Movies


Silent Film: The Flying Ace   Recently updated !

On Friday, February 21, at 1:00 PM, I’ll accompany the silent film The Flying Ace at the Plaistow, NH Library. Admission is free. My plan is to record the accompaniment and combine it with the movie in a YouTube video, if no technical problems arise.

I chose this movie for Black History Month. In the silent era and for some time afterward, black actors couldn’t hope for leading roles in mainstream movies. Some studios produced “race films” — movies with black casts for black audiences. One of them was Norman Studios in Florida. As far as I know, the only film from it which is still available is The Flying Ace, released in 1926.
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Stan Laurel in Dr. Pyckle and Mr. Pryde

Stan Laurel was a well-known silent film actor before he teamed up with Oliver Hardy. I’ve uploaded his 1925 film, Dr. Pyckle and Mr. Pryde, to YouTube with my accompaniment. The two-reel comedy plays off two earlier Dr. Jekyll and Mr. Hyde films, both released in 1920. In this version, Laurel’s character turns into a prankster rather than a real menace. He escapes from the angry crowd by returning to Jekyll’s lab and drinking the reversing potion, but his supply is limited.
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The Mark of Zorro with Douglas Fairbanks 2

My latest silent film upload with my accompaniment is the 1920 The Mark of Zorro, starring Douglas Fairbanks. It’s one of the most libertarian films of the silent era, presenting a masked hero who fights against oppressive rulers in Spanish California. He wears a mask, appears when he is most needed, and has a secret identity as a rich but timid caballero. It’s obvious that he was part of the inspiration for Batman. The film was Fairbanks’ first role starring as an action hero.

As usual, the accompaniment is my improvised music, played on a Roland EX-50. For this movie, I wanted to sound a bit Mexican, so I did some research. It led to a wonderful discovery: the Spanish scale, which oddly enough is also the Jewish scale. The common source is the Sephardi Jews of the Middle Ages. I started noodling in that scale and, olé! It’s a tricky scale to use when creating harmonies; there’s no proper dominant chord. With some practice, I was able to weave between major, minor, and Spanish modes. Also, I tried to sound like a guitar in some scenes, as if I were a storyteller accompanying myself.
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The Lost World 1

Let’s start 2025 with one more silent movie accompanied by me: The 1925 The Lost World. This film, presenting a plateau populated by dinosaurs, uses stop-motion effects created by Willis O’Brien, who did the effects for King Kong a few years later. It still looks pretty good. It’s vastly better than the 1960 version directed by Irwin Allen. I saw that one as a kid and immediately recognized that it was using poorly disguised lizards as dinosaurs.

The movie is based on a novel of the same title by Arthur Conan Doyle. It’s one of three novels that featured Professor Challenger, a man with a brilliant mind, a large body, and a terrible temper. The other two have fallen into obscurity. He has received the diary of an explorer, Maple White, containing sketches of dinosaurs and pterosaurs supposedly living on a South American plateau. He is ridiculed for claiming these creatures are alive in his time, and he responds by organizing an expedition to find the plateau and its inhabitants. He finds plenty of them, brought to the screen with stop motion. After his party struggles to survive and escape, he brings a brontosaurus back to London, where it gets loose to cause panic and wreckage.
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20,000 Leagues Under the Sea: The 1916 film

The latest in my series of accompanied silent films on YouTube is an early Universal picture: 20,000 Leagues Under the Sea. It mixes two Jules Verne novels: 20,000 Leagues Under the Sea and Mysterious Island. It’s a breakthrough movie on a technical level and an exciting tale, though the plot is a mess. Be warned there are spoilers below the cut.
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Silent film as history 1

My main interest in silent films is accompanying them, preferably for a live audience. The combination of film and live music provides a sense of involvement which is missing from modern movies. In the process, I’ve also found them to be a source of history. They show how people thought a century ago. The stories behind the movies are often as instructive as the movies themselves.
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Halloween movie review: The Bat

Ben Model is probably the best-known silent film accompanist in the Northeast. He has undertaken many projects to get obscure films out to the public. His recent release of Roland West’s The Bat is a striking example.

The visual quality is excellent for a nearly-lost 1926 movie. The UCLA Film & Television Archive scanned a 35 mm nitrate print, and Model’s Undercrank Productions converted it to a 2K digital version. He added his accompaniment to the film, capturing the moods and adding to the suspense.
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