The blog Making a Living Writing recently posted an article on “Middle-Man Agency Platforms.” None of the sites listed are ones I’m familiar with, but they could be an interesting way for writers to expand their markets.
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Some people see nothing wrong with writing dishonest articles. A discussion in an online forum recently reminded me of this.
Let me start by clarifying what I mean by dishonest writing. If you’re writing on someone else’s behalf, you can argue for a position which you don’t personally agree with. It’s legitimate if there’s some case for the position and you use accurate facts and valid arguments. You’re helping the customer to present a position in a reasoned way, and there’s nothing wrong with that even if it’s not your position.
It becomes dishonest when your argumentation is dishonest. If you cite sources which you know are unreliable, use arguments which don’t hold up, and present “facts” with no source, you’re serving up counterfeit goods. If the customer is unaware you’re spewing nonsense, you’re cheating the customer. If they do know they’re asking you to deceive, you’re collaborating in cheating the reader. In some cases, it could count as fraud under the law.
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[Withdrawn. I no longer wish to give any positive publicity to Verblio.]
Here’s the cover! Click on it for a larger view.
Mark Mandel now has the draft for copy editing. I hope to have the book up for sale on Smashwords before long.
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Ghostwriters have to write in a voice different from their normal one, and sometimes even in a different dialect. When writing for a Canadian, British, or Australian site, you want to look like a native writer. It’s tricky to get it really right.
Each nation’s treatment of English is different. British, Australian, and New Zealand English are fairly close to one another (in spelling, not pronunciation!). Canadians use a version that’s somewhere between American and British English. I’ll focus mostly on the American and British versions here, for the sake of brevity.
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This site now is entirely behind HTTPS URLs, which I should have done a long time ago. You won’t get browser warnings of an “insecure” site, and you can submit Web forms with more confidence.
The old URLs will still work, redirecting to the corresponding HTTPS ones. You may want to update your bookmarks, though.
Yesterday’s Songs Transformed is getting close to completion. I’m working on the introduction, which traditionally is one of the last things you write. It deals with the relationship of the book to Tomorrow’s Songs Today. TST is about filk music. YST grows out of my interest in filk. It puts the rewriting of song lyrics into a bigger context. I expect a large part of my audience to be people interested in filk, people who love the idea of replacing old lyrics with new ones. I also hope that other music lovers will get enjoyment out of it.
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When I’m polishing text that I’ve written, I find myself thinking about the value each word contributes. Can I replace a long phrase with a short one with equal value? Can I use a high-value word in place of one that has relatively little?
By “value” I mean the precision and impact which each word contributes to the statement. A precise word has more value than one with a broad meaning. A straightforward word or phrase has more value than a cliché. A sentence with a high value per word has more impact than one that’s full of low-value words.
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A current project of mine is compiling and editing the songbook portion of the ConCertino 2018 program book. I’m using OpenOffice for the pages and Finale for the music notation.
This is the first time I’ve worked with the full version of Finale on a project. Previously I’d used the budget versions, called Finale Allegro and later Finale PrintMusic. When the publisher dropped PrintMusic and offered a cheap upgrade to Finale, I took them up on it. I didn’t think that the extra features would be that useful for my purposes, but they’ve turned out to be quite helpful.
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Of all the crimes against good writing, the worst is using the wrong word. A grammatical error looks sloppy, but as long as it doesn’t change the meaning of the sentence, people will get what you mean. Use the wrong word, though, and you fail to convey what you’re trying to say. That amounts to failing as a writer.
Usage errors fall into several categories. This isn’t an exhaustive list, but it includes the types of errors that annoy me the most.
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