Monthly Archives: October 2020


To Hell with Twitter

I am furious. Therefore I will choose my words very carefully.

The ex-Malaysian Prime Minister Mahathir Mohamad posted on Twitter: “Muslims have a right to be angry and to kill millions of French people for the massacres of the past.” In context, he was cheering on the brutal murder of Samuel Paty. Twitter did not suspend his account and was slow to delete that tweet.

I responded with what I consider an appropriate level of outrage and called on Twitter to remove his account.

As a result, my Twitter account is now suspended. If Twitter went to the trouble of suspending an account as obscure as mine (524 followers, last I checked), it likely did the same to a lot of other people criticizing Mahathir Mohamad, though I don’t know.
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Book discussion: Fahrenheit 451 1

“It was a pleasure to burn. It was a special pleasure to see things eaten, to see things blackened and changed.”

Those are the opening words of Ray Bradbury’s Fahrenheit 451. They could also have been the words of whoever torched Uncle Hugo’s Bookstore in Minneapolis. (The crowdfunding campaign to restore it is still active.)

The arsonist might have gone on, as the protagonist’s thoughts do: “You weren’t burning anyone, you were burning things! And since things really couldn’t be hurt, since things felt nothing, and things don’t scream or whimper … there was nothing to tease your conscience later. You were simply cleaning up.” The goons who write in defense of looting and burning regularly say there’s nothing wrong with destroying mere property.
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Book discussion: Small Gods and Hogfather 1

Terry Pratchett’s Discworld novels combine humor with commentary on serious issues. My favorite in the series is Small Gods. It doesn’t have a close connection with any other Discworld book. Its time period is earlier than most of them, except for Pyramids.

If you haven’t read any Discworld books, you should! In brief, Discworld is a flat planet whose sun orbits around it. It lies on the backs of four gigantic elephants. They, in turn, stand on the back of Great A’Tuin, a turtle who swims through space, making even the elephants look small. However, if you live where the priests of the great god Om hold power, saying this could get you into trouble. They insist, in spite of all the evidence, that their world is a globe.

Discworld has many gods. They live on belief. If no one believes in them, they dwindle into helplessness and become the small gods. Om used to be a great god, but at the start of the story, he’s well on his way to becoming a small one. He has powerful priests, and Omnia’s terrified populace obeys the commandments of his prophets — but no one actually believes in him. They believe in the Quisition and its power to torture and kill heretics.
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Barnes & Noble data breach

Barnes & Noble was hit with a cyberattack that may have exposed customer information, though they say payment data isn’t affected. Customers have reported being unable to access their Nook library. It looks as if either the breach made systems malfunction, or B&N has taken some servers offline while going after malware.

I mention this since some of you may have purchased The Magic Battery or Files that Last from Barnes & Noble. Hopefully all will be well soon.


Virtually absurd

When you don’t see people face to face and all your interactions are by phone or over the Internet, life can take on an unreal quality. It feels as if we’re living virtual lives, not real ones. Maybe that’s why writers put the adjective “virtual” on virtually everything. Instead of real learning, we have “virtual learning.” There was talk of the Democratic and Republican presidential candidates having a “virtual debate,” apparently in lieu of actually debating. Yet perversely, people we barely know on Facebook are “friends,” not “virtual friends.”

We need to hang on to the reality of life. The term “virtual” means being not quite something or being simulated. If something is “virtually impossible,” it still has a glimmer of possibility.

Many things are now simulated on the Internet because we can’t do them in real life; there are virtual meetings, virtual classrooms, virtual attendance, etc. That’s legitimate. But the outcomes ought to be real. Virtual classrooms should result in real learning, or what’s the point? Distance doesn’t make things less real. People have debated by correspondence for thousands of years; why does distance suddenly make debates “virtual”?

The word “virtual” is an antonym of “literal.” Maybe the long history of abusing “literal” has made the abuse of its opposite inevitable. If you can say someone “literally exploded” when there was no explosion, then why not say you “virtually learned” when you actually learned?

“Virtual,” like “algorithm,” is a trendy word to stick everywhere because it makes the writer sound computer-smart. But it’s virtual smartness, just the appearance of it. Let’s hold on to what’s real in life and not dismiss everything we do at a distance as “virtual.”


Book discussion: The Neverending Story

The first book I ever read in German that wasn’t a translation was Michael Ende’s Die unendliche Geschichte, known in English as The Neverending Story. Although it’s considered a children’s book, it has enough interesting ideas and scenarios to hold the interest of an adult fantasy fan. Its main characters are children, and the language is less difficult than the average adult novel, but that doesn’t keep it from being a fascinating read.

I’m aiming this article largely at our German discussion group sponsored by the Portsmouth Library, und ich sage bedingungslos: Die unendliche Geschichte ist ein sehr spannender Roman. Viel spannender als SchnarchenSchäfchenwolkenhimmel und nicht zu schwer. Oh, sorry, back to English.

Cover for Die unendliche GeschichteA movie was made of it in 1984. Ende didn’t like it. It has some scenes that live up to the book, which is saying a lot. As a whole, though, it fails. It stops about halfway through the novel and tacks on a nonsensical ending. The most gripping or frightening scenes from the book are omitted or toned down.
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Book discussion: Piranesi

Did you ever play those old adventure games, like Zork, where you wander through a maze, mapping it out while discovering strange and wonderful things? Piranesi feels like being in that kind of game. At first it’s just the strangeness and magnitude of the place that grabs your interest. Then there’s another character in the maze, and slowly you discover there’s a story and a mystery to solve.

Susanna Clarke’s first novel, Jonathan Strange and Mr. Norrell, was a huge hit. In 2005 it got a Hugo Award, a World Fantasy Award, and a Locus Award. It was an inspiration for my The Magic Battery. Unfortunately, health issues put a dent in a promising career, and her second novel, Piranesi, didn’t come out until 2020. The earlier book was realistic historical fantasy. This one is completely different.

It’s hard to say anything about Piranesi coverPiranesi without saying too much. As in an adventure game, the world-building comes to the foreground. The narrator lives in a huge house which is his entire world. It has hundreds of halls and thousands of statues. The staircases seem scaled for giants. The House is so large that it has tides, seasonal snowfall, and a wildlife ecosystem. Yet as far as the narrator knows, it has only two inhabitants. The narrator is as much of a mystery as the house is, even to himself.
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