Yearly Archives: 2022


A win for authors

Amazon is changing its e-book return policy to make it harder to read entire books for free, producing no income for the author. Currently, it’s generally permitted to “return” any e-book within seven days for a full refund, even if the customer has read the whole thing. Under the new policy, automatic returns will be allowed only if the customer hasn’t read more than 10% of the book. People who have read more than 10% can still request a refund, but they’ll have to file a customer service request, which a human will review.

Some authors have reportedly experienced a serious decline in their income due to abuse of the return policy.

Of course, this is a reminder that Amazon tracks your reading habits in detail when you buy their e-books.


Book discussion: Classified by David E. Bernstein

Cover, Classified by David BernsteinRace, we’re often told, is a social construct. Sometimes it’s even more arbitrary; it’s a government construct. Since the days of slavery, governmental units in the US have assigned people racial designations based on bizarre criteria. The civil rights era and the introduction of affirmative action only made it crazier. Iranians, Afghanis, and Arabs aren’t Asian, even though they’re mostly from Asia. Instead, they’re “white.” You can be from Spain, yet not be Hispanic. Native Hawaiians aren’t Native American. Members of recognized minority groups lobby to keep other people from being recognized as minority groups.

Official designations of racial and minority status in the United States are insane, but David E. Bernstein keeps a straight face as he documents them in Classified: The Untold Story of Racial Classification in America.
(more…)


The period for this pledge has ended, and I have made the donations as promised. The album is still available.

This is off-topic from writing and more personal, but it’s a chance for you to support two worthwhile charities, so I hope no one will mind.

I currently have three albums up on Bandcamp. I don’t claim to be a musician of any distinction; they’re there for my friends, with payment optional. One of them is on the theme of The Magic Battery, so there’s a tenuous connection to my writing.

For the month of September, the net payments I get from Bandcamp for the latest album, Spontaneous Order, will go to Doctors without Borders. In addition, I’ve just announced that I’ll match whatever net payments I get during September 16-30 from any of my albums with a donation to Martha’s Vineyard Community Services, to a cap of $250. Martha’s Vineyard is currently burdened with immigrants that Ron DeSantis dumped there with no warning, and MV Community Services seems to be the best-placed organization to deal with them.

You can download the albums for free or pay as little as one dollar. Even if you don’t like the music, you’ll have done some good.


Banned Books Week 2022

CC license from pngall.comNormally I don’t pay much attention to Banned Books Week. In past years it seems the scariest scenarios anyone reported were things like someone claiming a book shouldn’t be on library shelves for fourth-graders. I’ve called it “Bland Books Week.” This year is different, though. A movement has arisen from the sewers of the religious right to intimidate and harass librarians. “Woke” leftists and Muslim fanatics also pose threats. People at my local library have been worried, even though little has happened around here.

Here are some incidents that have made the news.
(more…)


Lukianenko and free speech issues 3

If you’ve followed this blog for a while, you should know I support a climate of free speech in science fiction fandom, and I also support the requests that the China Worldcon drop Sergei Lukianenko from its list of Guests of Honor. No one I know of has accused me of inconsistency in these positions, but I’ve had to think carefully about whether there’s any clash. I’d like to explain, even though no one has asked.

I wouldn’t support banning Lukianenko as a program participant or kicking him off panels. Subjecting advocates of bad ideas to criticism helps to expose why they’re wrong. It also gives people an opportunity to answer their critics rather than being dismissed without a hearing. The WSFS resolution which urged a boycott of anyone who “platforms” the Ukraine invasion might be interpreted as a call to disinvite him from all opportunities to speak. I don’t support that.
(more…)


WSFS condemns Lukianenko; Chengdu doesn’t care

The business meeting of WSFS, held at Chicon, passed a resolution saying “[Sergey] Lukianenko should neither be platformed nor celebrated, and we ask the Chengdu 2023 committee, fans and members to refuse Sergei Lukianenko as your guest. it is shameful that he is honored by Worldcon.”

Leaving aside the sloppy language about “platforming,” I agree with the resolution, but it’s unlikely to have any effect on the guest list next year. As I’ve said before, the committee has to watch its step to avoid the Chinese government’s displeasure.
(more…)


Followup on Balticon

In June I wrote about Balticon’s treatment of Stephanie Burke, which appeared to be outrageous. This week Balticon issued a statement on the matter. It shows they took the matter seriously, which is good, but I’m not convinced they got to the heart of the problem.

Just to be clear, I wasn’t present and I don’t know any of the people directly involved. However, I’ve encountered enough similar cases at fan-run conventions to know that there is a problem with speech codes and arbitrary accusations at several of them. This includes one person, who prefers not to be named, who has been the target of false accusations by the Balticon organization. The situation with Burke gave the impression from the beginning that Balticon was in the wrong, and their statement acknowledges it. It dumps all the blame on one staffer, though.
(more…)


A new article from me on Verdi

Liberty Fund’s Online Library of Liberty has given me a chance to turn my love of classical music into paid work. My third article on an operatic subject is now up on the site, discussing Verdi’s Don Carlo. This piece also let me put my study of the 16th century to good use. In fact, the opera’s strange ending makes more sense if you assume intervention by my Magic Battery mages, as in “Snares of Satan.” How else could Charles V have rescued the protagonist ten years after his death?

But seriously, the opera gets into themes of religious oppression and liberty, which were very important to Verdi. It deals with the rebellions in the Spanish-held Low Countries, fueled by the Protestant Reformation. The Grand Inquisitor is creepy, and the auto-da-fé scene is spectacular. I enjoyed the chance to watch the opera again online and write about it.

These are my previous opera articles on the same site:

Here’s my author page, now with links to my articles.


The war on words

Calling someone a “villain” is a city-ist insult. The word originally means “base or low-born rustic,” clearly an insult by the urban higher classes aimed at farmers, serfs, and others from the villages. By the censorious standards we run into so often, we should stop using the word and denounce anyone who does. This is, of course, silly, but no sillier than many actual attacks on words.

In some circles, you can’t have a “master” switch or password anymore. The word has a range of meanings, generally in the categories of someone in authority or someone with extensive knowledge and skill (or at least a degree saying so). One of these meanings is “a person in authority over slaves,” so the use of the word is deemed an endorsement of slavery, and it has to go. There are even people trying to rename the Maine coon cat. The origin of the name is obscure, but the most likely explanation is that the tail somewhat resembles a raccoon’s. However, the term “coon” has been used as a racial insult, so the name has to go. Probably raccoons need to be renamed as well.

(more…)