim against the takedown of the public domain film The Lost World, was successful. The video is back up on YouTube.
I’m inclined to let sleeping dogs lie, so I won’t say much more. I hope that someday a court ruling will clearly establish that restoring an out-of-copyright film to its original state doesn’t create a new copyright on it, but I’m not the person to pursue the fight.
In the past few days, I’ve been working on accompaniment for the 1928 public domain silent film The Passion of Joan of Arc. I uploaded it to YouTube, but you won’t be able to see it. When the upload finished, YouTube informed me:
Copyrighted content has been detected in your video “The Passion of Joan of Arc (1928) with new accompaniment”. As a result, your video can no longer be monetized and has been blocked in 243 territories. The copyright owner may be either monetizing it, or receiving analytics about it in other territories. This is not a copyright strike and does not affect your channel.