Faust


Spohr’s opera Faust

Spohr and Faust. You knew I couldn’t resist writing about that combination, didn’t you? The delay was in finding an adequate recording. Years ago, I got a CD set where the opera was so heavily cut it was incomprehensible. Since then, I’ve gotten a CPO recording of the 1852 version by the Bielefeld Opera. It’s complete or nearly so, but the download from Presto Music doesn’t include a booklet. I need a libretto to follow along, and there’s a libretto for reading or downloading here. It’s got a lot of typos, as if it was made from an uncorrected scan, but it will do. The Capriccio recording has brutal cuts, and I can’t recommend it.
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The Faust legend 2

In The Magic Battery, I play off the legend of Faust. There are many well-known versions of the story, including Marlowe’s play, Goethe’s play, and Gounod’s opera. Liszt was fascinated with the story and wrote a Faust Symphony as well as the Mephisto Waltzes. My treatment is a free one, but it starts from what’s known of the historical Faust. Or should I should say historical Fausts?

Sculpture in Auerbachs Keller

Sculpture above Auerbach’s Cellar in Leipzig, depicting a scene from Faust

Johann Faust was born in 1466, or maybe 1480. His name is sometimes given as Georg or Johann Georg. Several towns claim to be his birthplace. Could there have been two Fausts, both with a reputation for magic and born over a decade apart? This might explain the part of the story where he becomes young again.
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