The bid for a 2028 Worldcon in Uganda, which I had criticized here and here, has changed its proposed venue to Kigali, Rwanda. The name is now ConKigali. It may be an improvement in some ways, but is it enough of one to get serious consideration?
Freedom House gives Rwanda a rating of 23, categorized as “not free.” This is lower than Uganda’s rating of 34. From the standpoint of fans’ personal safety, though, Rwanda may be the less dangerous of the two. Homosexuality isn’t outlawed, but people traveling there still need to be careful what opinions they express. The US State Department has issued a long list of “significant human rights issues” in Rwanda.
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There has been discussion of whether science fiction/fantasy conventions in the US should be considered human rights risks along with countries like China and Uganda. Some people are already panicking. A post I came across on Bluesky said, “I’ve lost all my desire to attend Seattle Worldcon. Fully aware this is a first world sort of problem but wondering if other non Americans are felling the same?” Steve Davidson, the editor of Amazing Stories, has written: “For at least the next four years the United States will not be a suitable country for hosting Worldcon. It will not be a country that is generally reflective of Fannish values. It may very well become a country that is hostile to those values.” He recognizes that there’s no way to revoke the Seattle and Los Angeles Worldcons.
Giving in to worst-case assumptions this soon is a mistake, but it’s never too soon to consider the risks. What dangers might come to US cons in the next few years raise, and who would be at risk?
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Someone tried to buy a Hugo Award by buying a bunch of Glasgow Worldcon memberships and having them vote. Fortunately, the attempt was brain-dead stupid and the Hugo administration team caught it. Details are on File 770.
The stupidity consisted of using obviously fake names for the fake members. “These included, for instance, a run of voters whose second names were identical except that the first letter was changed, in alphabetical order; and a run of voters whose names were translations of consecutive numbers.” 377 votes out of 3,813 were disqualified. The nominee that was being pushed did not win, and the Glasgow committee says there’s no reason to believe that the nominee was responsible for the campaign.
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In an earlier post, I discussed the Code of Conduct of the Glasgow Worldcon. There have evidently been some changes since I wrote the article, perhaps in response to criticisms. My post quoted and criticized the following statement in the code: “In particular, exhibitors should not openly display sexualized images, activities, or other material, although this content may be kept out of sight and offered based on a customer’s inquiry, in keeping with the Indecent Display (Controls) Act 1981. Booth staff (including volunteers) should not use sexualized clothing/uniforms/costumes, or otherwise create a sexualized environment.”
That text isn’t currently present. Instead, there is this:
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In an earlier post, I discussed the Vancouver Comics Arts Festival’s exclusion of Miriam Libicki for, in effect, being Israeli. Today I found a newly published interview with Libicki that makes the convention look still worse. Based on what she says, the convention’s motivation was more a matter of book-banning.
She characterizes the disruption which allegedly endangered the convention as “screaming.” As described, it might be grounds for restricting or expelling the person responsible, but there doesn’t seem to have been any threat to anyone. At one point, security removed some people for being disruptive. The “screaming” person was objecting to Libicki’s books without having read them. Subsequently the convention demanded a review of Libicki’s writing. Libicki was asked for digital copies of her books, which she couldn’t readily provide.
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A few weeks ago I mentioned USC’s cancelling a valedictorian’s speech because of unspecified threats. In that case, the speaker was seen as pro-Palestinian. The heckler’s veto cuts both ways. It’s been in fannish news that the Vancouver Comics Arts Festival banned artist Miriam Libicki because of unspecified dangers her presence would create. The issue was that she was Israeli and had been in the IDF in the early 2000s, long before the events kicked off by the October 7 massacre.
The resulting reaction from the fan community has thrown the convention leadership into chaos. The people chiefly responsible for the bigoted decision have left the organization, which is good. What’s left of the board has issued an apology, a confession of cowardice. It says in part:
For background, the decision to ban this individual in our previous statement stemmed from two separate incidents on the VanCAF floor that took place during our 2022 and 2024 festivals. Neither incident was instigated by the individual referenced in our previous post. Both involved activists protesting the individual’s presence in a manner that caused concern for the safety of our volunteers, staff, and exhibitors.
Time to dissect another code of conduct from a fan-run convention. This one’s for Readercon, which is coming up in July in Quincy, Massachusetts. It’s got some of the usual problems but could have been worse.
The most pervasive problem is taking good ideas and inappropriately elevating them to rules. “Moderate the volume of your voice and the expansiveness of your gestures.” How much hand-waving constitutes a violation? “Be willing to learn new things and admit when you’re wrong, including offering apologies.” Is the con going to judge when someone has been proven wrong and mandate an apology? “If you’re not certain someone is enjoying your company, end the interaction yourself.” A lot of fans deal with self-doubt about whether others like them; this rule, if taken seriously, would practically shut down their social interactions.
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Penguicon 2024 disinvited SF author Patrick Tomlinson after he was targeted by a major online harassment campaign. Yes, that’s right. Penguicon disinvited a program participant for being the victim of harassment. He discusses the convention’s actions on his website, and I’ve confirmed much of what he said from other sources.
What the convention did to him is known as the “heckler’s veto,” though “heckling” is far too mind a term for the stalking campaign against him. It’s often a technique organizers use to get rid of someone they don’t like or find inconvenient. USC cancelled its valedictorian speech by Asna Tabassum because of vague “safety concerns.” The administration never said what dangers concerned them or who, if anyone, was making threats. The Provost’s statement cites “security concerns that rose to the level of credible” but nothing more specific. It subsequently cancelled all commencement speeches. The message USC unintentionally delivered was that threats work.
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A lot of science fiction conventions have codes of conduct that put severe restrictions on speech. They aren’t always enforced, and never fully and consistently, but they can be an excuse to embarrass or eject someone a concom member doesn’t like. For instance, Balticon pulled a program participant out of a panel and subjected her to humiliating treatment for vaguely defined violations of its speech code. The con apologized but dumped all the blame on one volunteer.
Conventions need to say what behavior is acceptable and unacceptable, but we have to look closely at each one’s rules to see how much it values open discussion. So let’s get a look at the Glasgow Worldcon’s rules.
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