Spohr’s Des Heilands letzte Stunden Recently updated !
A new release of Spohr’s oratorio, Des Heilands letzte Stunden (the Savior’s last hours), is out from Carus-Verlag. The solo singers are Florian Sievers, Johanna Winkel, Maximilian Vogler, Arttu Kataja, Thomas E. Bauer, Felix Rathgeber, and Magnus Piontek. The chorus is the Kammerchor Stuttgart, and the orchestra the Deutsche Kammerphilharmonie Bremen. It covers the same ground as Bach’s Passions, from Judas’s betrayal of Jesus to his crucifixion. A booklet in English and German contains Johann Friedrich Rochlitz’ full text with a loose translation, as well as detailed notes.
This oratorio came after Die letzten Dinge, also with text by Rochlitz. It premiered in Kassel in 1835. The earlier oratorio is a disaster movie in music. This is a more introspective work. Unlike Bach’s Passions, this “passion oratorio” tells the story primarily from the perspective of Jesus’s followers. The numbers are mostly dedicated to showing their reactions to his capture, trial, and crucifixion. Bach tells the story from a cosmic perspective; Spohr’s oratorio gets very close to the people portrayed. Even Judas is somewhat sympathetic as he expresses his terror over the situation he’s gotten himself into.
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