silent movies

Upcoming silent film shows

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My silent film for October 2024 will be The Cabinet of Dr. Caligari. As usual, I’ll provide live, (mostly) improvised accompaniment. I’ll livestream it on YouTube on Wednesday, October 9, at 8 PM. On Saturday 11, I’ll accompany it again at the Plaistow, NH Library at 1 PM.

When I accompany a silent film, I improvise the music based on a general plan that includes some motifs devised in advance. For this movie, I’ll include a bit of Beethoven for certain scenes, just because it works so well.

This movie is almost as famous for its sets as for its characters and story. Everything is askew; there’s hardly a right angle to be seen in the buildings. The scenery adds to the sense of a nightmare experience. The story concerns a carnival showman whose main exhibit is a sleepwalker who never wakes. Cesare, the sleepwalker, obeys Caligari’s orders, even when it means committing murder. But there is an even greater surprise in store.

I really enjoy adding music to silent films for a live audience, or at least a real-time streaming audience. Recently I got to see Ben Model, one of the most famous silent film accompanists in the USA, accompany The Mark of Zorro on a pipe organ. It was worth the two-hour drive to Vermont.

Coming silent film: The Golem

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In July, I’ll accompany the 1920 German silent film The Golem twice. On Tuesday, July 16, I’ll livestream it with keyboard accompaniment on YouTube at 8 PM Eastern Time. On Friday, July 26, I’ll accompany it live at the Plaistow Public Library at 1 PM. Watch both if you like; you’ll hear it accompanied two different ways. Please “like” the YouTube item if you’re inclined to give it a boost; that will make it more discoverable.

This is the third Golem movie that Paul Wegener made and the only one that survives. Its full title is Der Golem: Wie er in die Welt kam (The Golem: How he came into the world). Unlike the others, it deals directly with the legend of Rabbi Löw’s creation of a golem to protect the Jewish people.
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Silent film “One Week” rescheduled

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My livestreaming of the Buster Keaton short “One Week,” with live accompaniment by me, is rescheduled for Wednesday, June 26, at 8 PM Eastern time. I still haven’t solved the problem with my laptop, but if I can’t fix it in two weeks, I should turn in my computer science degrees.

Thanks and apologies to everyone who showed up yesterday.

Silent movie update

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Presenting and accompanying a silent movie a month on Twitch hasn’t worked out as well as I’d hoped, so I’m making a couple of changes. I’ve also added a silent movie schedule to this website. Feel free to bookmark it or link to it.

First, I’m moving to YouTube. While I’m not thrilled with attaching myself too much to Google, it looks like a better choice than Twitch. There’s little live music anymore on Twitch; it’s mostly gaming, DJs, and talk. It pushes content creators toward a weekly schedule, which isn’t practical for the stuff I do. YouTube is a more popular choice for live concerts, not to mention Ben Model’s silent film watch parties. In experimenting on YouTube, I’ve found some other advantages. Twitch doesn’t support private test runs; I’ve already done one on YouTube to work out the details of streaming with OBS Studio. YouTube lets you post links to events in advance, which I find very nice. Finally, YouTube livestreams stay up indefinitely if I want them to.
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May 1 silent film show: Short comedies

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Because of other stuff I have scheduled in May, my next silent film show will be on the first Wednesday of the month instead of the second. That’s May 1, 8 PM EDT. The show, with my live accompaniment as usual, will consist of three short comedy films starring famous actors:

Scene from silent film Dr. Pyckle and Mr. Pryde. Pryde (Stan Laurel) is menacingly approaching a boy with an ice cream cone.

  • The Goat (1921) with Buster Keaton. A case of mistaken identity leads to Keaton’s character being chased by everyone.
  • Dr. Pyckle and Mr. Pryde (1925) with Stan Laurel. This spoof is based chiefly on John Barrymore’s 1920 Dr. Jekyll and Mr. Hyde. Laurel was a noteworthy comedian by himself before teaming up with Oliver Hardy.
  • His Royal Slyness (1920) with Harold Lloyd. A prince asks an American who looks exactly like him to impersonate him, so the prince can stay with his girlfriend. Lloyd’s brother Gaylord, who looked a lot liked him, plays the prince.

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Tomorrow as I post this (April 10, 2024) at 8 PM Eastern Time I’ll accompany Fritz Lang’s 1927 silent film, Metropolis, on Twitch. It’s one of my favorites, with a futuristic city, an evil robot, and probably the first full-blown mad scientist’s lab in a movie. Twitch left my last two shows up for on-demand playing for about a week, and I assume they’ll do the same with this one, so you can catch it even if the show time is inconvenient. This is the restored 2 ½ hour version, and there will be a 10-minute intermission to give my arms a rest.

If you’re near Plaistow, NH, you can catch me accompanying it in person at the Plaistow Library at 1 PM on Friday, April 12.

A preview scene with my accompaniment is up on YouTube.

The Lost World and Gertie the Dinosaur

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My next silent movie night will be on Wednesday, March 13, at 8:00 PM Eastern US time. Once again, I’ll provide live, improvised keyboard accompaniment. Live accompaniment is what makes silent movies special to me. You can react in real time in chat and even (gently!) criticize my playing.

The main feature will be the 1925 The Lost World. It’s based on the Conan Doyle novel of the same title, and he makes a brief appearance at the start, effectively putting his stamp of approval on the movie. The main character, Professor Challenger, is as smart as Sherlock Holmes but his opposite in temperament. Holmes is always calm and analytical, but Challenger has an explosive temper, especially when anyone doubts his claims. His present claim is hard to believe; he says he’s discovered a land in the upper Amazon basin with living dinosaurs. He organizes an expedition to go back there with two aims: to bring back proof and to find the missing member of the earlier party.
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Buster Keaton’s Steamboat Bill, Jr. 4

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This post is my contribution to the Buster Keaton Blogathon on Silent-ology. I like the idea of collaborative blogging, and I’m glad to have a chance to participate. (Updated to link to the new Blogathon post.)

(This post will hopefully attract a lot of silent film fans who aren’t among my regular readers, so I’d like to mention that I regularly present silent films on Twitch with my own real-time accompaniment. The next one will be on March 13 at 8 PM Eastern US time. The movie will be the 1925 The Lost World, preceded by Winsor McCay’s animated Gertie the Dinosaur. I hope you’ll be able to drop in!)

Poster for Buster Keaton and Ernest Torrence in Steamboat Bill, Jr.The Keaton movie I know best is Steamboat Bill, Jr., having accompanied it at the Plaistow, NH library on July 28, 2023. The previous silent I’d accompanied there was Chaplin’s City Lights, and the differences between Chaplin’s and Keaton’s approaches stood out. City Lights tells a story, but it feels like a series of skits put together to comprise a story. The club scene, the robbery scene, and the boxing scene almost stand on their own. Chaplin’s Tramp is pretty much the same from beginning to end. Steamboat Bill, Jr. is more of a continuous story, and Keaton’s character grows a lot during its course. At first he feels out of place, having come from a Boston-area college to a run-down steamboat in the South. By the end, he’s become highly competent and saves four lives. The gags are as important as in a Chaplin film, but they’re more integrated into the plot.
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