fantasy

Book discussion: Piranesi

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Did you ever play those old adventure games, like Zork, where you wander through a maze, mapping it out while discovering strange and wonderful things? Piranesi feels like being in that kind of game. At first it’s just the strangeness and magnitude of the place that grabs your interest. Then there’s another character in the maze, and slowly you discover there’s a story and a mystery to solve.

Susanna Clarke’s first novel, Jonathan Strange and Mr. Norrell, was a huge hit. In 2005 it got a Hugo Award, a World Fantasy Award, and a Locus Award. It was an inspiration for my The Magic Battery. Unfortunately, health issues put a dent in a promising career, and her second novel, Piranesi, didn’t come out until 2020. The earlier book was realistic historical fantasy. This one is completely different.

It’s hard to say anything about Piranesi coverPiranesi without saying too much. As in an adventure game, the world-building comes to the foreground. The narrator lives in a huge house which is his entire world. It has hundreds of halls and thousands of statues. The staircases seem scaled for giants. The House is so large that it has tides, seasonal snowfall, and a wildlife ecosystem. Yet as far as the narrator knows, it has only two inhabitants. The narrator is as much of a mystery as the house is, even to himself.
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A new Magic Battery story 1

This entry was posted in My writing Writing and tagged fantasy fiction magic battery on by

“To Gain the Whole World,” a new story in the world of The Magic Battery, is now up and available to read free of charge.

Nikolas Fest was the character who gave me the most trouble in the story. I had to throw out a whole chapter about him after getting beta reader feedback. Most of the characters are well-grounded. They know what they’re after and what they live by. Nikolas is constantly striking out in different directions and has trouble putting his life together. It’s harder for me to understand that type of character, but they’re often the interesting ones. In this story, Nikolas meets with the Meistersinger Hans Sachs, and he faces a dilemma about how to treat his own past. Meanwhile, pushbutton magic is starting to become a part of everyday life.

It has some spoilers for The Magic Battery. If you haven’t read the novel and hate spoilers, I recommend buying and reading the novel first. :) If you can deal with a few spoilers, it could help you decide whether the hovel will interest you.

If you spot the allusion to an early TV show, let me know in the comments.

The Magic Battery: Now on Smashwords!

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My novel The Magic Battery is now available as an e-book on Smashwords. As an expression of thanks for reading my blog, I’m offering it for $1.99, instead of the usual $2.99, with the coupon code RW83R through the end of June.

This is a novel for fans of thoughtful historical fantasy. It presents an alternate Germany where magic works, and where the authorities allow only Christian men to practice it. Thomas Lorenz discovers a way to store magic spells in gadgets that people can buy or rent, putting magic in the hands of anyone with a little money. The conflict that develops parallels the effects of the real-life innovations of Luther, Paracelsus, Copernicus, and others.

In sixteenth-century Saxony, magic is a trade. Mages draw power from the World Behind, but they don’t understand it. Thomas knows that magic needs to be scientific, that it follows mathematical laws. He draws inspiration from his master Albrecht Ritter, who knows nothing is ever “good enough,” his teacher Johan Brandt, who is hiding an infamous past, and later his wife Frieda, who sees the prospect of a more enlightened future. He faces the persistent opposition of Heinrich Gottesmann, a fanatical lawyer and witch hunter. He learns that there is more at stake than just a new way of making lamps.

I’ve been to some of the places used in the book: Heidelberg, Wernigerode, Quedlinburg, Hildesheim. I’ve engaged in considerable historical research to get the period right. Apart from the magical elements, the setting is as close to the historical Germany of the 1540s as I could make it. None of the characters hold 21st-century ideas; that would be absurd. However, Thomas and especially Frieda see beyond their time.

Links, reviews, and shares will help to get the word out. You can link to the Smashwords page or to my page on this site.