Monthly Archives: January 2024

New Hampshire bill seeks to mandate book rating system

This entry was posted in Censorship Commentary News and tagged censorship education libraries New Hampshire on by

A bill before the New Hampshire legislature, Senate Bill 523, is a frontal attack on school libraries in the state and the vendors that provide books to them. The bill is sponsored by State Senator Kevin Avard. It’s the kind of lunacy you’d expect in Kansas or Texas, not New Hampshire.

It would set up a bounty system for bringing complaints against material which is allegedly “harmful to minors.” Anyone claiming to be aggrieved under the bill’s terms would be able to sue for damages. A person bringing a successful suit would be guaranteed a minimum payout of $1,000. What Avard is trying to set up isn’t just a way to remove inappropriate books but a way to incentivize gratuitous challenges.
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Human rights issues with a Kampala Worldcon

This entry was posted in Commentary and tagged conventions fandom liberty science fiction Uganda on by

As fans energetically discuss the aftermath of the Chengdu Worldcon, some are thinking about the risks of future Worldcons in countries with a bad record on free speech and human rights. There are some issues with the UK, which is hosting this year’s convention, but it’s too late to change it. Let’s look ahead to the bid for Kampala in 2028.

There’s never been a Worldcon in Africa, and that helps to make the idea attractive. The bid website talks about Uganda’s literary history:
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Accompanying Son of the Sheik

This entry was posted in Music Personal and tagged music silent movies on by

The next silent movie which I’ll accompany on Twitch will be the 1926 Son of the Sheik on February 14, “Valentino’s Day,” at 8 PM Eastern US time. Following an old tradition, I’ll precede it with a short, Young Mr. Jazz, starring Harold Lloyd. If all goes well, I’ll have some new equipment to improve the sound.

Son of the Sheik was Rudolf Valentino’s last movie. He died shortly after its first, limited public showings. It was based on a novel that had no connection to his earlier movie, The Sheik, but was retrofitted to be a sequel. Valentino plays two title roles. He’s the Sheik as well as his son Ahmed. They sometimes appear in the same shot thanks to double photography.

Spoilers ahead.

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New on Liberty Fund: The Peasants’ War and Martin Luther

This entry was posted in History My writing and tagged Germany history liberty on by

My latest article for Liberty Fund’s Online Library of Liberty, “The Peasants’ War and Martin Luther,” is now online. Marxist claims have largely dominated historical discussions of the Peasants’ War, but it was a revolt in defense of property rights, not against them. Its Twelve Articles contain ideas that appeared in the United States’ Declaration of Independence.

Obituary for a newspaper

This entry was posted in Commentary News and tagged New Hampshire news publishers on by

For the past six years, a newspaper called Carriage Towne News has arrived in my mailbox every week. The next one, scheduled to arrive on February 1, will be the last. The lead article in this week’s paper explains:

The Carriage Towne News — a free weekly newspaper dependent on small local ads and a wrapper for advertising circulars — will publish its final edition Thursday, Feb. 1. …
 
Financial support for the paper has seriously eroded in recent times as the critical revenue from advertising content dwindled while newsprint, production and mail distribution costs continued to increase.
 
Unfortunately, those factors combined to make it economically prohibitive to continue publication and direct marketing of the paper through mailed distribution to 26,000 southern New Hampshire households.

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A disturbing cease & desist order in New Hampshire

This entry was posted in Commentary and tagged censorship New Hampshire politics on by

A few weeks ago, the New Hampshire Attorney General issued a cease and desist order to the National Democratic Committee, claiming that it had made “false, deceptive, and misleading” statements in violation of New Hampshire law. The statements in question noted that any delegates chosen in the New Hampshire Democratic presidential primary won’t be accepted at the party’s national convention, and therefore the primary is “meaningless.” Violation of the cited law is a felony.

This is disturbing in at least two ways. First, the Democratic National Committee isn’t a New Hampshire organization. It isn’t subject to New Hampshire law. The AG’s office seems to be saying it can enforce its law anywhere in the country, maybe anywhere in the world.
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Hugo nominees mysteriously declared ineligible

This entry was posted in Censorship Commentary News and tagged censorship China conventions fandom science fiction on by

The detailed statistics for the 2023 Hugo Awards voting are finally out, and they’ve triggered a controversy. A number of nominees were declared ineligible without explanation.

Kevin Standlee, who has played important roles in running many fan conventions, noted:

An overwhelming majority of the members of WSFS who voted on the site of the 2023 Worldcon (at the 2021 Worldcon in DC) selected Chengdu, China as the host of the 2023 Worldcon. That meant that the members of WSFS who expressed an opinion accepted that the convention would be held under Chinese legal conditions. Furthermore, those people (including me) who suggested that there might be election irregularities were overridden, shouted down, fired from their convention positions, and told that they were evil and probably racist for even suggesting such a thing.

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Accompanying Phantom of the Opera

This entry was posted in Personal and tagged music silent movies on by

Today I accompanied the 1925 Phantom of the Opera at the Plaistow Public Library. It got a good audience for a small-town library, and I got a lot of compliments. I really want to write down some of the musical tricks I used to improvise the music. It may lose everyone reading this; if you’re confused, just skip it and go on to the next post. I’m going to dive into technical musical language, because it’s the only way to explain some of the points.

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