New article on Beethoven
My first article on the Online Library of Liberty has been published!
Fidelio: Beethoven’s Hymn to Freedom
My first article on the Online Library of Liberty has been published!
Fidelio: Beethoven’s Hymn to Freedom
People in the United States enjoy some of the strongest legal protections on their speech and writing in the world. Saying some things is illegal, though, and others open you to getting sued. There’s a lot of misinformation around on what is and isn’t considered free speech. Here’s a quick rundown of some common claims.
Standard disclaimer: This isn’t legal advice. It’s my best understanding. See a lawyer when in doubt. In some cases, I’ve cited court cases you can look up and study.
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When you report or comment on a news story, the first step is to understand what it says. Low-quality websites have ways of appearing to say more than they do. They aim to create a panic and attract links. A careful reading may show there isn’t much substance to what happened.
Let’s look at a Daily Mail article claiming that an application called “New Profile Pic” “hoovers up your details.” A careful reading shows that doesn’t mean much.
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If you’ve followed this blog regularly, you know that the misappropriation of words is a favorite topic of mine. Today I’d like to discuss the misuse of “identity.” Some people misuse it deliberately, but writers can fall into accepting it as it’s misused. Hopefully this post will help in avoiding that pitfall.
“Identity” is a straightforward word. It means “who someone is.” We can talk about the identity of someone who committed a crime, a case of mistaken identity, a secret identity for a superhero, establishing your identity, and identity theft. Some people, though insist that your identity is your group membership: your skin color, gender, sexual orientation, nationality, etc. Interestingly, people on the “left” as well as white supremacists like to promote this view.
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“All you want is production without men who’re able to produce, isn’t it?”
In Atlas Shrugged, Henry Rearden asks this of a gang of politicians and bureaucrats trying to foist an insane scheme on him. Some people say Rand created a caricature. But recently, the New York Times made the erasure of creators explicit with an ad presenting “imagining Harry Potter without its creator” in a positive light. Perhaps the Times people think books are created by a “Fiat Librum” spell requiring no work. (“Fiat Librum” is probably bad Latin. Wizarding Word magic is built on bad Latin.) It’s magical thinking.
The suggestion is reminiscent of Barack Obama’s “You didn’t built that.” Denying credit to creators relieves the beneficiaries of any sense that they owe them anything, even acknowledgement.
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The Russian invasion of Ukraine has us all very concerned, and anyone who writes about it for publication needs to write responsibly. Here are a few thoughts on the subject. I’m addressing writers in the USA; most of it applies everywhere, but I’m writing with Americans in mind.
Beyond assuming that you agree the invasion is outrageous, I’m not saying what position you should take. (If you don’t think it’s outrageous, you aren’t in my target audience.) These are general points regardless of what you think people should do.
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No one would try to be a carpenter without knowing how to use a hammer and saw. No one would claim to be a software developer without the ability to write syntactically correct code that (usually) does what it’s supposed to. But it’s astonishing how many people on writers’ forums show a basic lack of ability to use their language.
As a writer, you should understand spelling, verb tenses, sentence structure, agreement, and so on. You should have a good vocabulary and know what the right word is. You can break the rules when it’s appropriate, but you should know when you’re breaking them and why. You should know the difference between “rein” and “reign,” between “lose” and “loose.”
Grammar checkers won’t save a bad writer. The best of them are excessively nitpicking, ridiculously permissive, or both in turns. They’re valuable for catching mistakes, but you have to know which of their recommendations are valid.
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Attitudes toward changes in a language range between two poles. The prescriptivist says words have fixed definitions, and using them in ways that aren’t in the dictionary is misuse. The descriptivist says that words mean whatever people choose them to mean. Few people take a pure position at one end or the other. Prescriptivists face the fact that dictionaries change. Descriptivists can’t treat every neologism they hear as part of the language if they expect people to understand each other. The debate is over how much legitimacy a word needs before it’s considered standard. Words pass through the stage of slang or jargon before they reach full citizenship. Some words don’t go beyond that status, and they don’t have to. Professions need their jargon and subcultures need their slang, and they don’t have to impose it on the whole linguistic community.
Linguistic change isn’t something that a mysterious Sprachgeist causes. It’s the product of the users’ choices. Prescriptivists exert a drag on changes, and that can be good. If the language changes too fast, it becomes less precise. No one’s sure whether a word means what it always meant or it’s become something else. New words are necessary to convey new concepts, but they should prove their worth before getting wide adoption. Some words, like “nice,” have changed so many times that no one’s sure what they mean, except by context and tone of voice.
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Recently I got into a Reddit discussion that included a question about a non-compete clause for a freelance writer. Such clauses have legitimate uses, but broadly written ones can be nasty. They can damage a writer’s ability to earn an income. I’m not an expert in this area, so I’ve gone looking for reliable material.
PublishLawyer.com has an informative article, primarily addressing fiction writers. It quotes a “typical provision”:
During the term of this Agreement, Author has not prepared or published, and shall not prepare or publish, or participate in the preparation or publication of any work that directly competes with the sales of the Work.
This week, I’ve started rewriting the first draft of Spells of War. The first eight chapters went pretty quickly, without any huge changes. The biggest departure from the first draft, though, is that the action will now span 1556-1557, instead of all taking place in 1556. Things just got too crammed against the approach of winter and Ramadan. With the new timeline, the mages on each side will be able to develop more weapons and train the Landsknechte and Janissaries respectively in their use. This means adding material about what happens over the winter without letting the story drag.
A character who shows up late in the first draft will make his appearance earlier. This will let me build up his role in the story more effectively.
I’ll be putting out a call for beta readers before long, perhaps in early January.