The FIRE website discusses a “hate speech” policy being considered by a Wisconsin school district. It’s outrageous even among current attempts to stifle speech. Here’s the draft policy for the Baraboo school district, so you don’t have to take FIRE’s word for it.
It starts with the favorite lie of censorship advocates: “Hate speech is not protected speech.” It invents an exception to the First Amendment out of whole cloth.
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To answer an accusation, you have to know what it means. If the words have no fixed meaning, no argument can show that it’s false. Certain words in the culture of the left serve this purpose. They allow irrefutable accusations — irrefutable because they mean whatever the accuser wants them to. Denying the accusation or defending someone else against it can even become evidence of guilt. Words are supposed to be the tools of thought, but these words are designed to make thought impossible.
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Gertie the Dinosaur, released by Winsor McCay in 1914, featured the first animated character with a personality. Presented here with my accompaniment.
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I believe in paying for what I get. Various websites get my financial support when I think they’ve earned it. I’ve complained regularly on this blog about the news media, but Vox is more concerned with facts and objectivity than most, so it seemed worth a paid subscription. However, when I went to sign up, I was pointed at the terms of use, a document of 12,081 words. That’s long enough to be a novelette by the Hugo Awards’ definition.
Agreeing to terms of service without knowing exactly what they say can have serious consequences. By signing up for Disney Plus, you waive your right to file a wrongful-death lawsuit, or at least so their lawyers claim. Disney later backed off in that particular case, but it was a one-time exception in the face of heavy publicity.
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On December 4, I’ll release Beacons in the Darkness, my next album of living-room recordings, on Bandcamp. Since it’s strictly a home production, payment is optional. If you want to give me money, Bandcamp Friday, December 6, is the best time to buy. Bandcamp forgoes its usual cut of the income on that day, and it will help pay for my new Zoom recorder. In the meantime, you can follow me on Bandcamp so you can see my other albums and find the new release easily later on.
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There has been discussion of whether science fiction/fantasy conventions in the US should be considered human rights risks along with countries like China and Uganda. Some people are already panicking. A post I came across on Bluesky said, “I’ve lost all my desire to attend Seattle Worldcon. Fully aware this is a first world sort of problem but wondering if other non Americans are felling the same?” Steve Davidson, the editor of Amazing Stories, has written: “For at least the next four years the United States will not be a suitable country for hosting Worldcon. It will not be a country that is generally reflective of Fannish values. It may very well become a country that is hostile to those values.” He recognizes that there’s no way to revoke the Seattle and Los Angeles Worldcons.
Giving in to worst-case assumptions this soon is a mistake, but it’s never too soon to consider the risks. What dangers might come to US cons in the next few years raise, and who would be at risk?
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My main interest in silent films is accompanying them, preferably for a live audience. The combination of film and live music provides a sense of involvement which is missing from modern movies. In the process, I’ve also found them to be a source of history. They show how people thought a century ago. The stories behind the movies are often as instructive as the movies themselves.
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As the election approaches, I’d like to offer an unpopular idea: There’s too much focus on the candidates. If you care about human freedom, it should be obvious that Trump and Harris are both inimical to it (thought Trump is far worse). However, they’re just symptoms. Whether we’re looking at sending the military into every neighborhood to expel people from the country or instituting price controls and handouts to create winners and losers, the underlying premise is the premise that a central authority should decide how things should be. This idea has gained in popularity in spite of all the evidence that it’s harmful. The Republicans have almost completely abandoned the free-market principles that once formed an inconsistent part of their platform. The Democrats have believed in a managed economy and growth in federal power and spending ever since Franklin Roosevelt, and they haven’t changed on fundamentals.
As the election approaches, writers spend many words on the candidates as people. News sites, no longer pretending to give news, jump on any little thing that makes their preferred candidates look good or their opponents look bad. Their goal is proxy power. People on social media do the same, often with even less regard for the facts and less of a reason. Their main line of argument is “I’m smart, anyone who disagrees with me is dumb, and if you’re smart like me you see that, right?”
If you write on current controversies and value human freedom, you can do something different. You can set a better standard. If enough authors and journalists do it, it can make a difference, pushing the national discourse in a better direction. It wouldn’t take much to make it less awful.
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Ben Model is probably the best-known silent film accompanist in the Northeast. He has undertaken many projects to get obscure films out to the public. His recent release of Roland West’s The Bat is a striking example.
The visual quality is excellent for a nearly-lost 1926 movie. The UCLA Film & Television Archive scanned a 35 mm nitrate print, and Model’s Undercrank Productions converted it to a 2K digital version. He added his accompaniment to the film, capturing the moods and adding to the suspense.
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This post presents the finish of a story that I first blogged about in 2018. Court cases can take a long time to reach a resolution, and I missed it when the decision came out last year. Before the resolution of Valancourt Books’ lawsuit, the US copyright office demanded a free copy of every book published in the US. It was uneven in pressing its demands; for reasons I don’t know, it came down hard on Valancourt, a small-run publisher. The requirement was especially burdensome for such publishers; it costs a bigger part of your assets to send out an unpaid copy when you print a hundred copies or do print-on-demand than when you print a hundred thousand. Regardless of the number, it was a clear-cut violation of the Fifth Amendment, which says the government can’t take private property for public use without paying “just compensation.”
In 2023, the United States Court of Appeals for the District of Columbia agreed with this reasoning and said the requirement for free copies was unconstitutional.
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