Monthly Archives: April 2024


Tomorrow as I post this (April 10, 2024) at 8 PM Eastern Time I’ll accompany Fritz Lang’s 1927 silent film, Metropolis, on Twitch. It’s one of my favorites, with a futuristic city, an evil robot, and probably the first full-blown mad scientist’s lab in a movie. Twitch left my last two shows up for on-demand playing for about a week, and I assume they’ll do the same with this one, so you can catch it even if the show time is inconvenient. This is the restored 2 ½ hour version, and there will be a 10-minute intermission to give my arms a rest.

If you’re near Plaistow, NH, you can catch me accompanying it in person at the Plaistow Library at 1 PM on Friday, April 12.

A preview scene with my accompaniment is up on YouTube.


The numbering of musical works

The other day while driving, I heard a familiar-sounding piano sonata on WCRB. It was one I’d heard before, in fact one I was familiar with. I could accurately anticipate the music, which was obviously Mozart’s, in some spots. But I couldn’t place the damn thing! When I reached my destination, I stayed in the parking lot and kept the radio on to the end. The announcer said only that it was Mozart’s “Piano Sonata No. 2.” This wasn’t very helpful, since there are different numberings in different editions.

The numbering of musical works is tricky in general. For many composers, there are generally accepted numbers, but Mozart’s sonatas aren’t the only case where there’s confusion. Schubert’s symphonies are usually numbered 1 to 9, even though No. 7 is just a sketch. The “Unfinished” is No.8 and the “Great C major” the 9th in this scheme. Some lists, though, have just eight symphonies. They make the “Unfinished” the seventh and the C major symphony the eighth, or vice versa.
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