Writing


A note on Verblio

In my last post, I noted that I’ve stopped writing for Verblio but didn’t want to discuss it further. In the light of a recent email from Madison Basch, though, I need to say a little. I had confirmed that I would not write any more for Verblio, because it had accepted a customer request which I regarded as deeply wrong, and because Basch had compounded the act with an evasive and incoherent attempt at justification. There are some lines I regard as unacceptable to cross, and Verblio crossed one of them. Giving full details would violate my confidentiality agreement. Update: After long consideration, I’ve decided I can and should add one important point: the issue was an overtly racially discriminatory request by a client which Verblio refused to remove.

Basch wrote to me after this that “Verblio is no longer in your opinion or your services as a writer.” It’s a game of “You can’t quit, you’re fired.” While it’s childish and basically harmless, Basch might present that spin to others, so I want it on record that I have not submitted any articles to Verblio for weeks and had clearly stated that I do not intend to resume.

Verblio was once a great company to write for.


Avoiding statistical fallacies in writing 2

Sorry it’s been so long since my last post. I’ve moved, and my cat Carl died.

I’ve noticed a lot of bad treatment of statistics on the Web, especially in connection with the COVID epidemic and vaccines. Sometimes writers make big errors even when trying to correct other people’s mistakes. It’s a huge and difficult subject, so I’ll approach it by linking to some good articles and commenting briefly on each one. It takes time to digest all the information, so you might want to bookmark some of the pieces you find interesting and come back to them later.
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Judges assault First Amendment

A recent ruling by the U.S. Court of Appeals for the 10th circuit should seriously worry writers. It says that the government can ignore the First Amendment when it feels like it. In the case in question, the court acknowledged that website design work is “pure speech,” which means it’s protected by the First Amendment. “Appellants are forced to create websites — and thus, speech—that they would otherwise refuse.” But then it argued that the State of Colorado has a “compelling interest” in forcing a website designer to work for the plaintiff. It ruled that, in spite of the plain First Amendment violation, the designer can be forced to create speech.
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The present subjunctive

It’s important that you use the present subjunctive properly.

The previous sentence is an example. It’s not an obvious one, since it’s hard to use it wrong in that case. The word “use” is in the present subjunctive, but it’s the same as the present indicative in this case. let’s get a little fancier:

It’s important that a writer use the present subjunctive properly.
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A quick guide to creating a convention website 1

No convention is complete without a website. It lets people know about the event and keeps its members and supporters up to date. There’s room for variety in how it looks, but some items are essential. We’ve gone so long without in-person conventions that a reminder of how to create a website for one is useful right now.

I’ve had a lot of experience in the running of science fiction and filk music conventions, and I’ve set up or provided technical support for a number of sites. Here’s a quick guide to the points that a convention website needs to cover.

General points

Use a secure HTTPS site. It gives visitors more confidence, improves your visibility in search engine results, and protects the personal information that participants give you. Upgrading to HTTPS costs little or nothing.

Graphics can include the convention logo and pictures of the guests and the hosting facility. They aren’t required, but they make the page more attractive. Don’t overdo them.

The homepage

Visitors come to the homepage first. Some of the convention pages I’ve seen are awful, leaving out essential information. Make sure to include everything visitors need to find out when they learn about your event.
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How writers can fight unreason

American society is being torn apart by widespread efforts to deceive and distort. Two broadly defined groups dominate these efforts. One is associated with the Republican Party and Donald Trump and has the support of many elected officials. It has significant representation among media outlets but a limited presence in the academic world. The other is associated with the Democrats but tends to be on its fringes. It doesn’t have a lot of outright support in the mainstream media, but many outlets are reluctant to challenge its outrages. It’s very strong in academia.

The two factions always at each other’s throats, but they’re similar in many important ways. Their goal is power. Keeping their own group in line is as important as attacking those who disagree with them. The important thing is to control their followers and promote hatred of non-followers. They use similar techniques to deceive and control. They want fear and hatred to replace reason.

Writers of nonfiction (and even writers of fiction, in a less direct way) should be on the front lines to challenge all promoters of unreason, taking on their false statements and identifying their methods. It’s a tricky challenge. We’re all subject to manipulation when we let our guard down. We can’t always tell facts from fabrications. We’re each well-informed in some areas and ignorant in others.

Each of us will make mistakes, but we can all contribute to rebuilding a culture of reason. Always double-check the facts and look for logical fallacies. Be ready to call out any of these stunts:
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Fanatical publishers

This post deals with a music publisher, GIA. That puts it a little beyond my blog’s usual scope, but it’s still publishing, and I write lots of songs (though only one has ever made me money) and have edited convention songbooks. The story is hard to believe, but the reports I’ve seen support it. My primary source is a Reason article by Robby Soave. I’ll grant that since I tend to agree with Reason‘s positions, I have to watch out for bias, but in my experience the site’s fact-checking is good, and they don’t often publish wild fictions.

On the other hand, if the report is accurate, the company it calls “the major publisher of religious content” (in choral music) is run by fanatics who don’t just support arson but think there’s “no justification” for opposing it. Or perhaps GIA is run by miserable cowards who will do anything that they think will help their revenues, no matter how unjust. Both possibilities are disturbing.
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Blogs vs. podcasts

To be “cool,” you need to have a podcast, not a blog. Or so a lot of podcasters think. There are certainly times when a podcast is more appropriate. When musical performances are the point — FilkCast, for instance — then a blog with links to audio files doesn’t work as well as an all-audio presentation.

But if the point is to present news and commentary, then give me a blog. Here are a handful of reasons why blogs are better:
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Negotiating a world of suppressed information 1

When information on a topic is broadly suppressed, what are we writers supposed to do? There are two easy answers, both error-prone. One is to reject all claims that there’s suppression and call them a “conspiracy theory.” The other is to assume that whatever is being suppressed is true.

Let’s look at the hypothesis that COVID-19 originated in a lab in Wuhan and somehow escaped into the population. I don’t know if that’s true, but the circumstances make it a possibility worth investigating. There have been many attempts to discourage an examination of the question. A Vanity Fair article by Katherine Eban summarizes the battle.
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