fandom

Analyzing the 2024 Worldcon code of conduct 4

This entry was posted in Writing and tagged censorship conventions fandom science fiction on by

A lot of science fiction conventions have codes of conduct that put severe restrictions on speech. They aren’t always enforced, and never fully and consistently, but they can be an excuse to embarrass or eject someone a concom member doesn’t like. For instance, Balticon pulled a program participant out of a panel and subjected her to humiliating treatment for vaguely defined violations of its speech code. The con apologized but dumped all the blame on one volunteer.

Conventions need to say what behavior is acceptable and unacceptable, but we have to look closely at each one’s rules to see how much it values open discussion. So let’s get a look at the Glasgow Worldcon’s rules.
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Kampala in 2028 is looking worse 1   Recently updated !

This entry was posted in Commentary News and tagged conventions fandom Uganda on by

It’s no fault of the Kampala in 2028 bid committee, but the prospect of a Worldcon in Uganda in 2028 looks more frightening than ever. The Ugandan Constitutional Court has upheld critical portions of a 2023 law that criminalized homosexuality, allowing the death penalty in some cases. This would put some attendees in worse danger than they faced at the Chengdu Worldcon.

As the Freedom from Religion Foundation warns, the ruling “has disastrous consequences for LGBTQIA-plus Ugandans.” I don’t know why they repeatedly used that ever-growing letter salad, when the targets are specifically gays (or gays and lesbians, if you use the former just for men), but that’s just my obligatory jargon nitpick. The point is that con attendees might be in deadly danger just by being there.

I’m sure the bid committee didn’t want this to happen, but SF/F conventions in authoritarian states can put their members at serious risk. Better to hold the con somewhere else.

There are risks everywhere, of course. A man was recently arrested for making a bomb threat against a Michigan hotel while it was hosting a furry convention. The same hotel was threatened during last year’s con, which makes it likely the con was the target.

The trouble with fannish gatherings

This entry was posted in Commentary and tagged COVID-19 fandom filk science fiction on by

The latest SMOF News (Volume 3, issue 30) discusses the post-pandemic decline of in-person fan-run science fiction conventions, with Outlantacon being the latest casualty. It’s a situation I’m familiar with, since I’ve negotiated hotel contracts for several filk conventions and more recently couldn’t find a suitable hotel at a reasonable cost for NEFilk. Two factors make up the problem: rising hotel costs and decreased attendance.

Fan-run cons have always worked on the periphery of more lucrative events, such as weddings and gatherings of large organizations. To get space, we have to find a weekend that the other customers don’t want or fill up the space that they aren’t using. COVID killed a lot of hotels, and the ones that are still around want to make up for a couple of years of lost revenue. This means fewer discount deals. If we paid rates comparable to the big customers, we’d have to charge a membership rate of a couple of hundred dollars for a weekend con.
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Dubious choices in SFWA scholarships

This entry was posted in Commentary and tagged fandom science fiction SFWA on by

The Science Fiction and Fantasy Writers Association (SFWA) is offering “scholarships” for “members of underserved communities.” I put the word “scholarships” in quotes because they’re really free memberships in the 2024 Nebula conference, not educational grants. (The deadline to apply has gone by, sorry.) This sounds admirable, but some of their ideas of what constitutes a “community” make the scheme very disturbing. The categories are:

  • “Black and/or Indigenous creators in the United States and abroad.”
  • “Asian creators, Asian American creators, and creators from the Pacific Islands.”
  • “creators with backgrounds in Spanish-speaking and/or Latin American cultures.”
  • “creators with disabilities.”
  • “creators whose financial situations may otherwise prevent them from participating.”
  • “creators who live outside the United States.”
  • “creators who identify as LGBTQIA+.”

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Samantha Mills repudiates 2023 Hugo

This entry was posted in News and tagged censorship China conventions fandom science fiction on by

Samantha Mills, winner of the 2023 Hugo Award for “best short story,” has repudiated her award in the light of the censorship scandal. She wrote:

Looking at the information we currently have, it’s hard for me to conclude anything other than: I shouldn’t have been on that ballot. …
 
I spent this morning logging into my various accounts and taking “Hugo” out of my bio. There are almost certainly going to be places it was printed that I miss, so my apologies for that. Here’s the most embarrassing one: my novel already went to the printer and it has “Hugo winner” on the cover. Fucking mortifying!

Update, Feb. 23, 2024: Adrian Tchaikovsky has repudiated his Hugo. “I cannot consider myself a Hugo winner and will not be citing the 2023 award result in my biographical details, or on this site.”

The Hugo cover-up

This entry was posted in Commentary News Writing and tagged China conventions fandom science fiction on by

It’s out in the open now: Legitimate Hugo Award candidates were disqualified because of Chinese censorship. A collection of internal email, posted on Document Cloud, shows that the committee reviewed “anything of a sensitive political nature.” Dave McCarty was specific about the reasons:

In addition to the regular technical review, as we are happening in China and the *laws* we operate under are different … we need to highlight anything of a sensitive political nature in the work. [Ellipses in the original]

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Another story of the Chengdu Worldcon 2

This entry was posted in News and tagged China fandom science fiction on by

This weekend, I heard a remarkable account from a science fiction writer who wanted to go to the Chengdu Worldcon. He was talking to a small group of people including me, but I don’t know if he wants it publicized, so I’ll omit his name.

To go to China you need a visa, which requires going through a Chinese embassy. He made his application and, as requested, listed his professional affiliations. One of them, not surprisingly, was SFWA. He was asked what the abbreviation stood for and explained it’s “Science Fiction and Fantasy Writers Association.” (The name has changed once or twice while keeping the abbreviation.) This got some alarmed responses, and he was told they’d have to get back to him. The process dragged on without a decision. Finally, a few weeks before the con, he withdrew his application so he wouldn’t have a denied visa request on is record.
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Human rights issues with a Kampala Worldcon

This entry was posted in Commentary and tagged conventions fandom liberty science fiction Uganda on by

As fans energetically discuss the aftermath of the Chengdu Worldcon, some are thinking about the risks of future Worldcons in countries with a bad record on free speech and human rights. There are some issues with the UK, which is hosting this year’s convention, but it’s too late to change it. Let’s look ahead to the bid for Kampala in 2028.

There’s never been a Worldcon in Africa, and that helps to make the idea attractive. The bid website talks about Uganda’s literary history:
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Hugo nominees mysteriously declared ineligible

This entry was posted in Censorship Commentary News and tagged censorship China conventions fandom science fiction on by

The detailed statistics for the 2023 Hugo Awards voting are finally out, and they’ve triggered a controversy. A number of nominees were declared ineligible without explanation.

Kevin Standlee, who has played important roles in running many fan conventions, noted:

An overwhelming majority of the members of WSFS who voted on the site of the 2023 Worldcon (at the 2021 Worldcon in DC) selected Chengdu, China as the host of the 2023 Worldcon. That meant that the members of WSFS who expressed an opinion accepted that the convention would be held under Chinese legal conditions. Furthermore, those people (including me) who suggested that there might be election irregularities were overridden, shouted down, fired from their convention positions, and told that they were evil and probably racist for even suggesting such a thing.

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Continuing notes from the Chengdu Worldcon

This entry was posted in Commentary and tagged China conventions fandom on by

Just a couple more items from Chengdu Worldcon reports.

Chris M. Barkley, writing on his experience on an “Ask a US Fan” panel, reported: “Also, knowing that whatever was said at this panel would probably be reviewed by either Communist Party officials or members of the security services, I had planned in advance to make a point of saying that I was not a foreign policy expert nor was I there to criticize the government or policies of the People’s Republic of China.”

On a more positive note, there was a table for Tibetan science fiction. The report says, “The entire convention was not planned like a free and easygoing party, but more like a well-regulated exhibition. After all, the fan area was located in the lobby on the first floor, in a corner space.” I’m sure any mention of China’s conquest of Tibet was carefully avoided or rewritten as “liberation,” but given the convention’s general bleakness, giving space at all to Tibetan SF is something.

Lukianenko remained officially a Guest of Honor, though he never showed up. I haven’t seen any explanation for his absence. Normally, when a GoH doesn’t show, the concom will say something, even it’s a vague “personal reasons.” This wasn’t a normal Worldcon, though. However, his writing appears in a tie-in book that also has stories by Sawyer and Liu.