writing

Recollections of Ergo

This entry was posted in History Writing and tagged education history MIT writing on by

Ergo: The Campus Voice of Reason. That was the name of our paper. Like all college students, we were more confident we were right than we should have been, but we stood apart from the crowd. As an organization, we were never “liberal” or “conservative” in the popular sense of the words. Our position was libertarian, strongly influenced by Ayn Rand’s philosophy of Objectivism. Ergo challenged university administrators, the campus left, politicians, and academics. My association with Ergo helped me to develop a framework of thought that I still go by. My views on what is important and how to achieve it have changed, and so have some of my conclusions, but my basic principles have changed very little.

Ergo came into being during a time called the “sixties,” which lasted from about 1965 to 1975. The founder was J. R. M. Seitz, who allegedly acquired all the parts necessary to build an Atlas missile (except the nuclear warhead) on the open market. It was the time of the Vietnam War and urban riots. It was a time of protests and violence. People marched and occupied buildings. Some thought that totalitarian Communist states were a great idea. Others just wanted the government to stop drafting people and sending them into an undeclared war on the other side of the globe. Once I was punched in the nose, and another time the sweater I was wearing was set on fire. I can’t count the number of times I was called a fascist. Interesting times.
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The numbering of musical works

This entry was posted in Music Writing and tagged music writing on by

The other day while driving, I heard a familiar-sounding piano sonata on WCRB. It was one I’d heard before, in fact one I was familiar with. I could accurately anticipate the music, which was obviously Mozart’s, in some spots. But I couldn’t place the damn thing! When I reached my destination, I stayed in the parking lot and kept the radio on to the end. The announcer said only that it was Mozart’s “Piano Sonata No. 2.” This wasn’t very helpful, since there are different numberings in different editions.

The numbering of musical works is tricky in general. For many composers, there are generally accepted numbers, but Mozart’s sonatas aren’t the only case where there’s confusion. Schubert’s symphonies are usually numbered 1 to 9, even though No. 7 is just a sketch. The “Unfinished” is No.8 and the “Great C major” the 9th in this scheme. Some lists, though, have just eight symphonies. They make the “Unfinished” the seventh and the C major symphony the eighth, or vice versa.
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It’s Black History Month, not Black Advertising Month

This entry was posted in Writing and tagged history writing on by

Looking around the Internet and stores, the most obvious signs of Black History Month are ethnically targeted marketing. That’s what advertisers do, I guess. But the original idea was a good one: call attention to people whom older histories tended to ignore.

Writers might get some ideas from looking at black historical figures they admire. Let me just list three:
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Prescriptivism or consistentism?

This entry was posted in Commentary Writer ethics Writing and tagged grammar language writing on by

Recently I replied to an online point that said that if the US enacts laws that enforce Christian views, the country will be a theocracy. I pointed out that all or nearly all European countries for most of history have met that criterion and that the USA itself was a “theocracy” by that measure until at least the 1960s. The person making the post rebuked me for being a “prescriptivist” and implied it’s consistent with being a libertarian.

First, it’s not a political issue. I don’t advocate laws requiring people to use words with standard meanings, except in legal documents. Aside from that, I’m not exactly a prescriptivist. I prefer to consider myself a “consistentist.” Whatever meaning you give to a word, stick with it and don’t conflate it with other definitions. If you want to use “glory” to mean “a nice knock-down argument,” don’t use it to mean “splendor” at the same time.
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What can you do with Steamboat Willie?

This entry was posted in Writing Writing as business and tagged copyright law writing on by

What can you do with Steamboat Willie, early in the next year?

I won’t try to write a filk about it just now; answering the question is complicated enough in prose. You may have heard that “Mickey Mouse is going into the public domain,” but that’s true only in a limited sense. The first two released Mickey Mouse cartoons, Steamboat Willie and Plane Crazy, will enter the public domain on January 1, 2024, after 95 years. If you’re thinking of creating your own cartoons, drawings, fan fiction, or professional fiction based on them, you can do that legally, but you need to be careful. Mickey Mouse changed significantly over the years, and later versions of him, along with the vast majority of his cartoons, are still under copyright protection. In addition, Mickey Mouse™ remains a Disney trademark. If your work steps over certain bounds, you could hear from Disney’s lawyers.

Duke University’s website has a detailed article on what you can and can’t do. It’s not a substitute for a lawyer’s advice, but it’s a good place to start, and it could be enough if you aren’t creating stuff for profit.
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They’ve got little lists, and little research

This entry was posted in Writing and tagged research writing on by

You’ve seen those articles, maybe while trying to look something up. Lists of obscure and remarkable facts. “The strangest vehicles ever made.” “Ten ridiculous laws that are still on the books.” “Eight things you didn’t know about broccoli.” These “listicles,” as the little lists are often called, can be entertaining, but as a rule they’re unreliable information sources. Most are written by freelancers without in-depth knowledge. They repeat popular myths and lack citations. They’re the modern-day descendants of Ripley’s Believe It or Not.

This type of article is easy to skim, and readers who see one with a remarkable claim are apt to share it. This makes it good material for filling out blogs that exist to attract attention to a website. I’ve written some myself and made a strong commitment to getting the facts right. Other writers are more concerned with finishing the piece fast so they can collect their fee and move on to the next assignment. Unless a piece is by an author with relevant expertise or at least on a site that avoids fluff, you shouldn’t treat it as a reliable source.
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Who will check the fact checkers?

This entry was posted in Commentary and tagged law technology writing on by

Does US federal law mandate a “kill switch” for alcohol-impaired drivers in cars made in the future? According to several fact checkers, no. However, an article by Jon Miltimore for FEE shows that it does.

The issue isn’t one of what the law contains, but of terminology. In claiming there is no kill-switch mandate, USA Today refers to the very text that mandates it:
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Coping with Chinese disinformation 1

This entry was posted in Commentary Writing and tagged China research writing on by

When researching and writing material about China, you have to be aware of the Chinese government’s disinformation efforts. People who speak out against it are apt to be the targets of systematic insults and character assassination. If you’re operating on a small level, you probably won’t be bothered. Even though my articles on boycotting the Chengdu Worldcon did well in the search engines, I’ve received only one clear threat with a Chinese connection.

CNN has reported on “the world’s largest known online disinformation operation”:

The Chinese government has built up the world’s largest known online disinformation operation and is using it to harass US residents, politicians, and businesses—at times threatening its targets with violence. …

The onslaught of attacks – often of a vile and deeply personal nature – is part of a well-organized, increasingly brazen Chinese government intimidation campaign targeting people in the United States, documents show.

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The craft of children’s books

This entry was posted in Techniques Writing as business and tagged books publishing writing on by

I just learned that my friend Debbie Ohi, a writer and illustrator of children’s books, has a Substack. Even though I never plan to write a children’s book, I was fascinated by her article on understanding picture book format and construction. I’d never realized there were such strict page requirements. If you’re thinking of getting into this field or know someone who is, you should find her articles very interesting.