Yearly Archives: 2024

Samantha Mills repudiates 2023 Hugo

This entry was posted in News and tagged censorship China conventions fandom science fiction on by

Samantha Mills, winner of the 2023 Hugo Award for “best short story,” has repudiated her award in the light of the censorship scandal. She wrote:

Looking at the information we currently have, it’s hard for me to conclude anything other than: I shouldn’t have been on that ballot. …
 
I spent this morning logging into my various accounts and taking “Hugo” out of my bio. There are almost certainly going to be places it was printed that I miss, so my apologies for that. Here’s the most embarrassing one: my novel already went to the printer and it has “Hugo winner” on the cover. Fucking mortifying!

Update, Feb. 23, 2024: Adrian Tchaikovsky has repudiated his Hugo. “I cannot consider myself a Hugo winner and will not be citing the 2023 award result in my biographical details, or on this site.”

The Hugo cover-up

This entry was posted in Commentary News Writing and tagged China conventions fandom science fiction on by

It’s out in the open now: Legitimate Hugo Award candidates were disqualified because of Chinese censorship. A collection of internal email, posted on Document Cloud, shows that the committee reviewed “anything of a sensitive political nature.” Dave McCarty was specific about the reasons:

In addition to the regular technical review, as we are happening in China and the *laws* we operate under are different … we need to highlight anything of a sensitive political nature in the work. [Ellipses in the original]

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Another story of the Chengdu Worldcon 2

This entry was posted in News and tagged China fandom science fiction on by

This weekend, I heard a remarkable account from a science fiction writer who wanted to go to the Chengdu Worldcon. He was talking to a small group of people including me, but I don’t know if he wants it publicized, so I’ll omit his name.

To go to China you need a visa, which requires going through a Chinese embassy. He made his application and, as requested, listed his professional affiliations. One of them, not surprisingly, was SFWA. He was asked what the abbreviation stood for and explained it’s “Science Fiction and Fantasy Writers Association.” (The name has changed once or twice while keeping the abbreviation.) This got some alarmed responses, and he was told they’d have to get back to him. The process dragged on without a decision. Finally, a few weeks before the con, he withdrew his application so he wouldn’t have a denied visa request on is record.
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Book burying under White House pressure 3

This entry was posted in Censorship News and tagged Amazon books censorship on by

According to a New York Post article, the White House successfully pressured Amazon to put some books under a “do not promote” order. The books remained available but presumably are less discoverable than comparable books not under the order. The order was issued “the same day Amazon officials met with the White House.”

The order covers “anti-vax books whose primary purpose is to persuade readers vaccines are unsafe or ineffective.” The article doesn’t mention any titles, so I can’t judge their worth. Would a book that called attention to legitimate risks or exaggerated claims of effectiveness fall under that category? Biden said, “You’re not going to get COVID if you have these vaccinations,” a claim whose inaccuracy many people have learned firsthand.
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It’s Black History Month, not Black Advertising Month

This entry was posted in Writing and tagged history writing on by

Looking around the Internet and stores, the most obvious signs of Black History Month are ethnically targeted marketing. That’s what advertisers do, I guess. But the original idea was a good one: call attention to people whom older histories tended to ignore.

Writers might get some ideas from looking at black historical figures they admire. Let me just list three:
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The Tianwen project

This entry was posted in Commentary News and tagged censorship China science fiction on by

File 770 has a fascinating article, “Decoding the Tianwen Project”, about the Chinese government’s aims to achieve a dominant position in the science fiction world. The piece is “posted anonymously to protect the author’s identity, as the author is part of the Chinese diaspora who occasionally travels to China.”

China has already engaged in censorship outside its borders through its print shops. It pressured Disney into killing nearly all the distribution of Kundun, which presents the Dalai Lama favorably and Mao unfavorably. A CNN article says China has “the world’s largest known online disinformation operation.”
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Frankenstein (1910) with fresh accompaniment

This entry was posted in Movies Personal and tagged music science fiction silent movies on by

This week I added an ART USBMIX mixer to the audio gear I use to accompany silent movies on Twitch. The 1910 Frankenstein from Edison Studios was one of the movies I showed in January; I redid it with the mixer, hoping to improve the sound quality by eliminating the microphone and the keyboard and room noise along with it. I’m happy with the result and plan to use this setup in my February 14 movie. The proof of concept is now up on YouTube.
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New Hampshire bill seeks to mandate book rating system

This entry was posted in Censorship Commentary News and tagged censorship education libraries New Hampshire on by

A bill before the New Hampshire legislature, Senate Bill 523, is a frontal attack on school libraries in the state and the vendors that provide books to them. The bill is sponsored by State Senator Kevin Avard. It’s the kind of lunacy you’d expect in Kansas or Texas, not New Hampshire.

It would set up a bounty system for bringing complaints against material which is allegedly “harmful to minors.” Anyone claiming to be aggrieved under the bill’s terms would be able to sue for damages. A person bringing a successful suit would be guaranteed a minimum payout of $1,000. What Avard is trying to set up isn’t just a way to remove inappropriate books but a way to incentivize gratuitous challenges.
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Human rights issues with a Kampala Worldcon

This entry was posted in Commentary and tagged conventions fandom liberty science fiction Uganda on by

As fans energetically discuss the aftermath of the Chengdu Worldcon, some are thinking about the risks of future Worldcons in countries with a bad record on free speech and human rights. There are some issues with the UK, which is hosting this year’s convention, but it’s too late to change it. Let’s look ahead to the bid for Kampala in 2028.

There’s never been a Worldcon in Africa, and that helps to make the idea attractive. The bid website talks about Uganda’s literary history:
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