fandom


Several of my blog posts have criticized codes of conduct at fan-run conventions. Good ones, though, are valuable. A provision most of them have is that if people want you to leave them alone, you leave them alone.

I may have reason to remind someone of this provision in the near future, though I hope it won’t be necessary. That’s all I have to say.


Yet another Hugo Award scandal

Someone tried to buy a Hugo Award by buying a bunch of Glasgow Worldcon memberships and having them vote. Fortunately, the attempt was brain-dead stupid and the Hugo administration team caught it. Details are on File 770.

The stupidity consisted of using obviously fake names for the fake members. “These included, for instance, a run of voters whose second names were identical except that the first letter was changed, in alphabetical order; and a run of voters whose names were translations of consecutive numbers.” 377 votes out of 3,813 were disqualified. The nominee that was being pushed did not win, and the Glasgow committee says there’s no reason to believe that the nominee was responsible for the campaign.
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An update on the Glasgow Worldcon code of conduct 2

In an earlier post, I discussed the Code of Conduct of the Glasgow Worldcon. There have evidently been some changes since I wrote the article, perhaps in response to criticisms. My post quoted and criticized the following statement in the code: “In particular, exhibitors should not openly display sexualized images, activities, or other material, although this content may be kept out of sight and offered based on a customer’s inquiry, in keeping with the Indecent Display (Controls) Act 1981. Booth staff (including volunteers) should not use sexualized clothing/uniforms/costumes, or otherwise create a sexualized environment.”

That text isn’t currently present. Instead, there is this:
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Vancouver Comics Arts Festival is looking worse

In an earlier post, I discussed the Vancouver Comics Arts Festival’s exclusion of Miriam Libicki for, in effect, being Israeli. Today I found a newly published interview with Libicki that makes the convention look still worse. Based on what she says, the convention’s motivation was more a matter of book-banning.

She characterizes the disruption which allegedly endangered the convention as “screaming.” As described, it might be grounds for restricting or expelling the person responsible, but there doesn’t seem to have been any threat to anyone. At one point, security removed some people for being disruptive. The “screaming” person was objecting to Libicki’s books without having read them. Subsequently the convention demanded a review of Libicki’s writing. Libicki was asked for digital copies of her books, which she couldn’t readily provide.
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Bigotry at Vancouver Comics Arts Festival

A few weeks ago I mentioned USC’s cancelling a valedictorian’s speech because of unspecified threats. In that case, the speaker was seen as pro-Palestinian. The heckler’s veto cuts both ways. It’s been in fannish news that the Vancouver Comics Arts Festival banned artist Miriam Libicki because of unspecified dangers her presence would create. The issue was that she was Israeli and had been in the IDF in the early 2000s, long before the events kicked off by the October 7 massacre.

The resulting reaction from the fan community has thrown the convention leadership into chaos. The people chiefly responsible for the bigoted decision have left the organization, which is good. What’s left of the board has issued an apology, a confession of cowardice. It says in part:

For background, the decision to ban this individual in our previous statement stemmed from two separate incidents on the VanCAF floor that took place during our 2022 and 2024 festivals. Neither incident was instigated by the individual referenced in our previous post. Both involved activists protesting the individual’s presence in a manner that caused concern for the safety of our volunteers, staff, and exhibitors.

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Readercon’s code of conduct

Time to dissect another code of conduct from a fan-run convention. This one’s for Readercon, which is coming up in July in Quincy, Massachusetts. It’s got some of the usual problems but could have been worse.

The most pervasive problem is taking good ideas and inappropriately elevating them to rules. “Moderate the volume of your voice and the expansiveness of your gestures.” How much hand-waving constitutes a violation? “Be willing to learn new things and admit when you’re wrong, including offering apologies.” Is the con going to judge when someone has been proven wrong and mandate an apology? “If you’re not certain someone is enjoying your company, end the interaction yourself.” A lot of fans deal with self-doubt about whether others like them; this rule, if taken seriously, would practically shut down their social interactions.
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A smear and harassment campaign

Penguicon 2024 disinvited SF author Patrick Tomlinson after he was targeted by a major online harassment campaign. Yes, that’s right. Penguicon disinvited a program participant for being the victim of harassment. He discusses the convention’s actions on his website, and I’ve confirmed much of what he said from other sources.

What the convention did to him is known as the “heckler’s veto,” though “heckling” is far too mind a term for the stalking campaign against him. It’s often a technique organizers use to get rid of someone they don’t like or find inconvenient. USC cancelled its valedictorian speech by Asna Tabassum because of vague “safety concerns.” The administration never said what dangers concerned them or who, if anyone, was making threats. The Provost’s statement cites “security concerns that rose to the level of credible” but nothing more specific. It subsequently cancelled all commencement speeches. The message USC unintentionally delivered was that threats work.
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Analyzing the 2024 Worldcon code of conduct 4

A lot of science fiction conventions have codes of conduct that put severe restrictions on speech. They aren’t always enforced, and never fully and consistently, but they can be an excuse to embarrass or eject someone a concom member doesn’t like. For instance, Balticon pulled a program participant out of a panel and subjected her to humiliating treatment for vaguely defined violations of its speech code. The con apologized but dumped all the blame on one volunteer.

Conventions need to say what behavior is acceptable and unacceptable, but we have to look closely at each one’s rules to see how much it values open discussion. So let’s get a look at the Glasgow Worldcon’s rules.
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Kampala in 2028 is looking worse 1

It’s no fault of the Kampala in 2028 bid committee, but the prospect of a Worldcon in Uganda in 2028 looks more frightening than ever. The Ugandan Constitutional Court has upheld critical portions of a 2023 law that criminalized homosexuality, allowing the death penalty in some cases. This would put some attendees in worse danger than they faced at the Chengdu Worldcon.

As the Freedom from Religion Foundation warns, the ruling “has disastrous consequences for LGBTQIA-plus Ugandans.” I don’t know why they repeatedly used that ever-growing letter salad, when the targets are specifically gays (or gays and lesbians, if you use the former just for men), but that’s just my obligatory jargon nitpick. The point is that con attendees might be in deadly danger just by being there.

I’m sure the bid committee didn’t want this to happen, but SF/F conventions in authoritarian states can put their members at serious risk. Better to hold the con somewhere else.

There are risks everywhere, of course. A man was recently arrested for making a bomb threat against a Michigan hotel while it was hosting a furry convention. The same hotel was threatened during last year’s con, which makes it likely the con was the target.


The trouble with fannish gatherings

The latest SMOF News (Volume 3, issue 30) discusses the post-pandemic decline of in-person fan-run science fiction conventions, with Outlantacon being the latest casualty. It’s a situation I’m familiar with, since I’ve negotiated hotel contracts for several filk conventions and more recently couldn’t find a suitable hotel at a reasonable cost for NEFilk. Two factors make up the problem: rising hotel costs and decreased attendance.

Fan-run cons have always worked on the periphery of more lucrative events, such as weddings and gatherings of large organizations. To get space, we have to find a weekend that the other customers don’t want or fill up the space that they aren’t using. COVID killed a lot of hotels, and the ones that are still around want to make up for a couple of years of lost revenue. This means fewer discount deals. If we paid rates comparable to the big customers, we’d have to charge a membership rate of a couple of hundred dollars for a weekend con.
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