The world of writing


Accompanying Phantom of the Opera

Today I accompanied the 1925 Phantom of the Opera at the Plaistow Public Library. It got a good audience for a small-town library, and I got a lot of compliments. I really want to write down some of the musical tricks I used to improvise the music. It may lose everyone reading this; if you’re confused, just skip it and go on to the next post. I’m going to dive into technical musical language, because it’s the only way to explain some of the points.

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Prescriptivism or consistentism?

Recently I replied to an online point that said that if the US enacts laws that enforce Christian views, the country will be a theocracy. I pointed out that all or nearly all European countries for most of history have met that criterion and that the USA itself was a “theocracy” by that measure until at least the 1960s. The person making the post rebuked me for being a “prescriptivist” and implied it’s consistent with being a libertarian.

First, it’s not a political issue. I don’t advocate laws requiring people to use words with standard meanings, except in legal documents. Aside from that, I’m not exactly a prescriptivist. I prefer to consider myself a “consistentist.” Whatever meaning you give to a word, stick with it and don’t conflate it with other definitions. If you want to use “glory” to mean “a nice knock-down argument,” don’t use it to mean “splendor” at the same time.
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Plagiarism accusations against Harvard’s president

Taking a principled approach means that sometimes you support a person in one respect while being severely critical in another. I supported Harvard president Claudine Gay when she said that calls for genocide don’t categorically qualify as harassment. But now there’s evidence that she’s a repeat plagiarist, and that demands strong criticism if she is.

Update: Claudine Gay has resigned as president of Harvard University. See also the new paragraph at the end of this post.

Plagiarism consists of using someone else’s words or ideas and passing them off as original work. If you cite the source, it isn’t plagiarism (though it might be a copyright violation if you use too much). Sometimes it’s tricky to identify. Two people can have the same idea independently. Words can stick in your mind, leading you to use them without being aware that you’re lifting them from another author. Sometimes there’s just one good way to say something.
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What can you do with Steamboat Willie?

What can you do with Steamboat Willie, early in the next year?

I won’t try to write a filk about it just now; answering the question is complicated enough in prose. You may have heard that “Mickey Mouse is going into the public domain,” but that’s true only in a limited sense. The first two released Mickey Mouse cartoons, Steamboat Willie and Plane Crazy, will enter the public domain on January 1, 2024, after 95 years. If you’re thinking of creating your own cartoons, drawings, fan fiction, or professional fiction based on them, you can do that legally, but you need to be careful. Mickey Mouse changed significantly over the years, and later versions of him, along with the vast majority of his cartoons, are still under copyright protection. In addition, Mickey Mouse™ remains a Disney trademark. If your work steps over certain bounds, you could hear from Disney’s lawyers.

Duke University’s website has a detailed article on what you can and can’t do. It’s not a substitute for a lawyer’s advice, but it’s a good place to start, and it could be enough if you aren’t creating stuff for profit.
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The Substack controversy

A lot of people have lately been complaining that Substack has only narrow restrictions on the content it allows. Some aren’t just complaining but are leaving the platform. The issue is “racist or bigoted speech”, and in some cases, “explicitly Nazi” material.

It wouldn’t bother me if Substack had somewhat broader restrictions on content, but it’s a dangerous path to go down, and I’m sure they know it. Deciding whether something violates content restrictions is often tricky, and sites with lots of user-generated content rely on software and people under time pressure to decide. They generate a lot of false positives. On pre-Musk Twitter, I was suspended for making a joke about the health hazards of Krispy Kreme, for recommending a sharp blade to separate uncut book pages, and for objecting to an endorsement of mass murder. The innocent were punished more severely than the guilty, since reinstatement required admitting to a violation of the rules.
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They’ve got little lists, and little research

You’ve seen those articles, maybe while trying to look something up. Lists of obscure and remarkable facts. “The strangest vehicles ever made.” “Ten ridiculous laws that are still on the books.” “Eight things you didn’t know about broccoli.” These “listicles,” as the little lists are often called, can be entertaining, but as a rule they’re unreliable information sources. Most are written by freelancers without in-depth knowledge. They repeat popular myths and lack citations. They’re the modern-day descendants of Ripley’s Believe It or Not.

This type of article is easy to skim, and readers who see one with a remarkable claim are apt to share it. This makes it good material for filling out blogs that exist to attract attention to a website. I’ve written some myself and made a strong commitment to getting the facts right. Other writers are more concerned with finishing the piece fast so they can collect their fee and move on to the next assignment. Unless a piece is by an author with relevant expertise or at least on a site that avoids fluff, you shouldn’t treat it as a reliable source.
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Coming January 10: Silent movie night on Zoom — make that Twitch

On Wednesday, January 10, I’m going to try something new: presenting two short silent movies on Zoom with live keyboard accompaniment. This will be at 8 PM Eastern US time. It’s going to be an experiment; Zoom has all the components necessary, and I’ve tried them out, but performing for a live (well, real-time) audience always brings surprises. I’ll post the link here a couple of days before the event. User capabilities will be locked down so that Zoom bombers shouldn’t be able to do anything more than be annoying in chat, so sharing the link will be OK. (But I’ll still ask not to share it on Facebook or Xitter; no sense pushing my luck.)

For this one I’ll use my free Zoom account, which limits the event to 40 minutes. If it goes well, I may revive my paid account to allow more time. Or maybe I’ll learn how to use Twitch. The movies will start about 5 minutes after the event opens, since the time will be tight.

Update: After some experimenting, I’ve decided Twitch is a better platform for the purpose. The audience can’t do more than type into chat, so I don’t have to worry as much about who shows up. The presentation will be on www.twitch.tv/madfilkentist, and you can follow me on Twitch if you’re so inclined.

The program will be two short movies of the early silent era: Edison Studios’ Frankenstein and George Méliès’s The Impossible Voyage.
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