Sorry, I have to cancel tonight’s silent film show due to computer issues. My laptop refuses to connect to the Internet, even though my other devices have no problem.
The world of writing
Vancouver Comics Arts Festival is looking worse
In an earlier post, I discussed the Vancouver Comics Arts Festival’s exclusion of Miriam Libicki for, in effect, being Israeli. Today I found a newly published interview with Libicki that makes the convention look still worse. Based on what she says, the convention’s motivation was more a matter of book-banning.
She characterizes the disruption which allegedly endangered the convention as “screaming.” As described, it might be grounds for restricting or expelling the person responsible, but there doesn’t seem to have been any threat to anyone. At one point, security removed some people for being disruptive. The “screaming” person was objecting to Libicki’s books without having read them. Subsequently the convention demanded a review of Libicki’s writing. Libicki was asked for digital copies of her books, which she couldn’t readily provide.
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Spohr’s “Die letzten Dinge”
This is the second in what I can now call a series of blog posts on works by Louis Spohr.
Die letzten Dinge (The Last Judgment) deals with a big topic, but it’s a small-scale oratorio. It takes a little over an hour to perform, and it isn’t very difficult. Choral societies might find it a good addition to their repertoire. There are no solo numbers or fancy vocal passages; what’s needed is four vocalists who can blend well with each other and the chorus. The text is based on the Book of Revelation, so we’re in for a wild ride. The work is oriented more toward drama than deep religious feeling.
The work is listed as WoO 61, even though it was published during his lifetime. It was a huge success at its first performance in 1826 and later in England.
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Bigotry at Vancouver Comics Arts Festival
A few weeks ago I mentioned USC’s cancelling a valedictorian’s speech because of unspecified threats. In that case, the speaker was seen as pro-Palestinian. The heckler’s veto cuts both ways. It’s been in fannish news that the Vancouver Comics Arts Festival banned artist Miriam Libicki because of unspecified dangers her presence would create. The issue was that she was Israeli and had been in the IDF in the early 2000s, long before the events kicked off by the October 7 massacre.
The resulting reaction from the fan community has thrown the convention leadership into chaos. The people chiefly responsible for the bigoted decision have left the organization, which is good. What’s left of the board has issued an apology, a confession of cowardice. It says in part:
For background, the decision to ban this individual in our previous statement stemmed from two separate incidents on the VanCAF floor that took place during our 2022 and 2024 festivals. Neither incident was instigated by the individual referenced in our previous post. Both involved activists protesting the individual’s presence in a manner that caused concern for the safety of our volunteers, staff, and exhibitors.
I’ve been blocked by W3C
You wouldn’t think I’m important enough for the World Wide Web Consortium to worry about my reading its posts. Well, not really the W3C, but whoever runs its Mastodon account. Access from my Liberdon account is blocked, following my disagreeing with their statement that access to information is a “basic human right.” Prior to the block, they had responded to my comment by suggesting that I should not follow their account. Humans who question their views don’t have this right, apparently. It doesn’t cause me any trouble; as the link in this paragraph shows, it’s trivial to get around the block. The hypocrisy is just amusing.
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Spohr’s Quintet, Opus 52
Louis Spohr is among my favorite obscure composers, and I wish I could make his music better known. One way to do this might be to write analyses of some of his works. It’s possible that someday a musical organization will look for information on a Spohr piece and come across my posts. In case it happens, I’ll make this article available under a Creative Commons BY-NC license. That says you can use it however you want — for instance, in program notes — provided you give me credit by name and aren’t making money off it. (If you are making money, that’s fine, but I expect a cut. Talk to me. Handouts in a concert run by a non-profit organization are non-commercial for this purpose, even if admission is charged.)
I’m no musicologist, just a music lover. Take this article accordingly.
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Silent movie update
Presenting and accompanying a silent movie a month on Twitch hasn’t worked out as well as I’d hoped, so I’m making a couple of changes. I’ve also added a silent movie schedule to this website. Feel free to bookmark it or link to it.
First, I’m moving to YouTube. While I’m not thrilled with attaching myself too much to Google, it looks like a better choice than Twitch. There’s little live music anymore on Twitch; it’s mostly gaming, DJs, and talk. It pushes content creators toward a weekly schedule, which isn’t practical for the stuff I do. YouTube is a more popular choice for live concerts, not to mention Ben Model’s silent film watch parties. In experimenting on YouTube, I’ve found some other advantages. Twitch doesn’t support private test runs; I’ve already done one on YouTube to work out the details of streaming with OBS Studio. YouTube lets you post links to events in advance, which I find very nice. Finally, YouTube livestreams stay up indefinitely if I want them to.
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The attack of the singularized plurals 2
English includes many nouns that end in “-um” or “-on” and are pluralized by changing the ending to “-a.” They come from Latin and Greek respectively. Examples include “medium,” “datum,” “ovum,” “criterion,” and “phenomenon.” As with everything else, the language isn’t consistent; we have museums, not musea; morons, not mora; polygons, not polyga. I wouldn’t complain if the language regularized the endings of all these words. “Bacteriums” and “phenomenons” would sound weird at first, but we could get used to it.
What’s happening instead is that people turn the plurals into singulars. With some words, like “data” and “media,” the change has been firmly established. Others are substandard but turn up often, like “a bacteria” or “a phenomena.” Recently I saw a writer friend who should know better talking about “a criteria.” This doesn’t make the words any more regular, since double-pluralizing “medias” or “datas” is still frowned upon. It leaves us with words that are the same in the singular and the plural.
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What really is a theocracy?
About a year and a half ago, I wrote about the overbroad use of the term “Fascism” and what it really was or is. Another political designation that gets freely tossed around is “theocracy.” Merriam-Webster defines it as “government of a state by immediate divine guidance or by officials who are regarded as divinely guided.” This is too broad; governments of all kinds have claimed that God guides their heads of state. Listen to traditional patriotic songs, and you’ll hear lots of claims that the leaders act under God’s guidance.
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