My article on Goethe’s dramatic ballad “Die erste Walpurgisnacht” (the first Walpurgis Night) and Mendelssohn’s musical setting of it is up on the Liberty Fund website.
Reports about a copyright lawsuit by Ed Townsend’s estate against Ed Sheeran recently caught my attention. The suit claims that Sheeran’s song “Thinking Out Loud” infringes on “Let’s Get It On,” usually attributed to Marvin Gaye but co-authored by Townsend. The claim was that Sheeran improperly used “harmonic progressions” and “melodic and rhythmic elements” from the earlier song, but a federal court has ruled there was no copyright violation. That got me thinking about the whole issue of song copyrights.
To start by making my own views clear, I’m in favor of copyright. Some libertarians argue that creative works aren’t tangible objects and thus shouldn’t be subject to property rights, but I think the concept of ownership is as applicable to creations of the mind as to physical creations. Copyright prevents one person (or corporation) from taking someone else’s creation and profiting without getting consent or offering compensation. I think 95-year copyrights are inappropriate, but living creators should enjoy protection against the appropriation of their work.
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My latest article for the Online Library of Liberty, “Wagner and Nazism,” looks at Richard Wagner’s muddled political philosophy. The Nazis made him a cultural icon, and in some ways you can see why, but it would be unfair to call him a proto-Nazi. His music should stand or fall on its own merits. This article looks into some of the complexities.
A personal note: An album of songs I’ve written for February Album Writing Month (FAWM) is up on Bandcamp. It’s living room recordings, so payment is optional. All the money that I get on Bandcamp through the end of March 2023 will go to Doctors without Borders.
Here’s my latest for the Online Library of Liberty: “The Politics of Music Under Louis XIV.” Under Louis, successful art was art which he liked, by people he liked. In music, that meant Jean-Baptiste Lully, who got monopoly privileges from the king.
There are lots of famous German and Italian composers from that period, but French composers who weren’t Lully didn’t have much of a chance. Lully finally killed himself by conducting too vigorously.
I’ve got a new article up on the Liberty Fund website: “Bach’s Ode to Caffeine.” Johann Sebastian Bach’s cantata, “Schweigt stille, plaudert nicht,” more often known in English as the “Coffee Cantata,” was likely first performed at Zimmermann’s Coffeehouse, where he was a regular performer. It’s a miniature comic opera in which a father wages a one-man War on Coffee.
If you’d like to hear the cantata, I highly recommend this performance on YouTube:
This post is something new. I’m thinking of making blog posts on classical music a regular feature here, for no better reason than that I love it. Liberty Fund has published several articles I’ve written on classical composers. If computer security expert Bruce Schneier can devote a post every Friday to squid, I think I can diversify too. I’ve added a WordPress category, “Music,” for these posts.
Here I’d like to talk about some composers whom I like but aren’t currently as well-known as the regulars on concert programs. The idea for this came when I learned that Vivaldi was known only to a few in the nineteenth century. He came to prominence, oddly, because of a piece which Fritz Kreisler wrote himself but attributed to Vivaldi. On the other side of the ledger, Louis Spohr and Joseph Joachim Raff were among the top-ranked composers of the nineteenth century but aren’t heard very much today.
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My latest article for Online Library of Liberty, “Authority and Oppression in Verdi’s Operas”, is now up for your reading enjoyment. I’m especially proud of the research that went into this one.
(Off-topic for this blog, but I want people to know about this album.)
There are filk albums that excite me with their stories, impress me with their musicianship and technical skill, or make me laugh at their humor. Not many, though, grab me from the inside the way Gray Rinehart’s “Taking You Out to See the Stars.” The songs touch on hope for the future, love, painful loss, facing adversity, mortality, and more. It’s billed as a “pre-order,” but don’t be fooled; it’s got thirteen fully-realized songs.
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My first article on the Online Library of Liberty has been published!
Fidelio: Beethoven’s Hymn to Freedom