China

“Glory to Hong Kong” on SoundCloud

This entry was posted in Music and tagged China freedom music on by

Apple and Spotify, groveling before China’s government, have reportedly taken down the song “Glory to Hong Kong” worldwide. I don’t know what to make of this, as I can still find the song on both platforms. It may be just the original DGX version that’s been taken down, which seems pointless from a censorship standpoint. Maybe it takes longer to go after the cover performances.

Whatever is happening, it’s something people can push back against. I’d like to see a hundred thousand recordings uploaded to the Web, so the censors will find themselves playing a futile game of Whack-a-Mole. For my part, I’ve written and recorded a piano arrangement of “Glory to Hong Kong” to SoundCloud. As far as I know, they haven’t banned the song, at least in the USA. In China, even instrumental performances can get the performer arrested.
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Samantha Mills repudiates 2023 Hugo

This entry was posted in News and tagged censorship China conventions fandom science fiction on by

Samantha Mills, winner of the 2023 Hugo Award for “best short story,” has repudiated her award in the light of the censorship scandal. She wrote:

Looking at the information we currently have, it’s hard for me to conclude anything other than: I shouldn’t have been on that ballot. …
 
I spent this morning logging into my various accounts and taking “Hugo” out of my bio. There are almost certainly going to be places it was printed that I miss, so my apologies for that. Here’s the most embarrassing one: my novel already went to the printer and it has “Hugo winner” on the cover. Fucking mortifying!

Update, Feb. 23, 2024: Adrian Tchaikovsky has repudiated his Hugo. “I cannot consider myself a Hugo winner and will not be citing the 2023 award result in my biographical details, or on this site.”

The Hugo cover-up

This entry was posted in Commentary News Writing and tagged China conventions fandom science fiction on by

It’s out in the open now: Legitimate Hugo Award candidates were disqualified because of Chinese censorship. A collection of internal email, posted on Document Cloud, shows that the committee reviewed “anything of a sensitive political nature.” Dave McCarty was specific about the reasons:

In addition to the regular technical review, as we are happening in China and the *laws* we operate under are different … we need to highlight anything of a sensitive political nature in the work. [Ellipses in the original]

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Another story of the Chengdu Worldcon 2

This entry was posted in News and tagged China fandom science fiction on by

This weekend, I heard a remarkable account from a science fiction writer who wanted to go to the Chengdu Worldcon. He was talking to a small group of people including me, but I don’t know if he wants it publicized, so I’ll omit his name.

To go to China you need a visa, which requires going through a Chinese embassy. He made his application and, as requested, listed his professional affiliations. One of them, not surprisingly, was SFWA. He was asked what the abbreviation stood for and explained it’s “Science Fiction and Fantasy Writers Association.” (The name has changed once or twice while keeping the abbreviation.) This got some alarmed responses, and he was told they’d have to get back to him. The process dragged on without a decision. Finally, a few weeks before the con, he withdrew his application so he wouldn’t have a denied visa request on is record.
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The Tianwen project

This entry was posted in Commentary News and tagged censorship China science fiction on by

File 770 has a fascinating article, “Decoding the Tianwen Project”, about the Chinese government’s aims to achieve a dominant position in the science fiction world. The piece is “posted anonymously to protect the author’s identity, as the author is part of the Chinese diaspora who occasionally travels to China.”

China has already engaged in censorship outside its borders through its print shops. It pressured Disney into killing nearly all the distribution of Kundun, which presents the Dalai Lama favorably and Mao unfavorably. A CNN article says China has “the world’s largest known online disinformation operation.”
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Hugo nominees mysteriously declared ineligible

This entry was posted in Censorship Commentary News and tagged censorship China conventions fandom science fiction on by

The detailed statistics for the 2023 Hugo Awards voting are finally out, and they’ve triggered a controversy. A number of nominees were declared ineligible without explanation.

Kevin Standlee, who has played important roles in running many fan conventions, noted:

An overwhelming majority of the members of WSFS who voted on the site of the 2023 Worldcon (at the 2021 Worldcon in DC) selected Chengdu, China as the host of the 2023 Worldcon. That meant that the members of WSFS who expressed an opinion accepted that the convention would be held under Chinese legal conditions. Furthermore, those people (including me) who suggested that there might be election irregularities were overridden, shouted down, fired from their convention positions, and told that they were evil and probably racist for even suggesting such a thing.

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Coping with Chinese disinformation 1

This entry was posted in Commentary Writing and tagged China research writing on by

When researching and writing material about China, you have to be aware of the Chinese government’s disinformation efforts. People who speak out against it are apt to be the targets of systematic insults and character assassination. If you’re operating on a small level, you probably won’t be bothered. Even though my articles on boycotting the Chengdu Worldcon did well in the search engines, I’ve received only one clear threat with a Chinese connection.

CNN has reported on “the world’s largest known online disinformation operation”:

The Chinese government has built up the world’s largest known online disinformation operation and is using it to harass US residents, politicians, and businesses—at times threatening its targets with violence. …

The onslaught of attacks – often of a vile and deeply personal nature – is part of a well-organized, increasingly brazen Chinese government intimidation campaign targeting people in the United States, documents show.

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Continuing notes from the Chengdu Worldcon

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Just a couple more items from Chengdu Worldcon reports.

Chris M. Barkley, writing on his experience on an “Ask a US Fan” panel, reported: “Also, knowing that whatever was said at this panel would probably be reviewed by either Communist Party officials or members of the security services, I had planned in advance to make a point of saying that I was not a foreign policy expert nor was I there to criticize the government or policies of the People’s Republic of China.”

On a more positive note, there was a table for Tibetan science fiction. The report says, “The entire convention was not planned like a free and easygoing party, but more like a well-regulated exhibition. After all, the fan area was located in the lobby on the first floor, in a corner space.” I’m sure any mention of China’s conquest of Tibet was carefully avoided or rewritten as “liberation,” but given the convention’s general bleakness, giving space at all to Tibetan SF is something.

Lukianenko remained officially a Guest of Honor, though he never showed up. I haven’t seen any explanation for his absence. Normally, when a GoH doesn’t show, the concom will say something, even it’s a vague “personal reasons.” This wasn’t a normal Worldcon, though. However, his writing appears in a tie-in book that also has stories by Sawyer and Liu.

Reports from the Chengdu Worldcon

This entry was posted in News and tagged China conventions fandom on by

I’ve been watching for reports from the Chengdu Worldcon, with my main concern being what it was like to attend and participate. File 770 is my main source, and somebody called Ersatz Culture has been especially helpful. I don’t want to enable JavaScript for any Chinese site, which cuts me off from some primary sources. Here are some things I’ve seen so far. Some of them are translations from Chinese.

From File 770, October 24: A Google translation of a report by Zhang Ran, includes the following:

This should be a carnival for Chinese science fiction fans, but I couldn’t find any carnival look on the faces of many people attending the conference.

The volunteers were stiff and frightened, as if they were fulfilling some grand historical mission. The security check is dense and solemn, as if guarding some mysterious core…. The science fiction market, which should be reserved for ordinary fantasy fans, will naturally be run by companies that have little to do with science fiction.

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Robert J. Sawyer grovels to China

This entry was posted in Commentary News and tagged China fandom science fiction on by

Canadian author Robert J. Sawyer has been the least controversial of the Chengdu Worldcon’s three Guests of Honor. He’s Canadian and isn’t under the same pressures or motivations as Chinese author Cixin Liu and Russian Sergei Lukianenko. However, he’s shown that just a guest spot and airfare are enough to buy off any principles he might have had.

I’m not expecting him to denounce the treatment of the Uyghurs or censorship in Hong Kong while he’s there. That would be stupid. But he didn’t have to say the things he said.
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