The world of writing


Gallup doesn’t understand set theory

According to a Gallup Poll article, “Less than a third of Americans say they would be willing to vote for someone nominated by their party who is over the age of 80 or has been charged with a felony or convicted of a felony by a jury.” If that’s true and Trump and Biden are the major-party nominees in 2024, then two-thirds of Americans will sit out the election for that reason alone.

Is that what the poll actually shows? The article goes on to say, “The poll addressed the issues of felonies and candidate age with separate questions each asked of about half of the poll’s respondents.” That makes it impossible to draw the conclusion stated at the top of the article. It’s an issue of set overlap.
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Buster Keaton’s Steamboat Bill, Jr. 4

This post is my contribution to the Buster Keaton Blogathon on Silent-ology. I like the idea of collaborative blogging, and I’m glad to have a chance to participate. (Updated to link to the new Blogathon post.)

(This post will hopefully attract a lot of silent film fans who aren’t among my regular readers, so I’d like to mention that I regularly present silent films on Twitch with my own real-time accompaniment. The next one will be on March 13 at 8 PM Eastern US time. The movie will be the 1925 The Lost World, preceded by Winsor McCay’s animated Gertie the Dinosaur. I hope you’ll be able to drop in!)

Poster for Buster Keaton and Ernest Torrence in Steamboat Bill, Jr.The Keaton movie I know best is Steamboat Bill, Jr., having accompanied it at the Plaistow, NH library on July 28, 2023. The previous silent I’d accompanied there was Chaplin’s City Lights, and the differences between Chaplin’s and Keaton’s approaches stood out. City Lights tells a story, but it feels like a series of skits put together to comprise a story. The club scene, the robbery scene, and the boxing scene almost stand on their own. Chaplin’s Tramp is pretty much the same from beginning to end. Steamboat Bill, Jr. is more of a continuous story, and Keaton’s character grows a lot during its course. At first he feels out of place, having come from a Boston-area college to a run-down steamboat in the South. By the end, he’s become highly competent and saves four lives. The gags are as important as in a Chaplin film, but they’re more integrated into the plot.
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“Too many notes, Mozart”

Upon hearing Mozart’s Singspiel The Abduction from the Seraglio, Emperor Joseph II is alleged to have said, “Too many notes.” The claim increased in popularity when Peter Schaffer put those words in his mouth in the travesty Amadeus. Quotations are tricky things, though. If I gratuitously claim someone said something, how do you know they didn’t? It’s the old issue of proving a negative.

The quotation, or something like it, has a source that long predates Schaffer. It’s the 1798 biography of Mozart by Franz Xaver Niemetschek. The full title is Leben des K.K. Kapellmeisters Wolfgang Gottlieb Mozart nach Originalquellen beschrieben (life of the music director Wolfgang Gottlieb Mozart, written based on original sources). The attribution given there is:
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Hostility as a tool of persuasion 1

A lot of people act as if mockery and denunciation are effective ways to convince others that they’re wrong. Not many of them, though, come out and endorse this principle. A Liberal Currents article called “Deradicalizing the Center” offers qualified support for it, though, and it’s not just a rant. It contains a lot of good thinking. I’d like to take a look at it to see what the author claims and argues.
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Grammarly is discontinuing desktop apps

It’s been a bad February for desktop applications. Two that I use a lot are going away. Twilio Authy, used for two-factor authentication, will not be supported on the desktop after March 19, and it may or may not work at all after that. People who don’t plan for it may find themselves temporarily locked out of accounts that use it for 2FA. On Macs with the Apple processor, the iOS version of the application apparently works, though Twilio hasn’t certified it for the Macintosh. I got it running on my Mac without problems, and I’ve used it for a few days. It works, though its user interface is distinctively inferior on a computer with a keyboard and mouse.

Be careful, though. There are fake apps taking advantage of the confusion; as I’m writing this, there’s a app called “Authhy” (with two h’s) on the App store, which I’m effectively certain is a Trojan horse. I can’t find any way to report it to Apple.

More relevant to readers of this blog, Grammarly is discontinuing its desktop application. According to the notice when I run my app, it will stop working on March 18. It suggests that users go to its website to check their writing.
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Samantha Mills repudiates 2023 Hugo

Samantha Mills, winner of the 2023 Hugo Award for “best short story,” has repudiated her award in the light of the censorship scandal. She wrote:

Looking at the information we currently have, it’s hard for me to conclude anything other than: I shouldn’t have been on that ballot. …
 
I spent this morning logging into my various accounts and taking “Hugo” out of my bio. There are almost certainly going to be places it was printed that I miss, so my apologies for that. Here’s the most embarrassing one: my novel already went to the printer and it has “Hugo winner” on the cover. Fucking mortifying!

Update, Feb. 23, 2024: Adrian Tchaikovsky has repudiated his Hugo. “I cannot consider myself a Hugo winner and will not be citing the 2023 award result in my biographical details, or on this site.”


The Hugo cover-up

It’s out in the open now: Legitimate Hugo Award candidates were disqualified because of Chinese censorship. A collection of internal email, posted on Document Cloud, shows that the committee reviewed “anything of a sensitive political nature.” Dave McCarty was specific about the reasons:

In addition to the regular technical review, as we are happening in China and the *laws* we operate under are different … we need to highlight anything of a sensitive political nature in the work. [Ellipses in the original]

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Another story of the Chengdu Worldcon 2

This weekend, I heard a remarkable account from a science fiction writer who wanted to go to the Chengdu Worldcon. He was talking to a small group of people including me, but I don’t know if he wants it publicized, so I’ll omit his name.

To go to China you need a visa, which requires going through a Chinese embassy. He made his application and, as requested, listed his professional affiliations. One of them, not surprisingly, was SFWA. He was asked what the abbreviation stood for and explained it’s “Science Fiction and Fantasy Writers Association.” (The name has changed once or twice while keeping the abbreviation.) This got some alarmed responses, and he was told they’d have to get back to him. The process dragged on without a decision. Finally, a few weeks before the con, he withdrew his application so he wouldn’t have a denied visa request on is record.
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Book burying under White House pressure 3

According to a New York Post article, the White House successfully pressured Amazon to put some books under a “do not promote” order. The books remained available but presumably are less discoverable than comparable books not under the order. The order was issued “the same day Amazon officials met with the White House.”

The order covers “anti-vax books whose primary purpose is to persuade readers vaccines are unsafe or ineffective.” The article doesn’t mention any titles, so I can’t judge their worth. Would a book that called attention to legitimate risks or exaggerated claims of effectiveness fall under that category? Biden said, “You’re not going to get COVID if you have these vaccinations,” a claim whose inaccuracy many people have learned firsthand.
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