conventions

A smear and harassment campaign

This entry was posted in Commentary and tagged conventions fandom PenguiCon on by

Penguicon 2024 disinvited SF author Patrick Tomlinson after he was targeted by a major online harassment campaign. Yes, that’s right. Penguicon disinvited a program participant for being the victim of harassment. He discusses the convention’s actions on his website, and I’ve confirmed much of what he said from other sources.

What the convention did to him is known as the “heckler’s veto,” though “heckling” is far too mind a term for the stalking campaign against him. It’s often a technique organizers use to get rid of someone they don’t like or find inconvenient. USC cancelled its valedictorian speech by Asna Tabassum because of vague “safety concerns.” The administration never said what dangers concerned them or who, if anyone, was making threats. The Provost’s statement cites “security concerns that rose to the level of credible” but nothing more specific. It subsequently cancelled all commencement speeches. The message USC unintentionally delivered was that threats work.
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Analyzing the 2024 Worldcon code of conduct 4

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A lot of science fiction conventions have codes of conduct that put severe restrictions on speech. They aren’t always enforced, and never fully and consistently, but they can be an excuse to embarrass or eject someone a concom member doesn’t like. For instance, Balticon pulled a program participant out of a panel and subjected her to humiliating treatment for vaguely defined violations of its speech code. The con apologized but dumped all the blame on one volunteer.

Conventions need to say what behavior is acceptable and unacceptable, but we have to look closely at each one’s rules to see how much it values open discussion. So let’s get a look at the Glasgow Worldcon’s rules.
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Kampala in 2028 is looking worse 1

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It’s no fault of the Kampala in 2028 bid committee, but the prospect of a Worldcon in Uganda in 2028 looks more frightening than ever. The Ugandan Constitutional Court has upheld critical portions of a 2023 law that criminalized homosexuality, allowing the death penalty in some cases. This would put some attendees in worse danger than they faced at the Chengdu Worldcon.

As the Freedom from Religion Foundation warns, the ruling “has disastrous consequences for LGBTQIA-plus Ugandans.” I don’t know why they repeatedly used that ever-growing letter salad, when the targets are specifically gays (or gays and lesbians, if you use the former just for men), but that’s just my obligatory jargon nitpick. The point is that con attendees might be in deadly danger just by being there.

I’m sure the bid committee didn’t want this to happen, but SF/F conventions in authoritarian states can put their members at serious risk. Better to hold the con somewhere else.

There are risks everywhere, of course. A man was recently arrested for making a bomb threat against a Michigan hotel while it was hosting a furry convention. The same hotel was threatened during last year’s con, which makes it likely the con was the target.

Samantha Mills repudiates 2023 Hugo

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Samantha Mills, winner of the 2023 Hugo Award for “best short story,” has repudiated her award in the light of the censorship scandal. She wrote:

Looking at the information we currently have, it’s hard for me to conclude anything other than: I shouldn’t have been on that ballot. …
 
I spent this morning logging into my various accounts and taking “Hugo” out of my bio. There are almost certainly going to be places it was printed that I miss, so my apologies for that. Here’s the most embarrassing one: my novel already went to the printer and it has “Hugo winner” on the cover. Fucking mortifying!

Update, Feb. 23, 2024: Adrian Tchaikovsky has repudiated his Hugo. “I cannot consider myself a Hugo winner and will not be citing the 2023 award result in my biographical details, or on this site.”

The Hugo cover-up

This entry was posted in Commentary News Writing and tagged China conventions fandom science fiction on by

It’s out in the open now: Legitimate Hugo Award candidates were disqualified because of Chinese censorship. A collection of internal email, posted on Document Cloud, shows that the committee reviewed “anything of a sensitive political nature.” Dave McCarty was specific about the reasons:

In addition to the regular technical review, as we are happening in China and the *laws* we operate under are different … we need to highlight anything of a sensitive political nature in the work. [Ellipses in the original]

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Human rights issues with a Kampala Worldcon

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As fans energetically discuss the aftermath of the Chengdu Worldcon, some are thinking about the risks of future Worldcons in countries with a bad record on free speech and human rights. There are some issues with the UK, which is hosting this year’s convention, but it’s too late to change it. Let’s look ahead to the bid for Kampala in 2028.

There’s never been a Worldcon in Africa, and that helps to make the idea attractive. The bid website talks about Uganda’s literary history:
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Hugo nominees mysteriously declared ineligible

This entry was posted in Censorship Commentary News and tagged censorship China conventions fandom science fiction on by

The detailed statistics for the 2023 Hugo Awards voting are finally out, and they’ve triggered a controversy. A number of nominees were declared ineligible without explanation.

Kevin Standlee, who has played important roles in running many fan conventions, noted:

An overwhelming majority of the members of WSFS who voted on the site of the 2023 Worldcon (at the 2021 Worldcon in DC) selected Chengdu, China as the host of the 2023 Worldcon. That meant that the members of WSFS who expressed an opinion accepted that the convention would be held under Chinese legal conditions. Furthermore, those people (including me) who suggested that there might be election irregularities were overridden, shouted down, fired from their convention positions, and told that they were evil and probably racist for even suggesting such a thing.

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Continuing notes from the Chengdu Worldcon

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Just a couple more items from Chengdu Worldcon reports.

Chris M. Barkley, writing on his experience on an “Ask a US Fan” panel, reported: “Also, knowing that whatever was said at this panel would probably be reviewed by either Communist Party officials or members of the security services, I had planned in advance to make a point of saying that I was not a foreign policy expert nor was I there to criticize the government or policies of the People’s Republic of China.”

On a more positive note, there was a table for Tibetan science fiction. The report says, “The entire convention was not planned like a free and easygoing party, but more like a well-regulated exhibition. After all, the fan area was located in the lobby on the first floor, in a corner space.” I’m sure any mention of China’s conquest of Tibet was carefully avoided or rewritten as “liberation,” but given the convention’s general bleakness, giving space at all to Tibetan SF is something.

Lukianenko remained officially a Guest of Honor, though he never showed up. I haven’t seen any explanation for his absence. Normally, when a GoH doesn’t show, the concom will say something, even it’s a vague “personal reasons.” This wasn’t a normal Worldcon, though. However, his writing appears in a tie-in book that also has stories by Sawyer and Liu.

Reports from the Chengdu Worldcon

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I’ve been watching for reports from the Chengdu Worldcon, with my main concern being what it was like to attend and participate. File 770 is my main source, and somebody called Ersatz Culture has been especially helpful. I don’t want to enable JavaScript for any Chinese site, which cuts me off from some primary sources. Here are some things I’ve seen so far. Some of them are translations from Chinese.

From File 770, October 24: A Google translation of a report by Zhang Ran, includes the following:

This should be a carnival for Chinese science fiction fans, but I couldn’t find any carnival look on the faces of many people attending the conference.

The volunteers were stiff and frightened, as if they were fulfilling some grand historical mission. The security check is dense and solemn, as if guarding some mysterious core…. The science fiction market, which should be reserved for ordinary fantasy fans, will naturally be run by companies that have little to do with science fiction.

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China Worldcon is selling “tickets” and merchandising mascot

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There isn’t much news I can find about the Chengdu Science Fiction Museum, which is the site of next month’s Worldcon. The Zaha Hadid Architects website describes it as “under construction” and shows only drawings of it. However, my search turned up information on how memberships and related merchandise are being sold. I refer you to this article by Steve Davidson on the Amazing Stories website. It links to a File 770 article which I’d overlooked.

The news is that the Chengdu Worldcon is selling “tickets” through what is described as “a Ticketmaster-style service.” As Davidson notes, fan-run conventions don’t sell tickets; they sell memberships. The difference is that members have the opportunity to participate in large and small ways. Most aren’t listed on the program, but they can help with setup and breakdown, ask questions at panels, talk with pros at kaffeeklatsches, join discussions in the con suite, sing in the filksings, etc. That’s different from conventions such as the big comic cons, where the emphasis is more on hearing speakers in large halls, buying merchandise, getting photos and autographs, and so on. Both are legitimate activities, but trying to mix the models always turns out badly.
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