music

Accompanying Son of the Sheik

This entry was posted in Music Personal and tagged music silent movies on by

The next silent movie which I’ll accompany on Twitch will be the 1926 Son of the Sheik on February 14, “Valentino’s Day,” at 8 PM Eastern US time. Following an old tradition, I’ll precede it with a short, Young Mr. Jazz, starring Harold Lloyd. If all goes well, I’ll have some new equipment to improve the sound.

Son of the Sheik was Rudolf Valentino’s last movie. He died shortly after its first, limited public showings. It was based on a novel that had no connection to his earlier movie, The Sheik, but was retrofitted to be a sequel. Valentino plays two title roles. He’s the Sheik as well as his son Ahmed. They sometimes appear in the same shot thanks to double photography.

Spoilers ahead.

(more…)

Accompanying Phantom of the Opera

This entry was posted in Personal and tagged music silent movies on by

Today I accompanied the 1925 Phantom of the Opera at the Plaistow Public Library. It got a good audience for a small-town library, and I got a lot of compliments. I really want to write down some of the musical tricks I used to improvise the music. It may lose everyone reading this; if you’re confused, just skip it and go on to the next post. I’m going to dive into technical musical language, because it’s the only way to explain some of the points.

(more…)

Coming January 10: Silent movie night on Zoom — make that Twitch

This entry was posted in Movies and tagged Internet music silent movies on by

On Wednesday, January 10, I’m going to try something new: presenting two short silent movies on Zoom with live keyboard accompaniment. This will be at 8 PM Eastern US time. It’s going to be an experiment; Zoom has all the components necessary, and I’ve tried them out, but performing for a live (well, real-time) audience always brings surprises. I’ll post the link here a couple of days before the event. User capabilities will be locked down so that Zoom bombers shouldn’t be able to do anything more than be annoying in chat, so sharing the link will be OK. (But I’ll still ask not to share it on Facebook or Xitter; no sense pushing my luck.)

For this one I’ll use my free Zoom account, which limits the event to 40 minutes. If it goes well, I may revive my paid account to allow more time. Or maybe I’ll learn how to use Twitch. The movies will start about 5 minutes after the event opens, since the time will be tight.

Update: After some experimenting, I’ve decided Twitch is a better platform for the purpose. The audience can’t do more than type into chat, so I don’t have to worry as much about who shows up. The presentation will be on www.twitch.tv/madfilkentist, and you can follow me on Twitch if you’re so inclined.

The program will be two short movies of the early silent era: Edison Studios’ Frankenstein and George Méliès’s The Impossible Voyage.
(more…)

Deva Prison

This entry was posted in Music My writing and tagged history liberty music religion on by

I’m the kind of person who always needs to have a project or two going. Things have been slow in that department lately, and FAWM is still about six weeks away. The two novels I wrote were enjoyable to do, but fiction isn’t my strongest point. The research I did for them has proven fruitful, though. I thought about writing a book on the Protestant Reformation and its effect on the emergence of personal freedom. I can’t claim to be a professional historian, though, and the readership would undoubtedly be small.

But I can write songs. The idea I’ve developed is a song cycle which combines music and history while connecting to my novels. Hans Lorenz is Thomas and Frieda’s son in The Magic Battery and Spells of War. He’s a small child and isn’t developed much as a character, but he has strong musical abilities. In this cycle, the adult Hans is the singer of songs which could get him into bad trouble for the ideas they expressed; but doing that runs in his family. (His father was on trial for his life, his mother’s book was burned, and his grandmother was killed in prison, accused of witchcraft.)

The first song, which I’ve put up on SoundCloud, is “Deva Prison.” It presents history which most listeners won’t know, so it’s followed by a short talk by “Hans” to his audience about the facts behind the song. This is a pattern which I plan to follow in other songs in the cycle.

A fact that might get a few people more interested: Dávid Ferenc, the subject of the song, was the founder of Unitarianism.

If I achieve my goal, this cycle will present some important history which isn’t familiar to most modern audiences in an entertaining way. Let me know what you think.

Song copyrights 1

This entry was posted in Commentary Music and tagged copyright music writing on by

Reports about a copyright lawsuit by Ed Townsend’s estate against Ed Sheeran recently caught my attention. The suit claims that Sheeran’s song “Thinking Out Loud” infringes on “Let’s Get It On,” usually attributed to Marvin Gaye but co-authored by Townsend. The claim was that Sheeran improperly used “harmonic progressions” and “melodic and rhythmic elements” from the earlier song, but a federal court has ruled there was no copyright violation. That got me thinking about the whole issue of song copyrights.

To start by making my own views clear, I’m in favor of copyright. Some libertarians argue that creative works aren’t tangible objects and thus shouldn’t be subject to property rights, but I think the concept of ownership is as applicable to creations of the mind as to physical creations. Copyright prevents one person (or corporation) from taking someone else’s creation and profiting without getting consent or offering compensation. I think 95-year copyrights are inappropriate, but living creators should enjoy protection against the appropriation of their work.
(more…)

Lully and music under Louis XIV

This entry was posted in History Music My writing and tagged France history music on by

Jean-Baptiste LullyHere’s my latest for the Online Library of Liberty: “The Politics of Music Under Louis XIV.” Under Louis, successful art was art which he liked, by people he liked. In music, that meant Jean-Baptiste Lully, who got monopoly privileges from the king.

There are lots of famous German and Italian composers from that period, but French composers who weren’t Lully didn’t have much of a chance. Lully finally killed himself by conducting too vigorously.