Movies

October 9 streaming silent film: The Cabinet of Dr. Caligari

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On Wednesday, October 9, at 8 PM Eastern US time, I’ll livestream the 1920 silent film, The Cabinet of Dr. Caligari, with my live accompaniment. This early horror film deals with a showman who controls a sleepwalker, making him commit murders. Or at least it seems that way. Nothing is quite real in this movie, which is as famous for its bizarre landscapes and buildings as for its story. Conrad Veidt, who plays the sleepwalker, is probably best known to modern audiences as Major Strasser in Casablanca.

As usual, I’ll improvise most of the music. However, there’s one classical piece which suits the movie so well that I’ll incorporate an excerpt from it.
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Silent film review: La Roue

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On September 28 I saw a presentation of Abel Gance’s 1923 silent film, La Roue, in its newly restored version, nearly seven hours long. Jeff Rapsis provided live accompaniment for the whole thing at the Brattle Cinema, and he made it to the end in fine form. Not a lot of people have seen the movie, especially in its full-length form, so I should say a few words on it even though I don’t often write movie reviews.

Gance is best known for Napoleon, another silent film of astonishing length. La Roue is divided into four parts or “epoques,” so perhaps the original idea was to present it in four sessions. It was presented in Cambridge with short intermissions after the first and third parts, and a longer break to eat after the second part. The focus is mainly on three characters, yet the movie doesn’t drag. It’s just depressing as hell. It starts with a train wreck, spectacularly presented for the time, and things just get worse from there. There is a certain amount of consolation at the end.
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Silent Movie Day

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September 29 is Silent Movie Day, and I’m participating with a short Méliès movie, The Haunted Castle or Le Manoir du Diable, for which I’ve provided improvised accompaniment.

And don’t forget my livestreaming of The Cabinet of Dr. Caligari on October 9 at 8 PM. I’ll also accompany it for a live audience at the Plaistow Library on October 11. Hopefully many of you will be able to make it for one or the other.

Upcoming silent film shows

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My silent film for October 2024 will be The Cabinet of Dr. Caligari. As usual, I’ll provide live, (mostly) improvised accompaniment. I’ll livestream it on YouTube on Wednesday, October 9, at 8 PM. On Saturday 11, I’ll accompany it again at the Plaistow, NH Library at 1 PM.

When I accompany a silent film, I improvise the music based on a general plan that includes some motifs devised in advance. For this movie, I’ll include a bit of Beethoven for certain scenes, just because it works so well.

This movie is almost as famous for its sets as for its characters and story. Everything is askew; there’s hardly a right angle to be seen in the buildings. The scenery adds to the sense of a nightmare experience. The story concerns a carnival showman whose main exhibit is a sleepwalker who never wakes. Cesare, the sleepwalker, obeys Caligari’s orders, even when it means committing murder. But there is an even greater surprise in store.

I really enjoy adding music to silent films for a live audience, or at least a real-time streaming audience. Recently I got to see Ben Model, one of the most famous silent film accompanists in the USA, accompany The Mark of Zorro on a pipe organ. It was worth the two-hour drive to Vermont.

YouTube copyright nonsense

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The showing of The Golem went pretty well. I got a notification of a copyright claim, though. It’s from “A Kidnapping Scandal: The Florence Cassez Affair,” which is a Netflix series I’d never heard of. It can’t make a legitimate copyright claim on any part of The Golem, obviously. Maybe I played four or five notes in sequence that were similar to the theme music from the show? Or maybe the show includes some footage of the old movie, and YouTube’s robots decided that the makers of that series now hold copyright to the old movie. Who knows? Fortunately it’s “not a copyright strike,” since the copyright holder allows usage of the alleged copyrighted content. It could affect my monetizing the show, but I don’t expect to try. I get the impression that challenging a spurious copyright claim on YouTube can get you into worse trouble than ignoring it, so I’ll leave it alone.

Coming silent film: The Golem

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In July, I’ll accompany the 1920 German silent film The Golem twice. On Tuesday, July 16, I’ll livestream it with keyboard accompaniment on YouTube at 8 PM Eastern Time. On Friday, July 26, I’ll accompany it live at the Plaistow Public Library at 1 PM. Watch both if you like; you’ll hear it accompanied two different ways. Please “like” the YouTube item if you’re inclined to give it a boost; that will make it more discoverable.

This is the third Golem movie that Paul Wegener made and the only one that survives. Its full title is Der Golem: Wie er in die Welt kam (The Golem: How he came into the world). Unlike the others, it deals directly with the legend of Rabbi Löw’s creation of a golem to protect the Jewish people.
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Silent film “One Week” rescheduled

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My livestreaming of the Buster Keaton short “One Week,” with live accompaniment by me, is rescheduled for Wednesday, June 26, at 8 PM Eastern time. I still haven’t solved the problem with my laptop, but if I can’t fix it in two weeks, I should turn in my computer science degrees.

Thanks and apologies to everyone who showed up yesterday.

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Sorry, I have to cancel tonight’s silent film show due to computer issues. My laptop refuses to connect to the Internet, even though my other devices have no problem.